Who let the satyrs out? Pleasure Forever — performing Saturday, July 7, at Tulagi and Sunday, July 8, at the 15th Street Tavern — offers Bacchanalian excess the likes of which haven’t been heard since Jim Morrison rode his panther-drawn chariot into rock-and-roll Valhalla. Preoccupied with eternity, drowning and the…
Howard Booker Bridges III, with Chronophonic, En tu Oblivion and Clockworked, Wednesday, July 11, at the Soiled Dove, first became familiar to local audiences as a member of 11th Hour, Askimbo and Catalyst. But the decision to branch out as a solo artist has provided the most illuminating platform for…
The latest recording by the Parisian duo Air, 10,000 Hz Legend, has received radically mixed notices. Some critics trumpet it as the most intriguing artistic statement yet from an act as distinctive and contrary as any on the contemporary international scene, while others dismiss it as thematically overwrought, musically underdeveloped…
John Denver may have single-handedly cemented Colorado’s association with grassroots acoustic music when he made the folksy, plaintive strum of an acoustic guitar the signature sound of the Rocky Mountain West. It’s a sound that’s seen a considerable number of upgrades over the years: Bands like Leftover Salmon and the…
At a time when the hurdles of gender and race are supposedly fading in music circles, Deborah Coleman finds herself in an odd position: She’s the only black female guitarist/bandleader on a major blues label today. “I’m looking around, and I don’t see any others,” Coleman says of her nonexistent…
With plenty left on the kitchen spice rack, Joey Burns and John Convertino offer up an EP of tasty tracks held over from last year’s Hot Rail, the duo’s sparse, time-traveling pastiche of Americana, roots, postmodern jazz, mariachi and psychedelic gypsy music. But where the heat gets to most people…
The popularity of tough-nosed hip-hop continues to present challenges to R&B vocalists. Soulsters who go too heavy on sentiment, eschewing the sort of musical nods that might enhance their credibility with ‘bangers, risk coming across as weak, passé — old school in a tame way. But those who overemphasize biceps,…
Despite the ease with which down-and-out classic country can be blended with down-and-out punk rock — think X and Social Distortion — there are relatively few acts that work the sliver where the two styles overlap. Such oversights aren’t lost on Colorado Springs’s Mansfields, however, as the band does its…
Whenever they’re blowing up Mile High Stadium, it’s not soon enough — and the 24,000 sweaty fans who converged on the arena for last week’s Ozzfest would probably agree. As one of the last shows ever to grace the stadium where John Elway ascended to sainthood, Ozzfest was an appropriately…
Mike Doughty, Saturday June 30, at the Fox Theatre, is a hardworking man. Since the breakup of Soul Coughing in early 2000, Doughty has toured twice, recorded vocals on BT’s song “Never Gonna Come Back Down” for the soundtrack to Gone in 60 Seconds and prepared Slanky, a book of…
Rhino Records has just released the second volume of the infamous Nuggets collection, a treasure chest of the finest, strangest and most obscure garage-rock recordings of all time. Whether or not the Down-N-Outs, who perform Saturday, June 30, at Seven South, with Dressy Bessy, owe their style to a careful…
For a man whose band is attempting to recapture a spot atop the hard-rock heap after nearly a decade of commercial doldrums, you might expect Cult singer Ian Astbury to work every press opportunity like a twenty-dollar hooker on speed. Instead, he devoted a seemingly inordinate portion of a recent…
Chuck Snow is a little frustrated — and you can hardly blame him. After nearly two decades of toiling in the music scene in Colorado Springs, he still struggles to land good gigs and sizable audiences, which hardly seems fair considering his history. From 1984 to 1997, he led one…
Marilyn Manson’s pissing match with God continues — stop the presses! For a guy who’s written almost as many suicide anthems as Barry Manilow (when’s the last time you heard “It’s a Miracle” and didn’t want to bump yourself off?), yesterday’s dog-eared nemesis — still regarded as a “shock rocker”…
What a sad state of affairs. R.E.M., whose sound helped revolutionize college radio and whose subsequent success proved that bands embraced by that medium were marketable beyond it, is now such a dim part of the pop-music firmament that lead singer Michael Stipe could get publicity for Reveal, the group’s…
For ten years now, Jim Lauderdale has been one of the savvier gents among Nashville’s hipster fringe. He’s released a series of well-received C&W-rooted discs that delve into various forms of country, twanged rock and bluegrass (including his 1999 collaboration with Ralph Stanley, I Feel Like Singing Today). He’s also…
The security guards at the City and County Building looked ready for an invasion Monday night. At around 6:30 p.m., legions of tattooed, multicolored music types arrived en masse for a public hearing on a Denver City Council ordinance that would open the city’s 350-plus cabarets to anyone over the…
Though it’s been nearly two years since Alison Krauss released a record of her own — 1999’s widely acclaimed Forget About It — the prodigal bluegrass vocalist has never veered far from the country-music spotlight. Most recently, Krauss was among the brightest lights on the soundtrack to O Brother, Where…
In the liner notes to Ties That Bind, singer-songwriter Sally Shuffield’s second CD, there are antique photographs surrounded by dried rose petals and Chantilly lace — presumably, the people pictured are somehow related and dear to Shuffield’s life and experience. There’s a feeling of reflection, a reverence in the presentation…
Sometimes, Jason Janz just cannot get Marilyn Manson out of his head. “I decided a while ago that I couldn’t listen to his songs anymore. It bothered me the way they lodged in my brain. I’d sing them to my wife, around the house: ‘I don’t like the drugs, but…
Jonny Greenwood would prefer not to be here; this I know. Talking on an intercontinental phone call to yet another journalist about how great Radiohead, in which he plays guitar, is and how important Amnesiac, the band’s new record, is in the face of the cultural poverty that’s replaced the…
Those who fear that jazz is dead or dying or in a weird state of suspended animation need look no further than the Rodriguez family to find the heart of the music beating true. Ignore the bickering over styles and stances that presently keeps musicians and fans spinning their wheels:…
