Denver Artists for Rent Control Ask Hancock and Hickenlooper for Help

Roseanna Frechette, a poet and spoken-word artist, has lived in Denver since 1976, most of that time considering the city a choice, affordable place to work. In recent years, the city’s art scene has exploded, a phenomenon she says she welcomes. Alongside the creative communities’ recent boom development has also exploded, cranes litter the skyline and Denver is growing. Now, says Frechette, artists – who have long depended on the city’s affordability – and their homes and studios are endangered.

Why the Denver Museum of Nature & Science Skipped the March for Science

When thousands of protesters, including prominent scientists and politicians, hit the streets of Denver as part of the national March for Science on April 22, some demonstrators took note of which groups were there and which were missing. One institution that was notably absent: the Denver Museum of Nature & Science.

Michael Singer’s Piece Was Designed to Look Like a Ruin; DIA Says It Is One

At the April 4 meeting of the Denver Commission on Cultural Affairs, commissioners received a Request for Deaccession report from Denver International Airport that proposed removing three of DIA’s original pieces, part of a $15 million-plus art collection made possible by Denver’s policy that sets 1 percent of every major construction budget aside for art. “SkyDance” never really worked, and the floor in the Great Hall is apparently doomed by big expansion plans. But why get rid of Michael Singer’s “Hidden Garden”?

Artist Konstantin Dimopoulos Is Painting Trees Blue in the Denver Theatre District

Denver gets ribbed for its fixation on blue public art — the curious blue bear that welcome visitors at the convention center and the demonic rearing horse at the airport both evoke controversy, each in its own way. But for Konstantin Dimopoulos, who arrived in Denver last week to begin painting trees blue in the Denver Theatre District, blue public art is no joke.

Derrick Velasquez’s The Stacks Takes on Race and Rhinoceropolis at the MCA

The cornerstone of any library is in its stacks, where living records in the form of books and media sit, waiting to impart knowledge and share stories. When tasked with curating a show for the shelves of MCA Denver’s Open Shelf Library space, artist Derrick Velasquez began by deconstructing the library aesthetic and finding parallels in life, bringing together what might seem like a scattered group of collections in repose.

Where You See Trash, Teresa Castaneda Sees Art

“When we’re done with this conversation, I’m going to look like a big bum,” says Teresa Castaneda, laughing as she stands by the front door of her home on Elati Street. She’s petite and tan, and a shock of gray curly hair frames her face like a wave. It takes…