Spies Unlike Us

Talk about an unholy union of souls! The latest project from director John Boorman (Deliverance, The General) seeks to be many things — spy thriller and black comedy among them — but at its core it’s a bizarre buddy movie. Behold Pierce Brosnan as a spy who lit out from…

Girl Afraid

Keep a diary and one day it’ll keep you,” said Mae West, and, while the sentiment rings true, it does little to explain the mystery of why Helen Fielding’s sliver of literary history managed to keep anyone. Fluffy, shrill and approximately as deep as Cosmo magazine, the book somehow hit…

A Kinder, Gentler Dope Fiend

Hello, what’s this? Why, could it be another cautionary tale from Hollywood about recreational drugs being — alert the media! — not particularly good for people? Indeed, with Blow, director Ted Demme (Beautiful Girls, Monument Ave.) has set us up with a morality tale in which the moral is obvious…

Gunning for Love

Leave it to Hollywood to sell us the insipid romance of a thoroughly irritating white couple as the solution to an archaic Latin American mystery. As pure bang-up adventure, The Mexican is certainly more user-friendly than childish junk like The Way of the Gun, but the attempt to weave adult-relationship…

Saccharin & MSG

At last you can take a deep breath and relax, consumers of American cinema, for our trilogy of virtually unrelated cheerleader movies is now complete. Having reappraised youthful sexuality in But I’m a Cheerleader and celebrated ass-kickingness in Bring It On, we now accomplish both, sort of, in Francine McDougall’s…

Vein Glory

The doomed are often a remarkably energetic and productive lot, especially when it comes to creating portraits of their personal horrors. Themes vary in intensity between slow self-destruction and grand devastation, but vampirism covers the full spectrum of ghastliness. This is because the imbalance represents so much to so many…

London Broil

There’s definitely something weird going on in the British pop scene. Years after tasteful Yanks allowed classic works such as Saturday Night Fever and Grease to dissolve into our vast iconic array, villainous Limey programmers were still hyping them over there. Thus, the dual plagues of disco and ’50s rock…

Candy From the Heart

In Lasse Hallström’s new film, Chocolat, you will find the ingredients required to spin an audience into throes of fuzzy warmheartedness — the hope, the compassion, the joie de vivre — all blended with the skill of a consummate confectioner. Much like a box of sweets with a convenient guide…

No Box of Chocolates

During the summer of 1994, while most of the world was greeting Robert Zemeckis’s Forrest Gump with dewy eyes and outstretched arms, this critic was grinning his fool head off at a very different tale of a lost, lone hero. While a featherweight Tom Hanks bumbled his lobotomized way through…

Sexual Reeling

When assessing the merits of Quills, the lusty new feature by director Philip Kaufman (Henry and June), you’re tempted to seek corresponding characters from popular movies in order to illustrate just how average this story is. In Kaufman’s film — affectionately constructed from a screenplay by Doug Wright, who adapts…

Talking Turkey

Given the stress and emotional turmoil associated with family holidays, in the cinema as in life, it’s very peculiar that anyone feels obliged to entertain the notion of Thanksgiving anymore. Really, thanks for what, exactly? Jammed freeways? Delayed flights? Overcrowded supermarkets? Big, dead birds? Witch hunts? Territorial conquest and genocide?…

Clone Wars

The biggest wonder about the new Arnold Schwarzenegger ride is not that human cloning has become a reality, nor that the America of the future (“sooner than you think,” as an opening caption ominously suggests) very closely resembles present-day Vancouver. It’s not even that technological advances appear to have added…

American Ply

To put it mildly, it is uncomfortable and embarrassing to have your cynical ass whipped by a huge, hulking Hallmark card, and this is exactly the sensation you take away from Mimi Leder’s Pay It Forward. Not that the near-total emotional submission isn’t preceded by a knock-down, drag-out battle for…

A Star Is Björk

With global overpopulation neatly intertwining with the advent of the home-video camera, we have been afforded several near-miracles. For instance, when supersonic jets explode, or when mobs impolitely loot and riot in urban centers, the common consumer can now document the event and sell it to the networks for our…

Animal Husbandry

Every now and then, a movie comes along that makes you feel as though you’ve fallen face-first into a stale cat box filled with grouchy baby asps. Come to think of it, this seems to happen, oh, one to three times a week, especially when the movie is about “real…

Scenes of Queens

In The Opportunists, the debut feature by writer/director Myles Connell, the stakes are low, the relationships are subtle, and Christopher Walken hardly raises his voice, barking only a single syllable in a fleeting moment of anguish. Of course, one of the many pleasures of Walken is watching him lose his…

We’re Not in Kansas Anymore

Humans and their stories, my, oh my. Somehow, the familiar themes just keep coming around, again and again, ad infinitum. Of course, most of them have already been captured and processed by Shakespeare. From the bitter young man to the crazy old king, from the flirty young thing to the…

Touched by an Angle

Honestly, of late have you found yourself enthralled by pleasing stimuli? Please, no nauseating responses like “Aromatherapy shifts my reality” or “After I get Rolfed, my heart is more open to love.” Instead, think of the good, serendipitous stuff, the random intoxicants that bombard your subcutaneous organs. For example, has…

Private Defective

Murphy and Pryor. Skywalker and Kenobi. Amos and Zeppelin. Regardless of the creative universe, the maverick apprentice tends to stride off into territory beyond the edges of the master’s map. So it is with Alan Rudolph, whose career blossomed after he served as assistant director to Robert Altman on Nashville…

I See Dull People!

Rather than asking if this senseless and expensive new film from wunderkind entertainer Robert Zemeckis is devoid of merit (it is), or “worth seeing” (it isn’t), we should instead take the movie’s title — What Lies Beneath — as a direct question. Indeed, what does lie beneath? Possible answers include:…

Coop d’Etat

About nine years ago, in a humble nightclub, urbane British folk singer Billy Bragg reappraised twentieth-century politics — as is often his Socialist wont — by means of an intriguing correlation. Might it be, he postulated, that contemporaries Leon Trotsky and Harlan Sanders were not merely striking doppelgangers, but, in…

Young Guns

Apart from mass cultural annihilation, Beatniks, Hee Haw, some dumbass sports and the freak shows of Boulder, most pop-culture trends are not homegrown, but imported to America after prolonged cultivation overseas. Take that novelty food tofu, for instance, dubbed le curd du soy by uncredited Belgian sailors exploring China centuries…