The latest comic meteorite to hurtle forth from the galaxy of producer Judd Apatow, Superbad is about a couple of chronically unpopular best friends who, after four years stuck on the lowest rung of the high-school social ladder, find themselves invited to a legitimately cool party. Goodbye, Friday nights chugging…

Did John Waters sell out? Or did our ever-more-metrosexual age merely render him irrelevant? Certainly long before Hairspray took up residence on the Great White Way in 2002, Waters had abdicated his throne as America’s elder statesman of underground smut in favor of a more lucrative career as a neutered…

The magic has returned to the Harry Potter franchise — albeit magic of the old, black variety. The darkest and most threatening by far of the five Potter films, Harry Potter and the Order of the Phoenix is also the only series entry outside of the third, Alfonso Cuarón’s Harry…

Anyone can cook, but only the fearless can be great.” So goes the personal mantra of the late celebrity chef Auguste Gusteau, whose disembodied spirit materializes — Jiminy Cricket-style — to guide the rodent hero of Brad Bird’s Ratatouille toward his goal of gastronomic excellence. He also seems to be…

The idea of “getting axed” is exploited for maximum double-entendre value in Severance, a grisly horror-comedy from the U.K. that has its tongue planted so firmly in its cheek that you half expect it to pop out the other side. Yes, heads (and, in one indelible bit, a severed foot)…

Cannes, France — I never gave much thought to the subject of health insurance until, in October of 2005, an odd swelling in my groin prompted me to make one of my infrequent trips to the doctor’s office. A referral to a urologist and one ultrasound later, the diagnosis was…

Last weekend, as Jerry Bruckheimer’s pirates were once again storming the international box office, the Cannes Film Festival (May 16-27) bestowed its two top prizes on a gut-wrenching Romanian movie about backroom abortion and a plaintive Japanese drama about a sad old man who wants to dig his own grave…

“I don’t mind if you take a shot of me eating,” says William Friedkin, in between bites of an avocado sandwich, to the photographer busily taking his snapshot. “People know I do that.” Friedkin and I are downing a quick dinner in the green room of Skirball Cultural Center in…

The young men move about the muddied hillside engaging in a friendly afternoon game of that national pastime known as hurling. On their way home, they are accosted by a platoon of “Black and Tans,” the occupying soldiers sent from England to stamp out the crackling embers of Irish independence…

This week’s generically titled studio suspense thriller, Fracture, has the good sense to begin where last week’s generically titled studio suspense thriller, Perfect Stranger, ended — with the solution to that tedious riddle: Whodunit? The answer this time is Anthony Hopkins as Ted Crawford, an aeronautical engineer whose pockets of…

As Charlie Fineman, a New York dentist who lost his wife and three young daughters in one of the September 11 plane crashes, Adam Sandler sports a mass of bedraggled locks and walks with his head hung low, the sounds of the city drowned out by the Who or Bruce…

In the same week that sees Adam Sandler playing a grieving 9/11 widower in Reign Over Me, another lone figure reeling from post-traumatic stress fills the central role in the new Antoine Fuqua-directed thriller, Shooter. Named Bob Lee Swagger and played with appropriately gruff machismo by Mark Wahlberg, he’s a…

(Mexico City) Less than 24 hours after the Oscars capped the remarkable year of the so-called three amigos by handing out three awards to Pan’s Labyrinth and one to Babel, I boarded a plane bound for Mexico City and the fourth edition of the Mexico City International Contemporary Film Festival…

When the editorial cartoonist turned amateur sleuth Robert Graysmith published Zodiac, he wrote that the tale was “the most frightening story I know.” His sprawling and meticulously researched account of the eponymous San Francisco serial killer was written in 1985, some sixteen years after the Zodiac’s last confirmed attack, and…

One morning, Gary Walkow was suddenly transformed into a successful Hollywood filmmaker. Gone were the hat-in-hand searches for financing, the deferred salaries, the long shooting days with undermanned crews, and the months upon years spent touring the festival circuit while seeking a distribution deal. For a moment, he was taking…

PARK CITY, Utah –On the first Saturday of the 2007 Sundance Film Festival, I rolled out of bed and hustled up Main Street for the 8:30 screening of Tamara Jenkins’ The Savages, starring Philip Seymour Hoffman and Laura Linney as adult siblings caring for an irascible elderly parent. Only I…

PARK CITY, Utah — We all know about the cathartic power of blues music, but until the 2007 Sundance Film Festival, who knew that it could serve as a cure-all for everything from nymphomania to childhood sexual abuse? In Hustle & Flow director Craig Brewer’s Black Snake Moan, whose out-of-competition…

Though I’m sure it’s purely coincidental, the decision to release the Diane Keaton-Mandy Moore romantic comedy Because I Said So with the scent of this year’s Sundance Film Festival still fresh in the air provides us with an excellent opportunity to review the wayward career of the movie’s director, Michael…

In the new Clint Eastwood movie, ordinary young men — husbands and fathers, artisans and aristocrats — are drafted into a war whose motives many of them do not fully understand. There, on an island called Iwo Jima, they fight against an enemy who has been demonized by wartime propaganda…

It is said that a great actor or actress can bring down the house, but before I saw (or heard) 25-year-old American Idol finalist Jennifer Hudson in Dreamgirls, I cant recall the last time I truly feared for the architectural stability of a movie theater. When Hudson, who is making…

History repeats itself: Eleven Decembers ago, Universal had the season’s strongest movie. With a bare minimum of advance screenings and a shocking absence of hype, the studio dumped it. This year, they’ve done it again. The 1995 castoff was 12 Monkeys, Terry Gilliam’s remake of Chris Marker’s La Jetée; this…

From its wink-wink, nudge-nudge movie-within-a-movie opening to its bold-faced quoting of such classic Hollywood farces as The Lady Eve and His Girl Friday, Nancy Meyerss The Holiday wants us to know that its different from the kind of romantic-comedy pabulum that fills the multiplexes these days. And it is different;…