ERIN GO MAUDLIN

The versatile British director Peter Yates once made American tough-guy movies like Bullitt and The Friends of Eddie Coyle, as well as such quirky little comedies as Breaking Away. Now he’s joined the Irish charm cult. The Run of the Country is a coming-of-age story set in an Irish village…

THRILLS

Wednesday September 27 On their toes: Twenty-five years old and still growing, one of Denver’s most respected cultural institutions celebrates in high style. Cleo Parker Robinson Dance is throwing a week of silver-anniversary events that touch on every aspect of dance: Tonight at 6:30 at the Warwick Hotel, 1776 Grant…

GOING, GOING–GONE

Lately, and increasingly, museums across the country and around the world have begun “deaccessioning”–selling off parts of their existing collections as a ready source of “free money” to pay for new acquisitions. It’s money, more than art, that’s hard for many of these institutions to come by, especially in recent…

KEEPING HIS COMPOSER

The Aurora Fox Theatre’s striking production of Peter Shaffer’s Amadeus proves once again that one can abhor the sentiments of a playwright and still find depth, meaning and mastery in his work. But it takes an ingenious performance or two, luminous directorial insight and a willingness from the audience to…

STIFF UPPER BRITS

Reviving the quintessential Fifties drama is no easy matter; so many of the values and beliefs of the period seem dated. The best approach is to be as true to the period as possible. Director Jeremy Cole takes Terence Rattigan’s charming Separate Tables–two linked one-acts from the England of the…

JERRY’S KIDS

Jerry Garcia had been at the undertaker’s about five minutes when a filmed valentine to his true believers hit the street. Your enthusiasm for Tie-Died: Rock ‘n Roll’s Most Deadicated Fans will likely depend on your tolerance for cult argot in general and Deadhead blather in particular, but make no…

PARTLY TRUE GRIT

In the cold, gray, unnamed city where David Fincher’s bloody thriller Seven takes place, it’s always raining. There’s a coating of grime on every door lock and lampshade, the coffee cups are all chipped and smudged, and every dark staircase in every tenement is collapsing. So is the tenement. All…

THRILLS

Wednesday September 20 A brand-new bag: Few men have the distinction of having worked with two of the most influential funkmeisters of all time, James Brown and George Clinton. Saxman Maceo Parker not only has it, but he wears it well. The oft-sampled Parker, who’s also provided propulsive riffs behind…

PHOTOGRAPHY TODAY

Words, just like art objects, are subject to fashion. Suddenly everyone is using the word “venerable” or mouthing a phrase like “narrative content.” Everywhere I go these days, artists, especially those associated with the alternative scene, are talking about a “critical mass”–or, more properly, the lack of one in Denver’s…

GETTING EVEN

One can respect a play and hate it at the same time. Drawn in to the premise completely, you can ultimately feel manipulated, and finally angry. Ariel Dorfman’s Death and the Maiden is just such a play–capable of awakening the darkest revenge fantasies and then convincing its audience that there…

THE PARENT RAP

Parents are difficult in every culture. If they’re kind, loving people who only want the best for their adult children, they can be pretty darn willful about just what that “best” might be. So grown-up offspring have to find ingenious ways of asserting their own independence while still preserving their…

YOUNGIAN ANALYSIS

Once your acne starts to clear up, there’s not much reason to see an Allan Moyle movie. Or so it first seems. The Montreal-born director specializes in high-test teenage fantasy, so it’s unlikely that anyone with less than a compelling interest in picking out a prom dress or getting a…

CRYING GAMES

Actress Diane Keaton has declared herself a film director, and she hasn’t taken long to set a style. In Unstrung Heroes, a bittersweet tearjerker combining a twelve-year-old boy, his dying mother, his geeky father and two crackpot uncles, Keaton leans toward solemn silences and worried faces reflected in windowpanes. She…

THRILLS

Wednesday September 13 The rite stuff: We all go through changes–author and journalist Gail Sheehy proved that long ago with her book Passages, which chronicles adult life stages. But it doesn’t take into account that we all experience those changes differently–and at different times. Her latest, New Passages: Mapping Your…

GLASS ACT

People often talk about art when they’re actually referring to something else. We hear about the art of the deal, the art of medicine. There’s the art of cooking. And the art of politics. Even the art of baseball. Aren’t comedians and rock stars called artists? In fact, it seems…

STILL A KILLER

It’s impossible to beat Alfred Hitchcock at his own game. Nobody could remake Dial “M” for Murder as a movie and make it work. But Frederick Knott’s 1950s crime play still crackles oddly on the stage. And Hunger Artists’ stylish production, though intermittently absurd, translates film-noir technique gracefully to the…

TRUE VOICES

Once in a while a glimpse of something special comes through in a theatrical event. And Voices of the Children: The World of Brundibar is special. This is community theater as it should be: beautifully mounted, intelligent, moving and a little raw around the edges. Because the play is about…

FRENCH TWIST

Earlier this year Andre Techine’s Wild Reeds won four major Cesar Awards–France’s version of the Oscars–and the movie has attracted big audiences in that country. But not all French delicacies travel well. The four interwoven coming-of-age stories at the heart of the film are interesting enough because raging teen hormones…

DEAL US IN

Spike Lee’s in-your-face moviemaking style–the pounding insistence that we get it–is familiar by now. So there’s little surprise when Clockers, which explores the complex, uneasy relationship between cops and bottom-rung drug dealers around a decaying Brooklyn housing project, opens with a grim montage of bloody police crime-scene photos interspersed with…

THRILLS

Wednesday September 6 Ain’t had enough fun: This kind of longevity, for a rock band, is no little feat: True to its name, Little Feat has been mastering chunky, infectious rhythms since the early ’70s, despite the 1979 loss of original guiding light Lowell George, whose stunning slidework and droll…

PIGMENTS OF THE IMAGINATION

To many in the art world, painting is the center stage, the place where the aesthetic stakes are the highest. The Boulder Museum of Contemporary Art’s thought-provoking exhibition Pure Painting provides snapshot views of current events in the venerable medium. Organizing such a show (this one was put together by…

BEACH CRAFT

When you think of Edward Albee, the word “hopeful” does not readily leap to mind. The author of The Zoo Story, Who’s Afraid of Virginia Woolf? and All Over, among many other dark dramas, lashes out at human cruelty, egotism and the inability to communicate across gender and class lines…