A conversation with Garrett Ammon and Alex Ketley

Ballet Nouveau Colorado’s innovative season draws to a close this weekend with a program of four brand-spankin’-new pieces, one by BNC artistic director Garrett Ammon, one by company artist Jason Franklin, and one each by guest choreographers Maurya Kerr and Alex Ketley. We caught up with Ammon and Ketley to…

Ladies Laugh-In at Beauty Bar moves to Thursday Night

It’s pretty evident from the headline, but the Ladies Laugh-In monthly comedy showcase has moved from the third Wednesday of every month to the third Thursday. Comedian and Laugh-In coordinator Heather Snow says it was a simple matter of the new night freeing up, and a desire to not compete…

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Fiction. In the first scene of Fiction, two people argue and flirt in a Paris cafe. They seem entirely familiar with each other; their argument, though heightened and intensely clever, still has the comfortable, teasing, accustomed rhythms you expect of a conversation between lovers. But in the second scene we…

Now Playing

Fiction. In the first scene of Fiction, two people argue and flirt in a Paris cafe. They seem entirely familiar with each other; their argument, though heightened and intensely clever, still has the comfortable, teasing, accustomed rhythms you expect of a conversation between lovers. But in the second scene we…

Lynn Nottage illuminates the plight of Congolese women in Ruined

One of the most troubled and lawless places in the world right now is the Democratic Republic of Congo, suffering the malign aftermath of colonial rule, riven by inner conflict, the site of proxy wars involving neighboring countries, and made particularly dangerous by the presence in its soil of rich…

Now Playing

Fiction. In the first scene of Fiction, two people argue and flirt in a Paris cafe. They seem entirely familiar with each other; their argument, though heightened and intensely clever, still has the comfortable, teasing, accustomed rhythms you expect of a conversation between lovers. But in the second scene we…

Now Playing

Fiction. In the first scene of Fiction, two people argue and flirt in a Paris cafe. They seem entirely familiar with each other; their argument, though heightened and intensely clever, still has the comfortable, teasing, accustomed rhythms you expect of a conversation between lovers. But in the second scene we…

Homebody/Kabul is a large and raggedly ambitious work

The greatest strength of Tony Kushner’s Homebody/Kabul lies in the hour-long opening monologue, in which an eccentric British housewife, holding an outdated guidebook to Kabul, tries to get her arms around the great, rich, anguished and turbulent mystery that is Afghanistan. Surrounded by people of diverse cultures and religions, sequentially…

Aurora Fox presents a daring evening of theater with K2

Pakistan’s K2 mountain is the second highest in the world, and it kills climbers: One dies for every four who make the summit. Very few of us can understand what drives those who attempt these summits, deliberately exposing themselves to terror and pain, nor can we know what it feels…

Playwright Steven Dietz offers a mental Rubik’s Cube in Fiction

Memory deceives. The written word tries to encapsulate memory, but it, too, deceives — and sometimes it deceives deliberately. And so does playwright Steven Dietz. His plotting for Fiction is cunning, and the layers of complexity he builds around the basic concepts of truth and fiction are even more so…

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The Field. Bull McCabe has been farming a few acres for several years — fencing, tearing out weeds, fertilizing — until the barren soil has become a lush pasture for his herd of cows. And now the owner, a poor widow, needs to put the field up for sale. Enter…