On its surface, The Daytrippers probably seems like your generic ’90s American independent let’s-get-our-friends-together-and-make-a-movie movie. Shot in Long Island and Manhattan in sixteen days for about a half-million dollars, with a cast including the inevitable Parker Posey and the almost equally inevitable Stanley Tucci and Campbell Scott–where was Eric Stoltz?–it…

In The Devil’s Own, Brad Pitt plays Frankie McGuire, an Irish Republican Army gunman with 24 kills to his credit–13 British soldiers and 11 police officers. After a bloody firefight in Belfast, he escapes to New York, where, helped by a pro-IRA judge (George Hearn), he is placed in the…

The new Richard Linklater film, subUrbia, adapted by Eric Bogosian from his 1994 play, opens with a long, unbroken tracking shot through a ticky-tacky Texas suburb, backed on the soundtrack by Gene Pitney wailing “Town Without Pity.” This logy, Jim Jarmusch-y opening hints at even greater anomie to come–and boy,…

The ingredients are familiar: Donnie Brasco stars Al Pacino as a Mafia soldier and Johnny Depp as an FBI undercover agent who infiltrates the mob. But there’s a twist. Based on a true story, the film is a grunt’s-eye view of the Mafia, and it’s not remotely “operatic” or Scorsese-ish…

In Absolute Power, Clint Eastwood plays Luther Whitney, a master thief who burgles on little cat feet. He’s as stealthy as the Pink Panther pilferer, though not nearly as amusing. Luther, you see, is presented to us as an artist. We first see him at the National Gallery dutifully copying…

In Mother, Albert Brooks plays John Henderson, a science-fiction novelist recently divorced from his second wife who decides he can’t risk another relationship until he comes to terms with his mother. So he does the logical thing: He moves in with her. He hauls out of her garage all his…

A famous movie composer once told me a joke: Two songwriters are sitting around, and one of them says to the other, “I just saw the most amazing thing. A man fell off the roof of a building, hit a ledge, fell to the street, got winged by a bus…

Forget Independence Day. If you really want to see Earth get it, you can’t do any better than Tim Burton’s Mars Attacks! It’s a destructo orgy orchestrated without any phony-baloney sanctimony about the fellowship of man–or spaceman. Burton isn’t interested in intergalactic amity; he’s not even interested in preserving the…

In the post-Babe era, can you make a live-action movie about animals and not have them talk to each other? For me, this is the deep philosophical question raised by Disney’s new 101 Dalmatians, a live-action remake of the studio’s 1961 animated feature–in which, by the way, the animals did…

In The Mirror Has Two Faces, Barbra Streisand plays Rose Morgan, a Columbia University Romantic Literature professor who endures a drab, romanceless life. She lives with her imperious, fault-finding mother, Hannah (Lauren Bacall)–a beautician, no less–and wards off the attentions of a nebbishy suitor (Austin Pendleton) while pining for the…