Concerts

Pretty Lights

For his latest release, A Color Map of the Sun, Derek Vincent Smith ventured outside the box for a unique project in which he created his own samples using handpicked instrumentalists. Here the Pretty Lights maestro explores the foundations of jazz, funk and soul, offering his own modern take using...
Carbonatix Pre-Player Loader

Audio By Carbonatix

Keep Westword Free

We’re aiming to raise $20,000 by April 26. Your support ensures Westword can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.

$20,000

For his latest release, A Color Map of the Sun, Derek Vincent Smith ventured outside the box for a unique project in which he created his own samples using handpicked instrumentalists. Here the Pretty Lights maestro explores the foundations of jazz, funk and soul, offering his own modern take using time-specific tools of the trade to channel the haunting undertones of yesteryear. “Around the Block” utilizes Talib Kweli’s vocals to enhance the album’s fundamental rap element, which is also clearly defined on “Let’s Get Busy,” (later released as “All These Lights,” featuring Eligh and The Grouch). “Prophet,” with its heavy, synthesized sounds and monster beat, is evidence that Smith is still Pretty Lights at heart, while “Yellow Bird” complements this notion at the other end of the spectrum with its melodic piano chords. Does it work? Well, let’s just say that there’s a good chance it will influence subsequent production, in the same way that Smith inspired other producers with his past efforts.

Editor's Picks

GET MORE COVERAGE LIKE THIS

Sign up for the Music newsletter to get the latest stories delivered to your inbox

Loading latest posts...