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Go for the Gold: A Dozen Free Things to Do in Denver (and Beyond) This Week

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Author

Showing 23 - 44 of 197

April Wolfe

April Wolfe is a regular film contributor at Voice Media Group. VMG publications include Denver Westword, Miami New Times, Phoenix New Times, Dallas Observer, Houston Press and New Times Broward-Palm Beach.

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Jodie Foster Rules Over the Talky, Scattered Crime Drama <i>Hotel Artemis</i>

Jodie Foster Rules Over the Talky, Scattered Crime Drama Hotel Artemis

By April WolfeJune 7, 2018

… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel

Seeing the Worst Coming Only Makes <i>Hereditary</i> More Terrifying

Seeing the Worst Coming Only Makes Hereditary More Terrifying

By April WolfeJune 6, 2018

The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse

André Leon Talley Perseveres as America Lets Him Down in <i>The Gospel According to André</i>

André Leon Talley Perseveres as America Lets Him Down in The Gospel According to André

By April WolfeJune 5, 2018

In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout from on cue

Bill Gunn’s Revolutionary <i>Ganja & Hess</i> Gets the Restoration It Deserves

Bill Gunn’s Revolutionary Ganja & Hess Gets the Restoration It Deserves

By April WolfeMay 31, 2018

Gunn eschewed exploitation’s tendency toward empty sensation and imbued the film with an undercurrent of realistic misery

Much More Than a GIF, <i>Upgrade</i>’s Betty Gabriel Is Ready to Work

Much More Than a GIF, Upgrade’s Betty Gabriel Is Ready to Work

By April WolfeMay 22, 2018

Because one pivotal Get Out close-up displays Gabriel’s astounding emotional range in just three seconds, the actor’s face has become memorialized in GIF-dom

<i>Book Club</i>’s Cast Is So Strong It Makes You Forget, at Times, the Premise of <i>Book Club</i>

Book Club’s Cast Is So Strong It Makes You Forget, at Times, the Premise of Book Club

By April WolfeMay 17, 2018

This story revolves around four successful women in a monthly book club who start reading E.L. James’ Fifty Shades of Grey trilogy, which inspires them to rekindle their own love lives

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<i>Grace Jones: Bloodlight and Bami</i> Finds an Icon Yet Again Redefining Everything

Grace Jones: Bloodlight and Bami Finds an Icon Yet Again Redefining Everything

By April WolfeMay 14, 2018

… This is an intimate portrait of the artist in recent years as she returns to Jamaica, the country of her birth and childhood, for a family reunion

Romeo and Juliet Hit the Speedway in the Deeply Confused Romance <i>Racer and the Jailbird</i>

Romeo and Juliet Hit the Speedway in the Deeply Confused Romance Racer and the Jailbird

By April WolfeMay 8, 2018

Schoenaerts and Exarchopoulos exhibit the kind of empathetic, in-sync performances that legitimize onscreen romances, almost selling why Bibi would throw her life away to be with a man who incessantly lies to her

Sebastian Lelio’s <i>Disobedience</i> Is an Okay Movie With Great Movies Hiding Inside

Sebastian Lelio’s Disobedience Is an Okay Movie With Great Movies Hiding Inside

By April WolfeMay 3, 2018

Starring Rachel Weisz and Rachel McAdams, Disobedience is an adaptation of Naomi Alderman’s novel of the same name, about a tightly knit Orthodox Jewish community and the prodigal daughter who returns to poke holes in its way of life

<i>Bad Samaritan</i> Throws Back to (but Pales Before) the Thrillers of the Clinton Era

Bad Samaritan Throws Back to (but Pales Before) the Thrillers of the Clinton Era

By April WolfeMay 2, 2018

… Bad Samaritan — with its title sounding very Grisham — tells the story of a low-level thief who breaks into a fancy-schmancy house and discovers a woman being held captive in a plastic-lined, camera-surveilled room

<i>Vida</i> Is a Stellar Series About American Identity

Vida Is a Stellar Series About American Identity

By April WolfeApril 25, 2018

Told through the unique lens of this Latinx family, Vida is a statement on upward mobility and the privilege of being able to outgrow your home

<i>Ghost Stories</i> Debunks Myth That Horror Anthology Can’t be Excellent

Ghost Stories Debunks Myth That Horror Anthology Can’t be Excellent

By April WolfeApril 23, 2018

Equal parts spooky and cheeky, this film nails its black humor and finds a bizarre but satisfying conclusion to manage all the loose ends

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Seriously, Netflix’s <i>Lost in Space</i> Reboot Is a Family-Adventure Triumph

Seriously, Netflix’s Lost in Space Reboot Is a Family-Adventure Triumph

By April WolfeApril 9, 2018

Lost in Space is nearly Steven Spielberg airy, telling the story of a super-smart family selected to populate a Utopian space colony but who get lost somewhere along the way

Mental Ward Thriller <i>Unsane</i> Is So Tense, Our Critic Wanted to Flee Theater

Mental Ward Thriller Unsane Is So Tense, Our Critic Wanted to Flee Theater

By April WolfeMarch 20, 2018

The film tells the story of a terrorized woman in a mental hospital who’s trying to convince the staff and patients that she shouldn’t be there and is being held against her will

<i>A Wrinkle in Time</i>: Ava DuVernay’s Humanity Is Worth More Than Any Effects Budget

A Wrinkle in Time: Ava DuVernay’s Humanity Is Worth More Than Any Effects Budget

By April WolfeMarch 7, 2018

The film sends the simultaneous messages that it’s futile to coddle children but also that it’s OK to feel the icky stuff that you feel, because even your weaknesses can be transformed to strengths

New <i>Death Wish</i> Left Me With One Question: What’s Wrong With Us?

New Death Wish Left Me With One Question: What’s Wrong With Us?

By April WolfeMarch 7, 2018

Kersey is the everyman, and Roth’s movie, whether he likes it or not, is the good-guy-with-a-gun propaganda the NRA is just lapping up straight out of the toilet

<i>Red Sparrow</i> Suggests Spycraft Is About Nothing More Than Turning Dudes In

Red Sparrow Suggests Spycraft Is About Nothing More Than Turning Dudes In

By April WolfeFebruary 26, 2018

The film gives only the most paltry consideration to geopolitics, to relations between the U.S. and Russia or America’s own corrupt operations

Sally Potter’s <i>The Party</i> Is a Dinner Farce for the Ages

Sally Potter’s The Party Is a Dinner Farce for the Ages

By April WolfeFebruary 26, 2018

Potter isn’t what you’d call subtle, but she also knows not to overstay her welcome, and this pithy comedy is a masterclass in all that a filmmaker can squeeze from the most basic theatrical concept …

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<i>Game Night</i> Is the Comedy Knockout We’ve Been Waiting For

Game Night Is the Comedy Knockout We’ve Been Waiting For

By April WolfeFebruary 22, 2018

The chemistry between Bateman and McAdams explodes in every scene and only grows stronger when, over the course of one very long and dangerous night, their characters get caught up in conspiracy

<i>Early Man</i> Is the Neanderthal Satire of International Soccer You Didn’t Ask For

Early Man Is the Neanderthal Satire of International Soccer You Didn’t Ask For

By April WolfeFebruary 14, 2018

The narrative is needlessly complicated, and it all seems crafted just to build to a single joke voiced in the third act

Star Daniela Vega Ensures That <i>A Fantastic Woman</i> Lives Up to Its Title

Star Daniela Vega Ensures That A Fantastic Woman Lives Up to Its Title

By April WolfeFebruary 14, 2018

In the tense but hearty Chilean drama A Fantastic Woman, actress Daniela Vega plays a transwoman, Marina, who must navigate life after the death of her lover

<i>Fifty Shades Freed</i>: A Woman Relinquishing Power Is Supposed to be Sexy?

Fifty Shades Freed: A Woman Relinquishing Power Is Supposed to be Sexy?

By April WolfeFebruary 9, 2018

The only fantasies Fifty Shades Freed convincingly fulfills are those of boutique publishers who would like to believe that a debut novel can acquire 250,000 preorders and that a local glossy can employ upwards of 50 full-time staffers, both of which occur in this film

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