Performing Arts

Meat and greet opportunities.

Houston’s police chief reads the words of a Colorado immigrant leader in the latest edition of Motus Theater’s UndocuMonologues.

Seven theater companies have 24 hours to write, produce and perform a play.

As the pandemic rages on, the arts institution continues to find ways to keep local actors and directors employed.

Louis Johnson and Lamont Ferguson launched A Good Green Room, documenting conversations between comedians.

We attended a socially distanced performance of Wonderbound’s Winterland: A Discotheque Cabaret to find out.

Boulder Ensemble Theatre Company explores the intersection of science and art in Science Shorts.

U.S. News and World Report gets bad reviews.

It wasn’t COVID that caused her to leave.

There are plenty of Colorado Nutcracker performances to catch this holiday season.

While you can’t go to the theater, don’t be a Scrooge. You can still enjoy Charles Dickens’s classic tale.

COVID-19 has hit the comedy scene especially hard.

Geoffrey Kent and Jessica Austgen talk about their new production of The Family Tree.

Weeks after Wonderbound’s studio was trashed, the company has found a new home.

Len Matheo is mining the future for gold.

The Nutcracker is moving to Rocky Mountain PBS, mainstage shows are canceled, and solo and duet dances will abound.

Until the Flood looks at what happened in the wake of Michael Brown’s death at the hands of law enforcement.

Ballet Master and Associate Choreographer Sarah Tallman discusses “Julius,” a short film she choreographed to the music of Phish.

Lucidity Suitcase Intercontinental’s Zoo Motel brings theater online.

“We’re here in a positive way for everyone.”

To make up for lost revenue and adjust to COVID-19, the disability-affirmative theater troupe is hosting its annual fundraiser as a webathon.

“It’s scary to look ahead to 2021, when we still have so much uncertainty.”