No, the Virgin Mary doesn’t get high on aerosol fumes, and Joseph doesn’t ride in on a skateboard, but in most other respects, The Nativity Story is less of a departure for Thirteen and Lords of Dogtown director Catherine Hardwicke than you might imagine. From the first glimpse of Nazareth…

If the greatest magicians never reveal their tricks, then Christopher Nolan wouldn’t make it past the children’s birthday-party circuit. It’s not that Nolan has anything against the old hocus-pocus, but it’s the practical side of magic that appeals to him most — the nuts-and-bolts explanation behind the seemingly “impossible” feat…

A single photograph, we’re told early on in Clint Eastwood’s Flags of Our Fathers, can win or lose a war. But sometimes, that photo shows us only part of the story, whether it’s the part we don’t want to see — slaughtered villagers at My Lai, tortured prisoners at Abu…

If Crash grew a pair of cojones, it might look something like Larry Clark’s cheerfully defiant Wassup Rockers, in which a pack of Latino skaters from South Los Angeles spend an afternoon marooned in the suburban jungle of Beverly Hills, cutting a swath through dense thickets of white privilege and…

Michael Mann’s Miami Vice is like a car that’s been stripped of everything but its two bucket seats and rebuilt from the ground up. The protagonists are still a pair of detectives named Sonny Crockett (Colin Farrell) and Ricardo Tubbs (Jamie Foxx), and a cover of Phil Collins’s “In the…

Owen Wilson has moved up in the world: He’s gone from crashing weddings to crashing entire marriages. In the listless farce You, Me and Dupree, his eponymous ne’er-do-well, having lost his job and been evicted from his apartment after taking time off to be the best man at the Hawaiian…