Currently, there’s a touching two-part exhibit at the Edge Gallery (3658 Navajo Street, 303-477-7173) that honors Roger M. Beltrami, a long-time co-op member who died earlier this year. The show, birds of a feather, has two parts: In the front space is a memorial presentation featuring Beltrami’s own work, and…
The story had been circulating for months: Fresh Art Gallery was closing for good, and the newish +Zeile/Judish would be moving into the sharp-looking spot at Ninth Avenue and Santa Fe Drive. And it was lots more than a rumor. Not only had the tale been spread around by Jeanie…
Walker Fine Art (300 West 11th Avenue, 303-355-8955) is currently presenting a three-artist group show with the meaningless and universally applicable title Contemplation. The exhibit brings together the work of Boulder sculptor Anne Shutan and Denver painters Eric Michael Corrigan and Angela Larson — or does it? All three artists…
Well, I’ve decided to make it official and issue a formal statement on the matter: I hate juried shows. They’re the slums among group shows, and it’s hard to believe they’re still being done. I don’t even know why I still go to see them. The problems with juried shows…
There’s an extremely unusual show at Capsule (554 Santa Fe Drive, 303-623-3460) called Justin Beard: Second Hand Smoke. The handsome exhibit represents a very strong early showing for a young emerging artist who’s just out of art school. Capsule director Lauri Lynnxe Murphy describes Beard’s installation as being “very cool…
American art in the post-World War II period is generally considered by scholars to represent a high point in recorded history. In the ’50s, ’60s and ’70s, American modernism dominated the world, and the greatest painters, sculptors, designers and architects were working in this country. This cultural dominance is still…
Though the ordinary fare at Gallery Sink (2301 West 30th Street, 303-455-0185) is photography, work in other media is featured from time to time. Painting is the mode showcased in Jeremiah Coleman Teutsch: Six Married Couples and One Lonely Mountain Man, hung in the formal main gallery, and installations make…
It’s safe to say that no matter when you go to the Singer Gallery at the Mizel Center for Arts and Culture, there’s always something worth seeing. But to describe the current offering as being merely worthwhile would be a major understatement, because Jules Olitski: Half a Life’s Work: Selected…
Located across the street from the west side of the Denver Art Museum, next to the venerable Camera Obscura, is the city’s coziest little art shop, the Emil Nelson Gallery (1307 Bannock Street, 303-534-0996). Into the warren of small rooms that once made up the first floor of an old…
There’s an important exhibit at the Denver Art Museum that’s being given the royal treatment, which makes sense, because it’s filled with regal pieces. The blockbuster is Painting a New World: Mexican Art and Life, 1521-1821, a mammoth endeavor that includes more than fifty paintings, many of them monumental in…
California-based photographer Rick Nahmias was researching famed TV journalist Edward R. Murrow when he came upon Harvest of Shame, Murrow’s 1960s documentary about the dreadful living conditions of farm workers. The film inspired Nahmias to revisit the topic, and the results are the dozens of wonderful photos that make up…
I was really worried about contemporary art at the end of the twentieth century. Things were looking bleak, as public support was clearly on the wane. The art magazines and the art establishment were no help, either, since both were filled with the novel, the outlandish and the absurd, but,…
The Colorado Photographic Arts Center (1513 Boulder Street, 303-455-8999) is presenting a theme show with the scientific-sounding title of TRANSMUTATIONS, referring to something that has been changed or altered into something else. In this case, the three artists represented at CPAC — Marilyn Waligore, Lisa Folino and Marc Berghaus –…
Not since the 1960s has there been so much aesthetic interest in popular culture. It all began a decade ago, when many contemporary artists grew tired of formalism and expressionism and began picking up on the pop-related styles of a previous generation. Some of these new-pop artists revived the original…
The spacious if grungy Andenken Gallery (2110 Market Street, 303-292-3281) near Coors Field is the perfect setting for the fourth annual Kinetic and Robot Show, which highlights art about actual and implied movement. Put together by Andenken director Hyland Mather, the exhibit is quite strange, mostly because the selections don’t…
Half a century ago, women artists were viewed as second-rate, at best. Then, around 35 years ago, women challenged that old chestnut. In the intervening decades, numerous important female artists have emerged, and works from previous generations have been upwardly reappraised. This Cinderella story is the political narrative and organizational…
Susan Goldstein is one of the best experimental fine-art photographers in the region, and POLI VESTURE: Photographic Images From a Catholic Statue Factory, her current solo at Edge Gallery (3658 Navajo Street, 303-477-7173), proves it. The fairly large exhibit is handsomely installed in the front gallery. Poli Vesture was a…
Putting together a coherent art show is difficult, and so many of the shows I see — even some of the good ones — don’t exactly make sense. Imagine, then, how rare it is to find not one, but three shows that all make sense. And not only that, but…
The Sandy Carson Gallery (760 Santa Fe Drive, 303-573-8585) is the flagship art venue of the Santa Fe arts district, which makes it one of the top spots in town. High-quality exhibitions are the reason why — and the current offering, 3 Search and Converge in the Creative, is just…
Bill Havu, director of his namesake William Havu Gallery, has taken an interesting observation and turned it into an excellent show. After noticing that many mid-career artists across the country were creating paintings inspired by abstract expressionism, Havu came up with Wet Paint, a marvelous group effort that examines the…
Dorothea Dunlop was a notable Denver-born sculptor whose long career spanned the past forty years. She died on February 19 at age ninety, of complications from a stroke. Reflecting the mores of the era in which she lived, Dunlop had been a full-time wife and mother before she turned to…
Rule Gallery director Robin Rule has a taste for art with a less-is-more aesthetic, and she has made her place on Broadway Denver’s “minimalist central.” Over the years, she’s showcased first-generation minimalists from New York, including Carl Andre and Mary Obering, as well as local practitioners, notably Clark Richert, the…
