The Insult is a little pushy, sometimes even tough to swallow, but no more than actual geopolitics

Like Reinhardt playing that party in Thonon-les-Bains, on the border between France and Switzerland, Django director Etienne Comar refuses the limitations imposed on him

… Powell and Pressburger are after something richer than the laughs of Here Comes Mr. Jordan and more expansively philosophical than It’s a Wonderful Life

The new one is bigger and dumber than the previous, a feat considering the relentless clatter of the 1995 iteration …

The Pitch Perfect films have offered an increasingly unpalatable blend of pop-song empowerment, rah-rah women’s friendship and broad gross-out comedy

Any thinking person watching Downsizing is 10 steps ahead of Damon’s blinkered schlub, and watching him piece together the bare facts about how this future America works — and how our America works today — makes for a frustrating sit

Morris’ film dramatizes Olson’s last days between interviews with Olson’s son Eric and journalists and lawyers who have taken the case as a cause

First, these are my favorite movies of the year, not a claim to rank the definitive best, so don’t write to tell me that your favorite should have made it

Wright’s film is fleet but not especially thoughtful, wholly convincing in its production design, and in one crucial sense something rare: Here’s a war movie about rhetoric rather than battle scenes

As Ginny and her life unravel, Allen’s sympathy for her seems to dry up, and she becomes something like the villain of the piece

Vero Tshanda Beya, the Congolese singer turned actress making her screen debut in Alain Gomis’s tough-minded life-in-Kinshasa character study Felicite, can pierce your heart with her croon, rouse your soul with her shout, move you with her mien of cussed indomitability, cut you with her look of wary, weary appraisal…

An article, a book and now a film, Talese’s fascination with Foos’ voyeurism still hasn’t resulted in anything like rigorous journalism

The drama is mostly interior, and Washington’s quiet performance tends to reveal the jittery surface rather than the tortured soul

Alpert checks in again and again with the same three families over 45 years of visits to the island, with sometimes heartbreaking results

Francis Lee’s stark, striking God’s Own Country is one of several significant films this year to depict hard-edged men softening, opening up, finding the courage to admit that everything they need to get through this life isn’t already inside them. The protagonist, raw-eyed farm boy Johnny (Josh O’Connor), has inherited…

Here’s a kiddo’s quest to define a self, in this case the descent of young Miguel (voiced by Anthony Gonzalez) into a land of the dead inspired by Dia de los Muertos celebrations

Nalluri’s emphasis is on amateur theatrical performances, magic-lantern projections and comically competitive authors.

This is the first time a Marvel TV show has stunned me: Why in the era of binge-able continued-narrative TV series would the producers kill dead their momentum

You’re right not to trust a film critic who calls a move stunning. But let me say this about Human Flow, the epic new documentary surveying the scope of the global refugee crisis, from Chinese artist/activist Ai Weiwei: It stunned me, in the truest sense of the word. Again and…

Hello Again tasks its cast with impassioned miming of a panoply of sex acts, the singers conjugating each other like verbs in foreign language class

Over six episodes crafted with the rich complexity of the novel, “celebrated murderess” Grace Marks (Sarah Gadon), tells her own story, Scheherazade-style, to a doctor (Edward Holcroft) with the power to arrange for her pardon

Yes, it’s hard to imagine wanting to watch 11/8/16 today. The film, a sweeping survey documentary created and produced by Jeff Deutchman, follows 16 Americans from across the country on election day of 2016: a Sikh New York cabdriver, a “Dreamer” in San Jose, a Massachusetts dad in a MAGA…