In the February 27, 1997, edition of this column, Reed Foehl, longtime leader of Acoustic Junction, explained why he and his mates had decided to rechristen themselves Fool’s Progress shortly after signing a two-album deal with Capricorn Records. “We felt that we weren’t reaching as many people as we could…
For Lucinda Williams, the birth of a song is seldom easy. Every so often, a tune springs from her consciousness in something close to its final form. But more frequently, the elements of her compositions accrue slowly over months or even years, and Williams tinkers with them each step of…
Chicago-based singer-songwriter Edith Frost designs corporate Web pages by day, and on her personal site (accessible at www.edithfrost.com), her expertise shows. A carefully organized guide to Frost’s discography, tour dates and press bites, the destination includes a gazillion links to locales ranging from the Schwa Corporation to the Stick Figure…
It’s a late January evening at the Denver Rescue Mission, and the Mission Band is getting ready to play in front of a typically tough crowd–approximately sixty disheveled men (and a handful of women) who hardly seem excited about the music to come. Most of the men stare solemnly ahead…
Marc Sabatella is camped on a slippery musical slope. He refers to this location as the “outside shore” of today’s jazz mainstream, and it’s an apt metaphor. The 33-year-old Fort Collins-based pianist and bandleader isn’t immersed in these waters, but he drinks deeply from them on a regular basis. Second…
Tommy Boy’s Greatest Beats: The First Fifteen Years, 1981-1996 is a thoroughly enjoyable four-volume collection recently issued by Tommy Boy, arguably the independent label most responsible for bringing hip-hop into the musical mainstream. From “Planet Rock,” a genre-defining opus by Afrika Bambaataa + Soul Sonic Force, to “Gangsta’s Paradise,” a…
As noted ever so briefly in last week’s column, bassist/vocalist Chanin Floyd and guitarist/vocalist Tim Beckman, of Spell fame, are currently part of the GEDS, a new group that’s just starting to perform on the local circuit (catch the act next on Friday, January 29, at the Lion’s Lair). Now,…
Info: Long Live the King DJ King Britt is making Boulder part of his royal domain. By Michael Roberts King Britt is a musical force of nature. His whirlwind of activity includes fronting his own band (Sylk 130), running a label (Ovum Recordings, distributed by Sony), remixing songs for the…
“I don’t have nothing to prove to no one in Colorado,” claims DJ Chonz. “I already proved it.” He’s right. The 21-year-old beat master has already amassed numerous accolades for his prodigious talents as a turntablist, including positive writeups in The Source, Rap Pages and Blaze, but he hasn’t quite…
Various Artists The Prince of Egypt: Music From the Original Motion Picture Soundtrack The Prince of Egypt: Inspirational The Prince of Egypt: Nashville (Dreamworks) Although Jeffrey Katzenberg went to extraordinary extremes to ensure that his animated gloss on the adventures of the Old Testament’s biggest name was an unprecedented multi-media…
Most of the improvisational performers who’ve risen to icon status during the jazz century have done so in part because their brilliant music was paired with a melodramatic personal life. Early death is a big plus in this regard: Such tragedies allow observers and critics to speculate about the great…
The following music-news items are guaranteed fresh. Just like me. Mike Jourgensen is probably best known in these parts for his role as singer, songwriter and guitarist for Abdomen, which joins the Apples at Seven South on Saturday, January 23. But he’s also the impresario behind D.U. Records, an indie…
Number One Cup’s Seth Cohen has plenty to be grateful for this new year. Last September, the singer/guitarist/keyboardist was splayed out in the middle of an ice rink in Danbury, Connecticut, wondering if he would ever perform–or, for that matter, walk–again. “Frankly, I’m lucky to be alive,” he says. “I…
Let’s go clubbing. Soma, a venue at 1915 Broadway in Boulder that debuted late last year, is a bold experiment. Hardy Kalisher, working with a group of investors (including his brother Lucas) who are all under the age of thirty, sees the project as an opportunity to bring to Colorado…
No answering-machine messages are included on Anthology, a four-CD grab bag of recordings made by John Lennon between the demise of the Beatles, in 1970, and his own murder ten years later, but they would have fit right in. The collection boasts over ninety previously unreleased offerings but precious few…
It’s the night before New Year’s Eve in lower downtown Denver, and the city’s party district couldn’t be more dead. The streets are eerily free of thrillseekers and stumbling suburbanites, creating a ghost-town atmosphere that’s heightened by acres of empty parking spaces and the locked doors of LoDo bars that…
How did the members of Wretch Like Me become such rude, obnoxious punks? They had a great teacher: Bill Stevenson, drummer for All and the Descendents and former timekeeper for Black Flag. Stevenson has been friends with the Fort Collins-based bandmembers for ages, and he’s still providing them with valuable…
The local recording blitzkrieg continues. Maceo Parker, whose saxophone put a lot of the juice into James Brown’s cold-sweat workouts, is now on Boulder’s W.A.R.? imprint, and Funk Overload, his debut recording for the company, gets off on a good foot. While some of Parker’s previous albums have attempted to…
Teletubbies Teletubbies: The Album (Kid Rhino) Although I’d heard that Teletubbies, a British children’s series that’s been exported to the colonies, was the closest thing to an acid trip currently available on the tube, I disregarded such talk as postmodern exaggeration. But one day while I was home sick, I…
“For the most part, the music that dominates the public commercial airwaves seems to be more narrow in its musical content than anything that I’ve heard in forty years,” says Mike Johnson, the multi-instrumentalist and composer who leads Thinking Plague. “But human beings with creativity and a rising level of…
Fat Boy Slim You’ve Come a Long Way, Baby (Astralwerks) Fat Boy Slim On the Floor of the Boutique (Skint) Norman Cook, aka Fat Boy Slim, certainly has come a long way. After trading in his bass guitar (remember the Housemartins?) for a pair of turntables, he quickly rose through…
The songs played by most Colorado punk bands are apolitical; they’re about everyday life, not the great issues of the day. But although the Messy Hairs (guitarist/vocalist Dave Paco, bassist Josh Posh and drummer Haroldo) have their share of such tunes, they’re not afraid to take a stand when one…
