Big Splash

When Colorado’s Ocean Journey co-founders Bill Fleming and Judy Petersen-Fleming moved to town in 1992 with an idea for an aquarium in the Platte Valley, they appeared to be a couple of pipe-dreaming flakes. The very idea of a facility devoted to marine life seemed absurd in landlocked Denver –…

Art Beat

ILK, at 554 Santa Fe Drive, is a raggedy, upstart co-op that nonetheless frequently displays some of the most original art around. It is currently presenting a pair of intriguing solo shows. In ILK’s south gallery is New Works by Victoria del Carmen Pérez; in the north gallery is Size…

Straight Shooter

The Center for the Visual Arts is celebrating its first anniversary this summer in an expanded space on Wazee Street. The CVA, which operates under the auspices of Metropolitan State College of Denver, was originally located around the corner on 17th Street, in the building that is now occupied by…

Art Beat

Big-time local ceramics talent Rodger Lang is currently the subject of Lines & Space & Time at Artists on Santa Fe, 747 Santa Fe Drive. Though it’s economical for a solo exhibit, with only a few groupings of pieces, the show does lay out examples of each of the major…

Seasonal Winds

Well, it’s that time of year again–late summer, when the art world, which is centered in New York, essentially shuts down, with many galleries actually closing for the entire month of August. This hiatus is a response to the stifling heat and high humidity that engulfs the East Coast this…

Real to Real

The Singer Gallery’s mid-summer offering, the absolutely fabulous John DeAndrea: Fragments, provides local viewers a rare opportunity to see the work of one of the greatest artists in Colorado, ever. DeAndrea was born in Denver in 1941 and raised in the old Italian neighborhood on the west side. “We lived…

Flash Point

The Spark Gallery has reached a milestone: It has two decades’ worth of history under its belt. To mark this momentous event, the current members of the city’s oldest extant art cooperative invited back its founders, none of whom are still involved with Spark, and many of whom no longer…

Coming of Age

The Denver Art Museum has gotten good at attracting crowds. The blockbuster Toulouse-Lautrec, which just closed, brought in more than 100,000 visitors. And last year, the Berger Collection had similar success with a comparable attendance. Thousands of people also visit the various galleries scattered throughout the seven-story museum that feature…

Sit on It

The title of the current exhibit at the Metro State Center for the Visual Arts, Chairs! Chairs! Chairs!, may suggest to some that what we’re in for is a design show–or perhaps a display of artist-made furniture. But it’s neither. Instead, CVA director Sally Perisho has assembled the work of…

Insults and Injuries

Mary Chenoweth, who died on January 14, at the age of eighty, was one of the most important and accomplished artists to ever have worked in Colorado. But that’s not the impression you’ll get from the ineptly arranged and incompetently organized memorial exhibit Mary Chenoweth: Collage of a Life’s Work,…

London Calling

By a lucky accident of scheduling, the Denver Art Museum is presenting a pair of shows that provide visitors with a striking juxtaposition. On the seventh floor, in sumptuously appointed galleries, is Art in the Age of Queen Victoria: Treasures From the Royal Academy of Arts, a traveling exhibition showcasing…

The Shock of the Now

As we near the end of the 1900s, it’s interesting to notice that the world of the visual arts is wide open, with a staggering profusion of artistic visions. Quite literally, anything goes. There are so many competing styles, ranging from straight traditionalism to the wildest fringes of conceptual art,…

To the Max

The Rule Modern and Contemporary Gallery is currently featuring the compelling show Carl Andre and Melissa Kretschmer, which pairs a handful of Andre’s recent sculptures with Kretschmer’s hard-edged tar-on-glass paintings. Both artists share basic aesthetic concerns. “We’re two modern artists who admire each other’s work,” says Andre, “and we happen…

Pride of Place

Since relocating to the Golden Triangle from LoDo last fall, the William Havu Gallery (formerly the 1/1 Gallery) has greatly expanded its stable of artists. Among the recently snagged talents are those of husband-and-wife painting team Tracy and Sushe Felix, whose latest efforts are featured in the captivating exhibit New…

Mixed Doubles

Dave Yust: Diptychs 1968-99, which closes this weekend at the Curfman Gallery on the Colorado State University campus in Fort Collins, is a stunning examination of the work of one of the state’s most important contemporary artists. Yust, who teaches at CSU, organized the show himself and has zeroed in…

Crossed Borders

The normally staid Museo de las Americas, on Santa Fe Drive, is now hosting Los Supersonicos: Two Chicanos Zoom Into the New Millennium, a raucous contemporary exhibit filled with humorous political commentary in the form of irreverent paintings, prints and sculptures. “Los Supersonicos is a grupo,” says Carlos Fresquez, who…

Mud and Guts

More than any other medium, ceramics has achieved a high level of artistic development in Colorado. The glorious early history of ceramics here was partly determined by the availability of high-quality clay. Beginning in the 1890s, potters from the East and Midwest migrated to Colorado in a kind of clay…

One-Stop Viewing

Cydney Payton, the director of the Boulder Museum of Contemporary Art, has little trouble filling the place with exciting exhibits. In fact, she’s crammed so much into BMoCA that one of the four current shows, Housed, begins not in the museum, but on the street out front. Housed is a…

Short Subject

Over the past twenty years, blockbuster shows have become a necessary evil at museums. When they succeed–and they usually do, at least financially–they increase attendance, and that’s the bottom line in the exhibition business. But while they may attract big numbers economically, such shows can be aesthetically bankrupt. At the…

Long-Term Commitments

Russell Beardsley emerged on the Denver art scene while still a student. The first shows of his conceptual metal sculptures were presented to both critical and popular acclaim in 1993, a year before he earned his BFA from the University of Colorado at Denver. Back then, his pieces most often…

Weaving a Story

The Colorado History Museum’s major exhibition this season is Spirit of Spider Woman, an intelligent and elegantly presented examination of Navajo weaving that’s been two years in the making. But don’t expect the dry, straightforward approach that is typical of the CHM. Instead, like the exhibit’s catchy title, Spider Woman…

The Wild, Wild West

When John Hull moved to Denver last year to become the head of the art department at the University of Colorado’s Denver campus, the city didn’t gain just another academic. It also netted itself an important artist, as shown in John Hull Narrative Paintings, Hull’s regional debut exhibit at the…