It’s been 32 years since the release of National Lampoon’s Vacation, in which Chevy Chase, as dad Clark Griswold, packed his Griswold clan into what looked like the Country Squire from hell and sought the family-bonding experience by driving cross-country to a mythical mega-amusement park known as Walley World. If…

There’s probably only one humanist film that opens with the words “Merry Christmas Eve, bitch!” accompanied by the proffering of a single, sprinkle-dusted doughnut. In Sean Baker’s Tangerine, best friends, transgender women and prostitutes Sin-Dee and Alexandra (Kitana Kiki Rodriguez and Mya Taylor, respectively) catch up at a doughnut joint…

The opening of Antoine Fuqua’s Southpaw, shot in gritty, grayed-out tones, is a grim harbinger: A fighter getting ready for the ring holds up his meaty paws for the ritualistic wrapping of gauze and tape. His gloves are slipped over the wrappings, and then they’re taped on, too — but…

The problem with clamoring for more woman-led comedies is that actual comedy may be the thing that ends up being left by the wayside. Tina Fey, among others, has railed against the boneheaded dictum that women can’t be funny. But in the current climate of watchfulness — one in which…

The death of Amy Winehouse, in July 2011, at age 27, was one of the first great tragedies of 21st-century pop music, an event — like the deaths of Tupac Shakur and Kurt Cobain in the last decade of the twentieth — that emphasized the jarring contrast between the fragility…

Hollywood lives by the simple, sad axiom “Where there’s money, there’s more money,” which is how we get remakes of movies that sometimes shouldn’t have been made in the first place, two Spider-Man reboots within five years, and a Star Wars franchise that ensures our children’s children will revere George…

There’s no one right way to show mental illness in the movies, yet there are hundreds of ways to get it wrong. Even though certain disorders come with specific traits, a diagnosis is not a human being, and doomed is the actor who just cycles through symptoms rather than working…

Some movies are indefensible, and Ted 2 is one of them. Not only is this a movie about a libidinous, foul-mouthed stuffed bear; it’s the sequel to an earlier movie about a libidinous, foul-mouthed stuffed bear. But I laughed and laughed at Ted 2 — as I did at the…

Even if you live in the same city or town your whole life, the place you came from is always a distant country: Old trees are cut down to be replaced, one hopes, by new ones; shops and businesses change ownership or, worse, are torn down; landmarked buildings may stay…

Me and Earl and the Dying Girl may not be the best teen-cancer weepie ever made — if there even is a best teen-cancer weepie. But it’s surely the most adorable, for better or worse — less like The Fault in Our Stars and more like Diary of a Wimpy…

In Jurassic World, Colin Trevorrow’s Jurassic Park reboot — set 22 years after dinosaurs started walking the Earth, again — brontosauruses, stegosauruses and velociraptors have become old hat, sort of like the mechanical Abe Lincoln at Disneyland. Meanwhile, the habitat around them has gone Vegas: Isla Nublar, home of the…

What does the world sound like when you’re Brian Wilson? When you’ve made a record that sounds like cirrus clouds look — as Wilson did with the Beach Boys’ small modern miracle of harmony, 1966’s Pet Sounds — all bets are off when it comes to the way ordinary aural…

Fictional movies that tackle topical subjects often have about them the fusty air of a civics lesson, as if we’re supposed to watch pretending that we’re not being led down the path of righteousness. But writer-director Andrew Niccol’s Good Kill is something else; it’s immediate and vital, and it doesn’t…

CANNES, France — “Je m’appelle Max.” Now that’s an opening line, so much better in French, and it’s just one reason I’m glad I waited to see Mad Max: Fury Road here in Cannes on the morning of the festival’s second day, Thursday, rather than at home in the States last…

Some people complain about sequels to beloved movies, while others welcome the possibility that a part deux might be even better than the first. Jason Moore’s Pitch Perfect, which riffed on the highs and lows of an all-woman college a cappella group, became a surprise hit upon its release in…

Iris Apfel isn’t exactly a household name, unless we’re talking about very stylish households. From 1950 to 1992 Apfel ran Old World Weavers, the business she co-founded with her husband, Carl, which faithfully re-created antique textiles for use in home decorating: From grand Park Avenue drapes to demure White House…

Sofía Vergara is built like an amphora, a living testament to the form ceramicists throughout the centuries have adored. In the fleet and gloriously ridiculous comedy Hot Pursuit, Vergara plays Daniella Riva, a mobster’s wife who needs to be escorted from San Antonio to Dallas, where she’ll testify against the…

Though it’s hard to believe in 2015, there was a time when fictional heroines didn’t have to be role models, when a character’s backbone could be more than just a row of vertebrae lined up into teachable moments. It’s wonderful that modern readers love Jane Austen — we still warm…

No one likes the idea of growing older, and anyone who claims as much is lying. The anxiety of aging actors is particularly acute — not necessarily because they feel the passage of time so intensely, but because, having the privilege of watching their faces change over the years, we…

Even if you think you don’t know the photographs of Sebastião Salgado, you’ve probably seen them. In one of his most famous pictures, taken in the mid-1980s in Mali, a woman whose face is half-hidden by a dark, rough-textured cotton veil, her bearing as elegant as anything you’d see in…

The sequence that opens True Story tells you plenty about what you’re in for: A rumpled teddy bear drifts down from our vantage point like a puffy brown snowflake, landing with slow-motion deliberateness on the form of a PJ-clad toddler curled up in a suitcase, seemingly asleep. She’s like an…