Michael Sragow

Just as David Cronenberg's 1986 The Fly came off as an organic reaction to a terrible new wasting disease, his new movie crystallizes the confusions of an epoch that can't decide whether it's the Entertainment Era, the Information Age or the Digital Millennium. Named for a fictional "game system" also...

Steve Martin says he doesn't want audiences to expect the same old Steve Martin whenever he stars in a comedy. But that means one thing when he's referring to Roxanne and L.A. Story, two inspired flights of romantic farce (based on his own scripts), and another when he's talking about...

Jimmy Cagney brought the same electric physicality to gangsters that he did to song-and-dance men. He gave a bright-eyed mug like his character in Public Enemy extraordinary powers of attraction and repulsion. In The General, Brendan Gleeson enacts a real-life criminal chieftain--Dublin's notorious Martin Cahill--with a belly-hanging-out buffoonery that is...

"I hope it's better than The Truman Show," said the woman in line behind me at the publicized "sneak preview" of EDtv. Afterward, a man in my row declared, "That was a lot better than The Truman Show." Pretentious high-concept films like The Truman Show often garner accolades and let...

Immodesty becomes Guy Ritchie, the British writer-director who makes a jovial debut on a Jovian scale in Lock, Stock and Two Smoking Barrels. In this wayward gangster comedy set in London's East End, Ritchie cooks up a gleefully improbable tale out of mismatched ingredients: a rigged card game, a hydroponics...