Navigation

Carla Bozulich's Evangelista

Few artists have ventured on as varied a path as Carla Bozulich. Emerging from Los Angeles's post-punk scene during the '80s, Bozulich was a member of the industrial dance act Ethyl Meatplow and, later, the more famous and rootsy Geraldine Fibbers. When the latter group disbanded in the late '90s,...

Help us weather the uncertain future

We know — the economic times are hard. We believe that our work of reporting on the critical stories unfolding right now is more important than ever.

We need to raise $17,000 to meet our goal by August 10. If you’re able to make a contribution of any amount, your dollars will make an immediate difference in helping ensure the future of local journalism in Denver. Thanks for reading Westword.

Contribute Now

Progress to goal
$17,000
$5,250
Share this:
Carbonatix Pre-Player Loader

Audio By Carbonatix

Few artists have ventured on as varied a path as Carla Bozulich. Emerging from Los Angeles's post-punk scene during the '80s, Bozulich was a member of the industrial dance act Ethyl Meatplow and, later, the more famous and rootsy Geraldine Fibbers. When the latter group disbanded in the late '90s, Bozulich released a series of critically acclaimed solo albums, including 2003's Red Headed Stranger, a record in which she basically covers the classic Willie Nelson release in its entirety. Bozulich's most recent project, Evangelista, includes longtime co-conspirator and avant-garde guitarist Nels Cline, as well as members of Montreal luminaries Godspeed You Black Emperor! and A Silver Mt. Zion. With Evangelista, Bozulich and company create a lonely, ghostly atmosphere that explores the furthest reaches of country-and-Western. The eerily vivid and otherworldly quality of the entire collection of songs has the same effect as a daguerreotype.