Audio By Carbonatix
Keep Westword Free
We’re aiming to raise $20,000 by April 26. Your support ensures Westword can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.
The Dreaming Machines’ debut is a compilation of live tunes that displays the vast scope of Kurt Bauer and Arnie Swenson. It starts off with a few somewhat tame guitar/banjo duos, but as the album progresses, the two dig into various worldly excursions using instruments like the Vietnamese dan tinh, a tongue drum, a three-string African harp, a two-string Indonesian fiddle and a Japanese shakuhachi flute. Playing these ethnic instruments with no regard for traditional tunings, the pair uses bones and mixing and prayer bowls for percussion, yet there isn’t much straight-tempo timekeeping. While some of the songs feel like drone-based stream-of-consciousness meanderings, Bauer and Swenson also deconstructed “Amazing Grace” with harp, marbles and metal kitchen shelving, turning in one of the creepiest renditions ever. Gentle insanity, indeed.