By Show and Tell
By Bree Davies
By Bree Davies
By Cory Casciato
By Emilie Johnson
By Robin Edwards
By Bree Davis
By Josiah M. Hesse
Death of a Salesman. This is one of those low-budget shows held together with chewing gum, string and ferocious determination. Which means that it's uneven, the set and lighting are minimal, and a couple of the performances are downright amateurish. Arthur Miller's critique of American materialism remains relevant, but his words often feel dated, and the play is talky and sentimental. Yet there's still something stirring here, something that matters, and it's communicated primarily through David C. Riley's passionate performance as Biff, as well as Timothy Englert's endearingly goofy Willy and Phil Newsom's skilled and understated characterization of Happy. These three actors jolt our expectations and galvanize the text. Presented by the Denver Repertory Theatre Company through August 28, John Hand Theatre, 7653 East First Place, 720-839-4913, www.denverrep.com. Reviewed August 18.
Impulse Theater. Basements and comedy go together like beer and nuts or toddlers and sandboxes. The basement of the Wynkoop Brewery where Impulse Theater performs is crowded, loud and energetic. Impulse does no prepared skits, nothing but pure improv -- which means that what you see changes every night, and so does the team of actors. These actors set up and follow certain rules and frameworks; they rely on audience suggestions to get these scenes going or to vary the action. Your level of enjoyment depends a lot on whether or not you like the players. Charm is a factor, and so is the ability to take risks. Fortunately, the performers are clever and fast on their feet, willing to throw themselves into the action but never betraying tension or anxiety, perfectly content to shrug off a piece that isn't coming together. The show is funny when the actors hit a groove, but equally funny when they get stymied. So, in a way, the improvisers -- and the audience -- can't lose. Presented by Impulse Theater in an open-ended run, Wynkoop Brewing Co., 1634 18th Street, 303-297-2111 or www.impulsetheater.com. Reviewed June 3.
My Way: A Musical Tribute to Frank Sinatra. The Denver Center production of My Way features four attractive, energetic performers with strong and differing voices; 53 of the best twentieth-century songs; a set that's beautifully designed both to please the contemporary eye and to evoke the period, with softened Formica colors flowing into each other and elegant forms; witty, attractive costumes; and three excellent musicians. So if you're entertaining a business client or out on a date, this is the show for you. But it's essentially a commercial enterprise rather than an evening of theater. The performers don't just sing the songs, they sell them. They're full of energy. They bounce. They emote. They never allow a moment of reflection or understatement. Sinatra was the guy sitting alone on a barstool in a pool of light, shadows pressing in on him, the rakish angle of his hat belying the world-weariness of his soul. This seems an odd way to pay him homage. Presented by Denver Center Attractions in an open-ended run, Galleria Theatre, Denver Performing Arts Complex, 303-893-4100, www.denvercenter.org. Reviewed June 9.
Rocky Horror Show. Rocky is a pastiche of clichés from science fiction, horror movies and pop culture. It's an uninhibited celebration of camp, aided by three decades of film and stage audiences who have clapped and sung along to the songs, flung various and specific objects on stage, lit flickering lights and offered randy verbal prompts. The action begins when innocent young Brad and Janet, who have just attended the wedding of a friend, get engaged. Within minutes -- naturally -- they find themselves stranded on a dark road in a pelting rainstorm. They seek shelter and a phone in the sinister castle of Frank-N-Furter, who's a mad alien scientist visiting Earth from the Planet Transsexual. The actors are never very far from you on the Avenue's tiny stage, and their hypnotically glazed eyes help make the production a total immersion experience. Should your attention falter for a moment, you'll find everything crashing back into focus when Sugar stalks onto the stage with his sinuously sweeping moves and crimson-lipped, lemon-wedge-shaped smile. This is Rocky Horror as it's meant to be -- a lewd and lurid midnight fantasy. Presented by the Avenue Theater through October 1, 417 East 17th Avenue, 303-321-5925, www.avenuetheater.com. Reviewed July 14.
Summer Lovin'. Summer Lovin' is a string of songs held together with a thin thread of plot. A traveling troupe arrives at an old theater planning to stage a play, only to discover that the place is closed while its board contemplates converting it into an art-movie house. The photographs on the walls and the props and wigs in an old trunk inspire the actors to an outpouring of tribute and impersonation. It's difficult to square the simplicity and straightforwardness of the concept with the depth of pleasure the performance provides. A high level of musical skill is offered: All the performers sing and move well, and some of them play an instrument or two. The band, too, is terrific. The show's premise allows the cast to hop around through time and pick almost any number in any genre that they wish -- from an old music-hall routine to The Rocky Horror Picture Show's "Time Warp." It's hard not to enjoy a cast that's having such a good time and is so eager share it with you. Heritage Square Music Hall is more than a performance venue: It's a Colorado community. Presented by Heritage Square Music Hall through September 11, 18301 West Colfax Avenue, D-103, Golden, 303-279-7800, www.hsmusichall.com. Reviewed June 16.