Where’s the Beef?

There’s a good reason that so many members of the public see music critics as twerps: Plenty of us are. Scribes with pretentious stripes routinely disregard the stuff that real people enjoy hearing (regardless of its quality or lack thereof) in favor of the outré (regardless of its quality or…

Anatomically Correct

Reggae music has historically been sung by the disadvantaged, and although the members of John Brown’s Body don’t reflect the standard image of the oppressed or downtrodden, they have overcome a sizable obstacle: They’re white and they’re from Boston. “It’s definitely a handicap and a challenge,” explains Kevin Kinsella, with…

Saints Preserve Us

Local rock-scene staples the Pin Downs are on a roll. The kind that rocks, blessedly hard. Combining big-muff pedals with a humor-tinged attitude, the all-female party-crashing punk band of guitarists Heather Dalton and Ginger Richards, bassist Sara Fischer and drummer Jen Frale has worked its way into revelers’ happy hearts…

Negativland/Chumbawamba

To all you Johnny Rebs and Rottens who genuflect to the anarchist’s symbol, to every weekend “reactionary” who ever spray-painted the Hester Prynne-sized letter A in an alley, then circled the scraggly looking thing with a hearty, shitfaced laugh — listen up, little heroes: Recess is over. Your new two-headed…

Leon Huff & Gladys Knight & the Pips

As if you hadn’t noticed, the low cost of manufacturing CDs still hasn’t been passed along to the average consumer — but at least it’s inspired reissue companies to bring long-forgotten obscurities like these back to the marketplace. Here to Create Music, from 1980, is the only solo album made…

Moby

If you hope to greet the Void by hosting a rave on the rim of a crater (to paraphrase Henry Miller), the understated, rather sad-eyed Play might sound faint and indecisive compared to the multi-tracks and the single minds of the Prodigy or the Chemical Brothers. Yet Moby, the vegan/Christian/moralistic…

Local Yokels

Michael Roberts didn’t do me any favors as my predecessor in this position. For one, he promised, though not in print, that he would review every single local release to pass through the Westword office, no matter how fleeting the mention. And so he did. Whether or not they liked…

Critics Choice: GZA

GZA, at the Fox Theatre on Tuesday, August 24, drops lyrical moves that will keep you in check. Touring in support of his third release, Beneath the Surface, this elder statesman of the Wu Tang Clan executes lines that are both visual and abstract. For instance, the title track asks,…

Hit Pick: Oyoyo

Oyoyo, Friday, August 20, at St. Paul’s United Methodist Church, is a Denver-based five-member percussion ensemble specializing in traditional African folk music. Leader Emei Ezidinma is Nigerian; “oyoyo” is the Yoruban word for “beauty.” The group, however, uses a pan-African assortment of instruments: the talking drum, the kalimba (thumb piano),…

The Man Who Would Be King

To white-bread America in 1970, the blues was an alien form of music. Ignored by the folks on Main Street, the genre was embraced mainly by record-store-hunting folkies, retro-minded rockers and weed-smoking academics. That is, until B.B. King’s “The Thrill Is Gone” came bleeding through the nation’s quadraphonic speakers and…

Feelin’ Skavoovie

Like most guys in high school band, the members of Skavoovie and the Epitones didn’t have dates for their junior prom. But it wasn’t because they played tuba or marched around in ill-fitting uniforms with caps and ornamental braiding. Instead, they were too busy with a gig as the evening’s…

Mose Better Blues

After almost fifty years in the spotlight, Mose Allison remains a pianist, singer and songwriter with a dilemma. It seems that the blues roots of the Tippo, Mississippi, native clash with his current jazz edification to create something of a crisis of categorization. Though Gimcracks and Gewgaws, Allison’s most recent…

Rodent Rock

King Rat has found inspiration in the most un-punk of places–namely, the 1979 hit movie Breaking Away. The movie chronicles a young man’s struggle with his identity as a “townie” in a Midwestern college town. In the film, the lead character faces obstacles as he attempts to realize a dream…

Backwash

When Doug Bohm migrated from Chicago to Denver in 1994, he quickly found a niche as a gothic industrial concert promoter, a gig that afforded him time to pursue an interest in electronic music with the bands Post-Mortem Stress Disorder and Fish Music. Today, as a director of Bands for…

Shock Treatment

When Vyshonn Miller was a little boy, he learned to stick close to his big brother, Percy, as much out of a survivalist instinct as out of brotherly love. Well-respected in the community for his hustling prowess and basketball skills, Percy was someone people tended not to mess with, even…

Backwash

If you listen closely, you can probably still hear the distant sound of champagne corks popping over in the Denver offices of Universal Concerts. After six months on the auction block, employees are breathing a bit more easily following an announcement that the company has been sold to House of…

Just the Good Old Boys

In their heyday in the Seventies, Southern rock giants Lynyrd Skynyrd were the baddest of the bad, a devout hell-raising outfit that helped put their chosen genre of mayhem in the ears of America. Pushing a wall of sound that borrowed from blues, British rock and country, the band’s Dixie…

House Music

If you were to encounter Tim Sweet at a cocktail party and casually ask him what he does for a living, he probably wouldn’t provide a tidy answer. After a moment of furious internal deliberation, he would offer a combination of the following: He’s a sculptor, a DJ, a music…

Playlist

Tortoise and the Ex In the Fishtank (Konkurrent/Touch and Go) The only commonality between Tortoise and the Ex, apart from the fact that both are remarkable ensembles in their own right, is that they thrive on unusual collaboration. The Chicago post-rock rhythmatists of Tortoise, for instance, backed Brazilian eccentric Tom…

Monster Magnets

The notion that the music industry is corrupt certainly isn’t new–rock history is rife with scandalous tales of shifty, smooth-talking label weasels sticking it to unsuspecting musicians in orifices best probed only by proctologists. Sal Canzonieri, guitarist for New Jersey’s legendary punk-and-roll forefathers, Electric Frankenstein, has heard them all. As…

Playlist

The Donnas Get Skintight (Lookout! Records) Fresh out of Rock and Roll High School, these California girls unapologetically ooze piss and vinegar while chomping on their bubble gum. Blitzkrieging bopping to teen-queen ditties that mix hormone-charged rebellion with a fresh sense of humor à la Ramones, these four girls named…

The Man and His Symbols

Underneath the dulcet pop sensibility of Robyn Hitchcock’s vast repertoire lurk some potentially unsettling images: having one’s soul dry-cleaned, balloon people exploding, supping with the Devil and men with lightbulbs for heads, to name a few. And while such lyrical offerings might compel the curious to probe the seemingly twisted…