Half of my enjoyment of music stems from listening without knowing whether or not I’m going to hate something, while many people are like radio programmers who just want the hits and rarely stray from a chosen format. And unlike most folks, I still own records. Lots of stupid ones…
So this is how the pop music of the Nineties ends — not with the angst and intellect of the grunge sound that most reviewers say defined the decade, but with a gloriously vapid hunkaroo who’s a lock for the gold medal if ass-waving is ever made an Olympic sport…
“I have a sense for Japanese filmmaking,” divulges Chris Taylor, organist/multi-instrumentalist for Denver innovators of cinematic rock the Hellmen. “Old karate films, even Godzilla. We have a Godzilla war occasionally. I could do it, but you couldn’t print it.” Taylor’s mention of Godzilla, the giant green reptilian menace of B-film…
The latest from Stereolab, a band scheduled to appear December 2 at the Bluebird Theater, is garnering reviews that vary from average to mediocre for a very simple reason: Critics grow tired of raving about cult acts that resolutely refuse to enter the mainstream and eventually turn on previous objects…
Presidential candidate Steve Forbes claims to be “an outsider who’s not a part of the political process.” Jerry Lawler, professional wrestler and Memphis mayoral candidate, boasts that he has “no political past.” In America, even our politics are apolitical. Socio-economic commentary seldom tracks across our pop-culture radar. And it’s rarer…
Relying on wealthy patrons to support your artistic vision is hardly original: Shakespeare had Queen Elizabeth; David Bowie had Prudential Insurance Company of America (which snapped up every back-catalogue bond he issued last year). So when a libel suit over a song on Little Red Songbook landed British techno-perv Momus…
Singer/guitarist/songwriter Peggy Mann has been playing around these parts for nearly twenty years, which makes the release of her debut CD Tenderness seem slightly overdue. The eleven-song effort touches on all of Mann’s well-worn influences: The folksy, melodic lilt of “Undercover” features a chorus reminiscent of Meredith Brooks’s annoying “Bitch”…
This isn’t the first time the Austin-based foursome And You Will Know Us by the Trail of Dead, which appears December 4 at the15th Street Tavern, has attempted to play Denver. But the tour that had the band swinging through town last year was ill-fated, to put it mildly: Days…
The Janet Feder Trio, Tuesday, December 7, at the Bug Performance and Media Art Center, inaugurates a regular series, “The Bug Unplugged,” with an evening of original acoustic music. The occasion also marks the trio’s first concert, but the players are well-known in these parts for their highly listenable experimentation…
When the Sugar Hill Gang’s “Rapper’s Delight” first joined the words “hip” and “hop” for a nationwide radio audience in 1979, Mike Merriman was little more than a bundle of gelatinous, fetal goo. And in 1983, when Run DMC’s “Sucker MCs” led even those who didn’t reside in the South…
There’s a reason the black leather jacket and the pompadour continue to stand as calling cards among lovers of Fifties rock and roll. After all, they were two of the more disturbing fashion statements to parents whose kids were forsaking Pat Boone for Elvis Presley, Little Richard and Chuck Berry…
Just for a moment, you’re gonna wish you still had your periodic table from chemistry class, because when someone asks what Isotope 217 is, there are two correct answers. The chemistry-correct answer is that if there were an isotope 217, it would be an extremely unstable element; the other response…
On 1994’s 24-Hour Revenge Therapy, Jawbreaker singer/songwriter Blake Schwarzenbach spat out the righteous truth against his peers of the time: “You’re not punk and I’m tellin’ everyone/Save your breath, I never was one.” In one backhanded bitch slap, Schwarzenbach knocked the Sid Vicious-inspired snarls off a generation of “punk-rockers” who,…
For bands whose debut recordings are more popular with critics than they are with mainstream or even college/indie rock listeners, the temptation to diffuse key elements of individuality and musical discovery can be a problem when it comes time for that tenuous sophomore release. Many bands seem to decide that…
In terms of pop music, originality is often a more vital consideration in the short term than it is years down the line. The Gap Band, for instance, obviously ripped off the Parliament-Funkadelic sound on many of its most successful songs, but when you’re shaking booty two decades later to…
Robert Ashley has co-existed with Laurie Anderson and Philip Glass in that segment of the music world where the experimental impulse and a smirking fascination with theatre and opera take over. Ashley’s career, though, hasn’t achieved Anderson’s brief pop success or Glass’s cottage career as a composer of soundtracks and…
In that spirit of Thanksgiving, here’s a cornucopia of reviews of local releases: On “Denver Radio Talk Show,” the first track off his five-song CD, titled, well, Five Song CD, Gregory Ego has got it in for a battery of local radio talk-show hosts. In fact, his thinly veiled indictments…
Elephant Sixers of the southern latitudes, the Olivia Tremor Control will be stuffing the Fox Theatre on Monday, November 29, with summer-of-love harmonies and finely wrought psychedelia. While their 1996 debut, Dusk at Cubist Castle, was an ambitious, epic doodlefest, the players hadn’t yet learned to ride the mythical beasts…
16 Horsepower, with the 32/20 Jug Band, Tuesday, November 30, at the Gothic Theatre, makes its first live appearance in Denver in several months; among other things, frontman David Eugene Edwards and bandmates Jean-Yves Tola and Pascal Humbert have spent a hearty chunk of time recently recording a new album…
At an age where most students of music were adopting a methodical paint-by-numbers approach to learning, singer/composer/audio engineer/multi-instrumentalist Amy Denio was already coloring outside of the lines. “I made this, I guess, quasi-philosophical decision not to take lessons,” she says. “I decided when I was twelve that I already knew…
Time was the average American citizen equated country music with beer-swillin’, belly-achin’ and cinchin’ hefty belt buckles too tight. To “refined” ears, the music and the aesthetic of the genre represented a particular form of pathos with a limited demographic appeal. And though some of that twangy whining, moaning and…
Most working musicians have, at one point or another, fantasized about the day when they sign the dotted line of a recording contract and promptly get on with the business of becoming international superstars. Yet those involved in the world of underground electronic dance music are more likely to view…
