Monolith Q&A: Monotonix

Know for some insanely explosive shows, Israeli rock monsters Mononotix often move their shows into the crowd, creating sweaty pits of madness. On Where Were You When It Happened?, the band’s first full-length, released this week on Drag City, guitarist Yonatan Gat says the band captured some of the energy…

Q&A with Jinji Thompson of the Skyline Surrender

With the recent release of its sophomore EP, This is Character, Denver metalcore group the Skyline Surrender is starting to gain ground in the local scene–although it hasn’t been an easy victory. The original quintet of singer Josh Viles, bassist Jinji Thompson, drummer Ben Scarbro, and guitarists Justin Williams and…

Q&A with Frank Turner

There is a long tradition of ex-punk rockers trading in their power chords and electric guitars for the idyllic green pastures of folk music. Frank Turner of Winchester, England made that very leap a few years ago after the breakup of his progressive hardcore band Million Dead had reached its…

Monolith Q&A: Thao with the Get Down Stay Down

Thao with the Get Down Stay Down’s latest record, Know Better Learn Faster, carries a wide menu of influences. Like the ensemble’s previous work, the album draws from traditional American folk precedents, as well as snippets of other sounds that range from old Motown to ’60s pop. The blend comes…

Monolith Q&A: Cymbals Eat Guitars

According to Cymbals Eat Guitars 20-year-old frontman Joseph D’Agostino, Lou Reed didn’t want a lot of cymbals on the first three Velvet Underground albums because “cymbals eat guitars,” which explains the copious amounts of floor toms on those early discs. While that might have inspired the band’s moniker, there’s still…

Monolith Q&A: The Thermals

The Thermals new album, Now We Can See, represents more than simply a fresh recording for the Portland-based trio. After an amicable departure from the iconic Seattle label Sub-Pop, the group released their new disc on Kill Rock Stars. According to frontman Hutch Harris, the shift afforded the band the…

Monolith Q&A: Red Wire Black Wire

Often compared to New Wave bands of the early ’80s — especially the Human League –Brooklyn, New York’s Red Wire Black Wire, uses synthesizers as a primary compositional instrument. Described by the New Music Express as having an icy sound, the immediacy and sincerity of Doug Walters’s vocals helps the…

Monolith Q&A: The Glitch Mob

The Glitch Mob started out as a Los Angeles-based DJ collective that pooled its collective talent to make a more collaborative music with expanded sonic possibilities. As individual artists, Ooah, edIT and Boreta have released solo albums of cutting edge electronic music but it is as a team that they…

Monolith Q&A: The Pains of Being Pure at Heart

With early support from one of the country’s most important independent radio stations, KEXP in Seattle, The Pains of Being Pure at Heart — appearing at Monlith this weekend — struck a chord with fans of earnest, dreamy, lush pop music. Though often compared to C86-era and Sarah Records bands,…

Q&A with Joe Bithorn of Beatles tribute band Rain

New York City native Joe Bithorn plays the role of George Harrison in Rain, one of the most popular and well-known Beatles tribute bands in the country (appearing September 22 to 27 at the Buell Theater. Raised with a steady diet of classical, jazz, blues and psychedelic rock influences, Bithorn…

Monolith Q&A: Edward Sharpe & the Magnetic Zeros

Edward Sharpe & the Magnetic Zeros are definitely one of the more buzzed about underground bands to come to Colorado this summer and deservedly so. With a briskly selling headliner show at the Planet Bluegrass Wildflower Pavillions in Lyons on Friday September 11 and a hotly anticipated appearance at Red…

Monolith Q&A: the Bad Veins

The indie rock world has more than its share of rags-to-riches, flannel-to-Fendi stories – glimmering groups who seem to go from the basement to the buzz bin overnight. Bad Veins – the Cincinnati-based duo of multi-instrumentalist/songwriter Benjamin Davis and drummer Sebastien Schultz – fits the mold, rocketing from its first…

Q&A with Regan “Busdriver” Farquhar

Boasting may seem like a hip-hop requirement, but it’s actually possible to play the rap game without overdosing on self-love every other line. For proof, direct your gaze to the following Q&A with Regan Farquhar, who performs as Busdriver. The subject of a Westword profile published in advance of his…

The Denver Boot: Lion Sized at the Larimer Lounge – 08/02/09

In honor Lion Sized’s show tomorrow night at the hi-dive with the Still City and the Great Panic, and thanks to our pal Lance, and, well, because it’s Freeloader Friday and we’re cool like that, we present you another sparkling edition of the Denver Boot for your downloading pleasure. After…

Q&A with John Osborne of KingBilly

“This is the best ever job that doesn’t make any money” says Donny Fallgatter, frontman for Nashville’s young country rockers Kingbilly. It’s unlikely that KingBilly will be broke for much longer, though. Riding high with the popularity of its latest music video on the popular country music channel GAC and…

Q&A with Travis Egedy of Pictureplane

A native of Santa Fe, New Mexico, Travis Egedy, who performs under the name Pictureplane, has been rapidly gaining the attention of popular underground bands from around the country for the last few years, most notably HEALTH who took Pictureplane on a national tour in March 2009. HEALTH was also…

Q&A with John Eriksson of Peter Bjorn and John

Although John Eriksson, who stars in this week’s Westword profile of his band, Peter Bjorn and John, was trained to be a classical percussionist, and spent years as a member of the Swedish Radio Symphony Orchestra, he’s come to appreciate the perks of being a rock star — particularly the…

Q&A with Mack Maine, president of Young Money Entertainment

Mack Maine, is always moving. When I first meet him standing amid the ruins of the Young Money stage set he will not be still; he’s too busy and that’s a good thing — too busy crafting clever rhymes, to “build his brand.” Maine’s Doofus cum Cyrano de Bergerac verse…

Q&A with Bob Crawford of the Avett Brothers

Arena rock is making a comeback. Thanks to bands like My Morning Jacket, Wilco and North Carolina’s the Avett Brothers, the spirit and tradition of the ’70s is swelling and helping to conjure up images of rock and roll when it was at it’s purest, most visceral and most likely…

Q&A with Natasha Kahn of Bat For Lashes

The panoramic songwriting of Natasha Khan of Bat For Lashes has gained the attention of critics and peers alike and lead to her recurring opening gigs on the 2008 Radiohead tour. Drawing on her rich imagination for inspiration, Khan’s songs tap into the language and imagery of collective myths, ancient…