Little Scream

As Little Scream, Laurel Sprengelmeyer chiefly employs her voice. But the singer-songwriter is also an accomplished pianist, guitarist and violin player, and she uses this multi-instrumental power to beef up the sonic landscape for her lyrical storytelling style. Her songs twist freely, going from folk-inspired angles to experimental territory and...

By Bree Davies

November 15, 2011

Audio By Carbonatix

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As Little Scream, Laurel Sprengelmeyer chiefly employs her voice. But the singer-songwriter is also an accomplished pianist, guitarist and violin player, and she uses this multi-instrumental power to beef up the sonic landscape for her lyrical storytelling style. Her songs twist freely, going from folk-inspired angles to experimental territory and back to a pop base in one fell swoop. An Iowa native, Sprengelmeyer found a perfect enclave for her powerfully nimble voice in the Montreal music scene, collaborating with the likes of Stars and Arcade Fire, both on stage and in the studio. A visual artist as well, Sprengelmeyer is also the hand behind the visually rich oil painting on the cover of her debut, 2011's The Golden Record.

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Bree Davies is a multimedia journalist, artist advocate and community organizer born and raised in Denver. Rooted in the world of Do-It-Yourself arts and music, Davies co-founded Titwrench experimental music festival, is host of the local music and comedy show Sounds on 29th on CPT12 Colorado Public Television and is creator and host of the civic and social issue-focused podcast, Hello? Denver? Are You Still There? Her work is centered on a passionate advocacy for all ages, accessible, inclusive, non-commercial and autonomous DIY art spaces and music venues in Denver.

Contact: Bree Davies

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Twitter: @cocodavies