Concerts

Nicole Willis and the Soul Investigators

I'd always wondered why Gang of Four (a band I like) would have an inspirational shelf life longer than that of, say, the Supremes or James Brown. Though the neo-soul movement tried to marry the soul tradition to hip-hop, until recently, few people seemed to directly revisit the prematurely extinct...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Keep Westword Free

We’re $3,000 away from our spring campaign goal!
We’re aiming to raise $20,000 by April 26. Your support ensures Westword can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.

$20,000

I’d always wondered why Gang of Four (a band I like) would have an inspirational shelf life longer than that of, say, the Supremes or James Brown. Though the neo-soul movement tried to marry the soul tradition to hip-hop, until recently, few people seemed to directly revisit the prematurely extinct genre. But now, with leading lights like Sharon Jones and new indie favorite and soul veteran Bettye LaVette gaining traction and attention, a straight-up old-school soul revival seems plausible. Nicole Willis has been making soul music of one variety or another since 2000, albeit in a much more avant-garde form, filtered through disjointed layers of glitch, like Minnie Riperton in a Prefuse 73 Cuisinart. No traces of that approach remain on Keep Reachin’ Up, a record that connects the beats between Donna Summer, girl-group claps and the orchestral soul of Curtis Mayfield. The swank, the shimmy of strings and the expertly laid rhythms of Willis’s tight cast of co-conspirators make this a timeless resuscitation of classic grooves.

Loading latest posts...