I Am a Sex Addict (IFC) Caveh Zahedi has made a movie of our times — a strange mix of self-absorption, shamelessness in the pursuit of fame, and sex. Most shocking of all is that it works. Part fiction and documentary, confessional and comedy, the film traces the history of…

United 93 (Universal) A suggestion to those who’ve put off watching the year’s most wrenching and essential film: Before rolling the feature, first watch the documentary in which the families of those who died on the plane give the filmmakers their blessing, without reservation. If the mother, father, and sister…

Arrested Development: Season Three (Fox) The final collection of Arrested Development discs feels sadly incomplete: only 13 episodes this time, the result of Fox’s inability to attract viewers to one of TV’s greatest comedies and the network’s unwillingness to give it a full farewell. But none of that diminishes the…

Veronica Mars: The Complete Second Season (Warner Bros.) Any concept along the lines of “high school hottie solves crimes” is bound to make for watchable TV, but who would have expected this? Equal parts 90210 teen soap, murder mystery, and comedy, Veronica Mars pulls you in with its sharp writing,…

Apocalypse Now: The Complete Dossier (Paramount) It’s all here, more or less: the 1979 theatrical cut of Francis Ford Coppola’s harrowing and still-hypnotic Joseph Conrad-in-Vietnam adaptation, the 49-minutes-longer-but-feels-24-minutes-shorter 2001 Redux edition, Marlon Brando’s entire 17-minute “The Hollow Men” monologue, even more “lost” and deleted scenes (including a spooky-shocking one, in…

Brick (Universal) Rian Johnson’s feature debut as writer-director will wind up as one of the year’s best films. A film noir set in a modern-day high school, it’s Sam Spade roaming Ridgemont High. Kids get doped up and knocked up and even rubbed out while speaking pulp-novel slang, but the…

V for Vendetta (Warner Bros.) Illustrator David Lloyd calls this adaptation of the comic he made with writer Alan Moore “very good” — so why did Moore beg to have his name removed? The intentions are noble, sure; name another big-studio blockbuster in which a government manufactures fear to keep…

Feed (TLA) Remember the old jokes about “What’s grosser than gross”? The makers of Feed do, as they prove in the first 10 minutes — one-upping their opening scene featuring a voluntary victim of cannibalism by bringing in a guy who gets nekkid and shoves cheeseburgers down the throat of…

Edison Force (Sony) Gritty cop stuff must write itself — just make sure everyone’s tough, corrupt, and talking like they stole Mickey Spillane’s thesaurus. Then cast Justin Timberlake. Screech! Employing the talented (at music) popster as a crusading journalist isn’t this lame flick’s worst flaw — merely the one you’ll…

Grand Prix (Warner Bros.) John Frankenheimer, as underrated as he was brilliant, made a racing picture in 1966 that’s yet to be topped forty years later. James Garner suffered through the director’s churlish demands (which Frankenheimer reveals and owns up to, in archival footage on one of the documentaries here)…

The Devil’s Sword (Mondo Macabro) Few trash movies live up to their reputation, but here’s a balls-out wonder that surpasses it. Grab a 12-pack of Bintang and cue up this jaw-unhinging slab of Indonesian sword-and-sorcery circa 1983 — a start-to-finish feast of martial arts, mullets, flying heads, vestal virgins, dry-ice…

Night Watch (Fox Searchlight) Every once in a while, Hollywood needs somebody else to steal a genre and totally reimagine it; it keeps old ideas young, like celluloid Botox. Well, Hollywood’s gonna need one big needle to absorb Night Watch, an insane, insanely cool Russian action/horror/sci-fi brew that’s like nothing…

Valley of the Dolls Beyond the Valley of the Dolls (Fox) Behold The Godfather and Godfather Part II of drag-queen cinema — two movies that provide the gateway to a lifetime of wig addiction. The films couldn’t be more different in temperament — the 1967 original is mile-high Hollywood kitsch,…

The John Wayne/John Ford Film Collection (Warner Bros.) Featuring the most epic pairing of director and actor in Hollywood history, this 10-disc box spews machismo all over. Wayne and Ford defined not only the western and war-movie genres, but also our culture’s image of rugged manhood. Among the highlights is…

Will & Grace: Series Finale (Lions Gate) The way this got hustled to shelves, mere days after Will Truman and Grace Adler said their mushy farewells, you’d think it were some classic adios — another M*A*S*H or Cheers wrap-up. Alas, it was just another Very Special Episode of a show…

There was a time when people moaned whenever Hollywood would remake — and thus suck the life out of — a classic movie. These days, Hollywood just sucks the life out of movies that weren’t that great in the first place. Ah, progress. Well, June 6, 2006, is upon us,…

Boston Legal: Season One(Fox) David E. Kelley’s latest legal drama is nothing more than a TV show about TV shows; hence the casting of Captain Kirk and Murphy Brown, with guest shots by Diane Chambers, Golden Girl Rose Nylund, and Alex Keaton. It’s like a Nick at Night mash-up, with…

Winter Passing (Fox) Try this, should you be inclined to rent this downer from writer-director Adam Rapp: Skip from chapter to chapter and see whether they all don’t begin with exactly the same image, accompanied by exactly the same sound. There is always someone (usually Zooey Deschanel as a would-be…

Fateless (THINKFilm) I’ve no patience for the Holocaust docudrama — didn’t even see Schindler’s List till years after its 1993 release, to my parents’ everlasting shame. And so it was I avoided Lajos Koltai’s acclaimed adaptation of Imre Kertész’ Nobel Prize-winning autobiographic novel; are we not already gorged on the…

Tennessee Williams Film Collection (Warner Bros.) All that’s missing from this boxed set — six movies, one doc, eight discs — is a jar of sweat; even Williams is here, in a 1973 documentary. Then there’s Brando, Beatty, Newman, Taylor, Burton, Gardner, Leigh, Malden, Huston, Kazan — the last of…

Aeon Flux (Paramount) Many things about this surreal sci-fi flick defy explanation, but nothing more so than the mystery of how it got made in the first place. On paper, it’s an archetypal setup for a bomb: a mostly forgotten cartoon, notable for its visual style and incomprehensibility, revived as…

Criticizing an action movie for being empty-headed is like calling out Brokeback Mountain for its lack of car chases. Likewise, when a teen gymnastics movie is derided as formulaic and dumb, one might logically ask: compared to what? Very well. Stick It sucks it compared to the modestly charming Kirsten…