Sean Penn’s Vanity Might Be What Saves The Gunman

In the action thriller The Gunman, Sean Penn, at age 54, looks neither old nor young. He’s been in training to look this age for a long time. Even as a relative kid, in 1982’s Fast Times at Ridgemont High, his sailor-on-shore-leave mug had a wry, quizzical roughness to it;…

Kenneth Branagh’s Cinderella Is Safe for Both Kids and Adults

There’s no empowerment message embedded in Kenneth Branagh’s Cinderella, no “Girls can do anything!” cheerleader vibe. That’s why it’s wonderful. This is a straight, no-chaser fairy story, a picture to be downed with pleasure. It worries little about sending the wrong message and instead trusts us to decode its politics,…

Here’s a Silver Medal for This Exotic Marigold Hotel

Almost immediately after it was released, the 2011 stealth hit The Best Exotic Marigold Hotel became more of a punchline than a movie. Who knew “older” people were so starved for pictures featuring gorgeously shot exotic locales, not to mention people falling in love, falling out of love or desperately…

Review: Wild Tales

There are two kinds of humanist movie. One kind shows human beings struggling against the most unspeakable horrors, sorrows or injustices and still, somehow, emerging with their essential goodness intact. The second, thornier type gives us people doing terrible things to one another — screaming, cheating and generally making life…

You Might Get Lost in Maps to the Stars

Is it possible to like a movie yet feel revulsion toward its script? David Cronenberg’s Maps to the Stars is clearly intended as a sharp satire of Hollywood ambition, vanity, avarice and emptiness, and in places it’s smart and astringently funny. Yet it seems to be fighting its own bone…

Russia, a Whale, and a Way of Life Moulder in Leviathan

Where we come from defines us more than we even realize: That’s the idea implicit in Andrey Zvyagintsev’s somber, sturdily elegant drama Leviathan, in which a mechanic who has lived on the same parcel of land all his life — as his father and grandfather did before him — resists…

Michael Mann’s Blackhat Is Too Much of a Good Thing

Anyone who loves Michael Mann movies — or even just the idea of Michael Mann movies — accepts that film style is a language and something more, a way of thinking, feeling and looking that goes beyond basic plotting, dialogue or character motivation. I can tell you pretty much everything…

Inherent Vice Is an Open House for Misfits and Off-Kilter Savants

Paul Thomas Anderson was making serious movies long before he started making “serious” movies, ponderous works of certified art like There Will Be Blood and The Master. His earliest pictures, like Hard Eight and Boogie Nights, were wily, imperfect, vibrating with life. They were serious without advertising their sincerity, and…

Ava DuVernay’s Selma Is Both Intimate and Grand in Scope

Describing Ava DuVernay’s quietly remarkable Selma to a friend, I caught myself referring to the civil-rights era as a historical event, a thing of the past, and then backtracked. The killing of Michael Brown, Eric Garner and Tamir Rice at the hands of police officers — not to mention the…

The Long-Awaited Interview Makes an Appearance

Editor’s note: After canceling the nationwide release of The Interview, due to threats by hackers angry at the movie’s sentiment toward North Korea, Sony Pictures Entertainment — perhaps after being scolded by President Obama — decided to screen the film on a limited basis. In Denver, it has been shown…

The Gambler Is a Dressed-Up Genre Picture — and a Good One

In Rupert Wyatt’s highball-cool reworking of Karel Reisz’s 1974 The Gambler, Mark Wahlberg does not play a cop, does not shoot bad guys with a gun, and does not spend considerable time shirtless (though we do see him sulking in a bathtub, and there’s a fleeting wet T-shirt moment, too)…

Zacharek’s Top Ten Movies of 2014

“If everything were great, nothing would be great.” That line, from Scott Coffey’s smart and sweetly entertaining Adult World, is one of my favorite bits of movie dialogue this year, not least because it’s applicable to every movie genre — actually, every genre of everything. But in the movie world,…

The Interview Will Be Remembered for All the Wrong Reasons

Editor’s Note: Sony has officially canceled the theatrical release of The Interview following terrorist threats against theaters and the announcement that several major theater chains had opted not to exhibit the film. The following review was written before Sony pulled The Interview– and stands as a reminder that world-shaking art…

Wild Stays True to the Spirit of Cheryl Strayed’s Story

For reasons that are perhaps understandable, stories about women finding themselves — or their voices, or their inner courage, or any number of things that are apparently very easy to mislay — are big business. But even if Cheryl Strayed’s hugely successful 2012 memoir Wild: From Lost to Found on…

Surprisingly, Horrible Bosses 2 Is Not Horrible

The third-greatest scourge of the earth, right after online comments sections and bedbugs, is the unfunny comedy sequel, which may be why you think you should skip Horrible Bosses 2. The miraculous surprise is that Horrible Bosses 2 isn’t terrible at all. It’s looser, breezier and more confident than its…