The Crimson Thread. The first scene of this play is well-acted and somewhat promising, though it does have a bit of that golden-sunlight, Hallmark-card feeling about it. The year is 1869. Two sisters, Eilis and Bridget, are talking on the porch of a stone cottage in a small, poor Irish…
The first scene of The Crimson Thread, currently showing at the Arvada Center, is somewhat promising, though it does have a bit of that golden-sunlight, Hallmark-card feeling about it. Mary Hanes’s writing is lyrical but rarely revelatory. The year is 1869. Two sisters, Eilis and Bridget, are talking on the…
In the last few years, Bas Bleu has become a beacon of theatrical inventiveness and energy in Fort Collins. Play selection is always intelligent and sometimes daring, and execution is usually exemplary. The company began this season with an ambitious endeavor: In conjunction with Openstage, they presented Angels in America…
Cyrano. The trouble with Heritage Square’s Cyrano is that the company has abandoned the hybrid style that’s all its own — one that involves wild improvisation and lots of audience participation — and decided instead to play the story of the long-nosed wit and fighter who’s afraid to reveal his…
I think of Alan Bennett as a chronicler of the lives of those inhabiting a certain stratum of British society: lonely, middle-class people, conventional, self-conscious and always slightly embarrassed at themselves, like the monologuists of Talking Heads or Bennett’s self-depiction as the unwilling host of The Lady in the Van…
In a culture where popular definitions of manhood are as rigid and narrow as they are in the United States (real men chop down trees, play sports and don’t drink lattes), the age-old ideal of the warrior-poet seems a contradiction in terms. Without question, however, this mythic figure was in…
Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. They’re wonderfully into character, batting at each…
Pigeons on the grass, alas. — Gertrude Stein It is neither just nor accurate to connect the word alas with pigeons. Pigeons are definitely not alas. They have nothing to do with alas and they have nothing to do with hooray (not even when you tie red, white, and blue…
Normally, I would trek through broken glass — well, okay, walk several city blocks in new high heels — to see Nicholas Sugar perform. It’s not just his humor and intense stage presence; it’s the fact that in the past he’s added interesting colors to roles that could easily be…
Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. They’re wonderfully into character, batting at each…
Edmond, currently being staged by the Denver Repertory Theatre Company, is about as nasty a play as I can imagine. When I see something that angers me this much, I usually try to figure out some interpretation I may be missing, something that justifies the enterprise. But for the life…
Fire on the Mountain is an evocation of the lives of Appalachian coal miners in the first few decades of the twentieth century. Created for the Denver Center by Dan Wheetman and Randal Myler, who also directs, it is told primarily through song, with snatches of dialogue and narrative taken…
Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. They’re wonderfully into character, batting at each…
The Denver Center Theatre Company is presenting a version of The Madwoman of Chaillot, updated as simply The Madwoman and set in contemporary New York rather than Paris. The play was written by an ailing Jean Giraudoux during World War II and was first released in 1945, after his death…
Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. They’re wonderfully into character, batting at each…
Paris on the Platte is a comic romp through early-nineteenth-century Denver history, focusing on Mayor Robert Speer and his dreams of “The City Beautiful.” The opening — a spoof on old-time melodrama — doesn’t quite work: It’s hard to tell exactly what’s being said by the yelling, gesticulating actors. But…
Polonio Castro, the protagonist of Thaddeus Phillips’s El Conquistador!, is a Colombian peasant living out a fantasy. Although there are similar Everyman characters in many cultures, Polonio reminds me of the humorous little men who populate Czech film and literature — not too great a stretch, given that Phillips’s theater…
Cats. This company does as good a job with Cats as one can imagine. The dancing, choreographed by Stephen Bertles, who also directed, is seamless. The cast is lithe and graceful. They slither like snakes. They leap high and land without a sound. They’re wonderfully into character, batting at each…
Always…Patsy Cline. Always Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
When I first saw publicity for The Testosterone Monologues at the PS Grille (now PS 1515), I imagined some guy playing with his penis — literally or metaphorically — in a nasty, smoky joint. Surprise number one: PS 1515 is a nice place, well-appointed, shiny wood fittings, roses on the…
It takes time for major historic events to find expression in art (a serious body of literature about the Vietnam War didn’t emerge until almost a decade after the peace treaty was signed), and it seems to me that playwrights are just beginning to feel their way into the topic…
Always…Patsy Cline. Always Patsy Cline is a light, mildly entertaining evening. You get an efficiently evocative set that’s divided into three parts: a down-home apartment; an old-fashioned country bar, complete with jukebox; and, in the center, the stage of the Grand Ole Opry. There are two skilled singer-performers, one of…
