In television, ratings determine everything. That’s why the networks pull out all the stops in programming during sweeps weeks. There are only a few of them during the year, but you know when one comes around, because the entire Godfather series runs on Bravo, MTV airs a Jackass marathon, there’s…
Here’s some sad if not unexpected news: It will soon be time to bid adieu to the wonderful little Andenken Annex (1449 Wynkoop Street, 303-758-2290) in LoDo. Since June, the Annex has been ensconced in the first-floor space of the SteelBridge loft complex, which has a great, high-profile location. Now…
More than any other fine-art medium, photography presents itself in myriad guises. It plays a variety of roles, depending on the context. In fact, the vast majority of photographs are not works of art at all — not because they’re badly done (well, not only that), but because they were…
Rokko Aoyama lives in northern Colorado, but it’s her former homeland, Japan, that gives her conceptual sculptures and installations their decidedly foreign flavor. Many of Aoyama’s works in Visual Itch, now at Artyard Gallery (1251 South Pearl Street, 303-777-3219), include ovoid shapes inspired by Manju, a popular Japanese snack. The…
For the art scene in Colorado, the Denver Art Museum is the only big-league game around. It’s something akin to the Broncos, Rockies and Nuggets all rolled into one. When I first heard about the recently unveiled Retrospectacle, a salute to modern and contemporary art, I got a little nervous…
Zip 37 (3644 Navajo Street, 303-477-4525) is an artists’ co-op with an atmosphere that’s equal parts alternative space and tacky gift shop. Right now, there’s something special on display in the former: An Unwelcome Guest and Other New Paintings, an exhibit devoted to strangely compelling little pieces by emerging artist…
On the frigid night of November first, hundreds of art enthusiasts made their way to the opening of the Four Year Anniversary Show at the William Havu Gallery. The occasion, of course, was a celebration of the gallery’s fourth year in business. “We’ve never had an opening like it,” says…
The Soup Gallery (554 Santa Fe Drive, 720-946-2899) is run by artist Josh Bemelen in the space that was formerly the home of the ILK co-op. Sadly, ILK exists today only as ILK @ Pirate, where it started — and where, if rumors are to be believed, it will soon…
The fall/winter show at Denver’s Museum of Contemporary Art, POPjack: Warhol to Murakami, is a thoughtful and thought-provoking survey of the interrelationships between the American art of the 1960s and ’70s and Japanese and American art from the last five years. The compelling exhibit is highly unusual, even if the…
Spark Gallery, the city’s oldest co-op, is hosting a pair of intelligent and complementary solo shows, Sue Simon: How Many? and Foci: Photographs by Barbara Carpenter. Simon, a former scientific illustrator, has created a group of abstract paintings that vary widely in appearance even though they are apparently all part…
Denver’s new Wellington E. Webb Municipal Office Building, by the Denver firms of David Owen Tryba Architects and RNL Design, is the latest monument to rise at the Civic Center — which, by the way, is Denver’s premier urban space. Because of its prominent location, designing a building here has…
The Victoria H. Myhren Gallery, in the Shwayder Art Building on the University of Denver’s campus (2121 East Asbury Avenue, 303-871-2846), is hosting an exquisite exhibit titled Ronald Davis: Recent Abstractions 2001-2002. The show, which runs through November 8, was organized by Gwen Chanzit, a professor of art history at…
I said it just a few weeks ago: It’s hard to believe how many first-rate art shows this season are devoted to that old warhorse, abstract painting. There’s no question that the current positive reappraisal of abstraction — both of the historic and contemporary type — is a train that’s…
It’s strange to find a first-rate painting show on the second floor of a run-down warehouse near the National Western Stock Show Complex — but that’s exactly what’s there right now. The impressive exhibit is called hEMLOCK rOW: Paintings by Stephen batura, and it’s on display in a building known…
The Robischon Gallery is surely the flagship of Denver’s contemporary-art venues. Oh, sure, there are a handful that are every bit as good — but none are any better or have as long of a distinguished track record. The gallery’s physical plant, with its high ceilings and big walls, is…
I’m going to throw caution to the wind and say that Continuum: Magnetic Sustensions, by Joseph Shaeffer, is one of the best shows by an emerging artist that we’re likely to see during the 2002-2003 season — which, by the way, has only just started. The Shaeffer show is being…
There’s a dizzying array of notable photography shows in Denver right now. And while photographs are always on display somewhere in town, it’s hard to recall an autumn with so many photo and photo-based shows as season openers. There are a number of reasons for this. During the past thirty…
Emerging artist R. Scott Davis lives in New York, but as an alumnus of the University of Colorado at Boulder, he still has ties to this area. In Chromatic Flux, now at the Cordell Taylor Gallery (2350 Lawrence Street, 303-296-0927), Davis explores the abstract potential of photographs, adding to the…
During the past four or five seasons, a legion of exhibitions have been presented in the area that explore the rich topic of abstract art in Colorado. These shows, of both modern and contemporary stripes, have revealed the presence of an indigenous Front Range modernist scene — dating back over…
There’s a very smart-looking solo exhibit called Amorphous Unifiers at the Edge Gallery (3658 Navajo Street, 303-477-7173). Made up of a series of closely associated works by longtime Edge member Dania Pettus, the show is installed in the co-op’s front room. Pettus calls her pieces “photographs,” but that’s not really…
Discreet shifts have been taking place at 30th and Vallejo streets over the past couple of months. I’m referring to behind-the-scenes negotiations at the Judish gallery, located on the ground floor of the historic Asbury Methodist Church, a landmark in every sense of the word. Here’s what has happened: The…
Richard Colvin and Katherine Temple are longtime members of the Pirate co-op (3659 Navajo Street, 303-458-6058), and every year since 1993, they have presented collaborative, site-specific installations at the well-known alternative space. This year’s piece, Remote Echoes of a Premature Past, is a re-creation of their debut installation, which was…
