Audio By Carbonatix
Keep Westword Free
We’re $3,500 away from our spring campaign goal!
We’re aiming to raise $20,000 by April 26. Your support ensures Westword can continue watching out for you and our community. No paywall. Always accessible. Daily online and weekly in print.
For songwriters, breakups usually yield the best music. But in-band separations can be touchy — unless, of course, you’re Fleetwood Mac and you’ve got enough cocaine to cover all the tension in a thick, dusty layer. For the Lovemakers, the split between primary songwriter/vocalists Lisa Light and Scott Blonde kicked off the band’s most prolific period so far. Its latest release is the first in a series of several EPs scheduled to come out at six-month intervals, with each track accompanied by an elaborate video. Known for sunny melodies and the over-the-top theatrics of its live shows, the Bay-area electro-acoustic pop outfit has a rare gift for turning homicidal and suicidal fantasies, profound loneliness and despair, and, yes, bitter breakup hostility into danceable skip-and-smile sing-alongs. While the Lovemakers’ records don’t always capture their edge and energy, the gloves (along with the rest of their clothes) really come off on stage.