Audio By Carbonatix
Wes Magyar
Michael Paglia writes on page 35 of this week’s Westword, and online at “Faces, Places & Spaces,” that even if Faces, Places & Spaces, Collin Parson’s first effort as exhibition manager, isn’t up to the lofty standard of the Robert Mangold retrospective earlier this year — and it isn’t — the exhibit has plenty to recommend it, notably the high quality of the material included.
Adding to the strength of the show are some non-art aspects, including Parson enlisting many of the city’s galleries to serve as allies and collaborators, the high number of Colorado artists, and a catalogue for sale that reproduces examples of each artist’s pieces.
“Parson has used the show to support the local art community,” Paglia writes. “He deserves a big pat on the back for that.”
When news happens, Westword is there —
Your support strengthens our coverage.
We’re aiming to raise $50,000 by December 31, so we can continue covering what matters most to this community. If Westword matters to you, please take action and contribute today, so when news happens, our reporters can be there.
Below are some samples from the show.
Adam Milner DeVuono
Images continue on the next page.
Earl Schofield, New Hampshire Aerial, Encaustic on panel, 36 x 36 inches, 2012, Courtesy of Michele Mosko Fine Art Earl Schofield, Quilt, Encaustic on panel, 36 x 36 inches, 2012, Courtesy of Michele Mosko Fine Art John Bonath, The Executive Suite, Kirby Henderson, Bill Pledger, Bill Amundson_Unique archival silver gelatin prints, 30 x 36 inches each, 1998 Marc Berghaus, Freeway Chase, mixed media, 72 x 36 x 36 inches, 2007 Marie Gibbons
Images continue on the next page.
Nate Baldwin, Self Portrait Acrylic on canvas 48 x 36 inches 2008 Romeo and Chimacoff install shot Sarah McKenzie, Black Box, Oil and acrylic on canvas, 60 x 60 inches, 2010 Courtesy of Robin Rule Sharon Feder install shot
