We are all related to each other, separated by only six people–six degrees of separation. You may not think you have anything in common with a monk in Tibet, but if you could trace a path through the right six people, you’d find a direct connection. This intriguing, if dubious,…
It could have been, so easily, Cheez Whiz. But The Who’s Tommy, now playing at the Buell Theatre, has evolved into a brawny rock hymn to reconciliation. “See me, feel me, touch me, heal me” is not so much the solipsistic demand of invisible youth it originally was but rather…
David Mamet’s A Life in the Theatre, now playing at the Boulder Art Center, might be seen as an argument against a career in the theater–sort of a parent’s tool to persuade the aspiring actor in the family to go to law school or become a sanitation engineer. But since…
Beatle boys John and Paul each loved their mum–and they each lost her. That’s one of the key themes running through Lennon and McCartney: The Day They Met, a new work by Denver playwright Michael A. Miller now being performed at the Mercury Cafe. Miller implies that the common loss…
The production of Crazy for You at the Buell Theatre cranks up a full head of steam–and the rest of us have to run with it. Fortunately, most of the time the sprint is worth the effort. After all, the music is George Gershwin’s and the lyrics are Ira Gershwin’s…
What is real? What is illusion? Hunger Artists Ensemble Theatre poses these questions in its presentation of Tony (Angels in America) Kushner’s adaptation of French playwright Pierre Corneille’s miraculous L’illusion Comique. Kushner’s brilliant update of the 1636 play, redubbed The Illusion, is funnier and more relevant to a contemporary audience…
One of the best jokes in playwright Jane Wagner’s one-woman show The Search for Signs of Intelligent Life in the Universe is found in its title. The question is, just how intelligent is life on earth? Now in an exuberant production at the Avenue Theatre, Wagner’s play asks more questions…
Everybody has a story–sometimes several stories. But a good story isn’t enough; you have to know how to tell it well. So a retired sailor named Ralph discovers during the course of Ralph’s Play, the first and best of two one-acts now playing at the RiverTree Theatre. Denver playwright Pat…
A great production of an excellent play can set you on fire with passion for the art form. You walk out of the theater knowing that something authentic has been uncovered about the very nature of human experience. And you realize that this particular revelation could only come via the…
“It’s hard being easy,” remarks the prostitute in Erik Tieze’s new one-act, Motherlode, the first–and best–of three works by Colorado playwrights in the Changing Scene Theater’s Summerplay: Series 2. She’s wryly describing her own workload, of course. But the line also sums up the predicament faced by the play’s characters:…
Of all the summer musicals available this season, the best so far is Ain’t Misbehavin’, featuring the music of Fats Waller. The production now playing at the Eulipions cultural center erupts with energy, talent and intelligence. These songs are gutsy, wise and full of heart–earthy, sweetly romantic, at times patriotic…
The difficulty in writing a play about another culture and people far, far away is bringing the characters to life. So it comes as no surprise that City-Stage Ensemble’s production of Dan Hiester’s new play, Family Gatherings, a thinly disguised defense of the Palestine Liberation Organization, is a bad trip…
Witchcraft, murder, mayhem, suicide, cynicism and, finally, the tyrant’s head on a pike–Shakespeare really knew how to grab an audience. And despite a somewhat tedious first act, the Colorado Shakespeare Festival’s production of Macbeth ultimately gives this prurient material the treatment it deserves. The second act is splendid. Even the…
A middle-aged soldier loses his head over a beautiful slut, betrays his wife, his country and himself while spinning slowly into a libertine’s decline. He makes a lot of tactical mistakes as a soldier because he has lost his sense of proportion, all of which eventually leads to his defeat…
Rosencrantz and Guildenstern Are Dead–and the production now at the Theatre on Broadway very nearly succeeds in burying them. Playwright Tom Stoppard takes two of the most ambiguous figures in Shakespeare, Hamlet’s school chums Rosencrantz and Guildenstern, and gives them a life of their own, creating a story in which…
When the Puritan Malvolio is funny, Shakespeare’s Twelfth Night works. It’s an odd comedy, full of dark emotions and motives, sexual ambiguities, deliberate humiliations and mistaken identity. In some productions, these themes are played seriously and the whole show falls apart. Fortunately, the Colorado Shakespeare Festival production finds exactly the…
She lures him into her chamber and keeps him there like a big, hungry spider. First she seduces him, and then he can’t leave because he throws his back out. It’s Christmas Eve and there’s a blizzard raging outside–no cabs, no limos. All the while she works on him, because…
The lighthearted feminist musical review A…My Name Is Still Alice, a collection of songs and sketches now in its regional premiere at the Theatre on Broadway, is more about playful self-mockery than genuine social issues. It may not be a comic wonderland–there are some scratchy performances among the six-woman ensemble…
Something’s happenin’ here, and what it is ain’t exactly clear. But it’s exciting, funny and bugged-out. The Home Medical Shopping Network, an hour-long performance theater piece now playing at The Bug, takes on the business of medicine and the inanity of cable TV (and the culture that has produced them…
It’s great fun to see famous Broadway and Hollywood actors on a Denver stage–it seems to bring out the “golly gee” in all of us. Wendy Wasserstein’s slick, sophisticated and tepid comedy The Sisters Rosensweig, passing through Denver via the Auditorium Theatre’s “renovated” stage, boasts a fine professional cast–all established…
On the surface Nunsense II: The Second Coming may sound irreverent, anti-Catholic and irreligious. But like its predecessor Nunsense, it’s none of those things. The jokes are funniest to those most familiar with Catholicism–one former Catholic schoolboy informed me that the Latin motto on the floor of Mount Saint Helen’s…
Natalie Belcon is beautiful, funny and equipped with a luscious, rich voice. You can hear a long way down into the sound she makes, and in Robert Garner Center Attractions’ The World Goes ‘Round, she makes the world go around all by herself–almost. Belcon’s not really all by herself–there are…
