You could be forgiven, after watching the opening minutes of Ira Sachs’s fine-grained and flinty Love Is Strange, for thinking it’s going to be a movie about Gay Marriage, with all the import those initial caps imply. We see two older men, clearly a couple, roll out of bed in…
Today is my last day in Venice, which always makes me blue. Yesterday morning, on the way to my final screening, a tourist with an Eastern European accent I couldn’t quite identify stopped me a block or so from the sad and shuttered Hotel des Bains and asked me if…
Most of us would agree that there’s only one Al Pacino. But this year in Venice, there are actually two: Pacino appears in two films at the festival — David Gordon Green’s Manglehorn, about a lonely Texas locksmith stuck in a romantic dream; and, playing out of competition, Barry Levinson’s…
If older-man/younger-woman matchups make a lot of people uncomfortable, the older-man/much-younger-woman combo tends to make them apoplectic. It would be impossible for Nabokov to publish Lolita today, now that all of life, and all of art, must be arranged, categorized and restricted as a way of protecting not just our…
For women, especially, it’s wholly out of fashion to have sympathy for middle-aged white men. In both real life and fiction, the thinking goes, they’ve reigned supreme long enough. Who cares about their anxiety over their receding hairlines, their poochy stomachs, their inability to attract young babes? That tinny plink…
Every other year or so, someone comes down the indie-movie pike with an idea for an unconventional zombie movie — as opposed to the workaday ones, where the dead simply return to life and chew on limbs and stuff. Life After Beth, the debut film from writer-director Jeff Baena, strives…
Should grownups be spending their time reading young-adult novels, at the risk of missing the supposed riches of fiction written for actual grownups? A recent essay on Slate groused about the legions of adults who long ago graduated from the twelfth grade but still devour YA fiction at the expense…
In the highly imperfect world of contemporary romantic comedies, What If is as close to perfect as anything we’ve got, not least for the way it captures the abject hopefulness of young people who’d like to be in love but don’t know how to go about it. Who does know…
Even those of us who loved Robin Williams as a performer would have to say that sometimes he was too much — too wired, too pleading, too on. There were times when I’d see him nattering away on a late-night talk show, or suffer through a performance like the one…
Lasse Hallström has become an expert at making mom-jeans movies, non-threatening pictures in which headstrong women find love just when they think it’s too late (Once Around), take the upper hand with their cheating husbands (Something to Talk About), and turn small, French villages topsy-turvy by opening chocolate shops (Chocolat)…
In Tate Taylor’s subtly extraordinary James Brown biopic Get On Up, Chadwick Boseman plays the man who, seemingly just by willing it to be so, became the Godfather of Soul. Get On Up isn’t a perfect picture; there are moments of awkwardness, little gambles that don’t quite pay off. But…
Beware the movie that’s Fun with a capital F, the one populated with seemingly unpretentious characters that say adorable, clever things, the one that presents each off-kilter joke as if it were a porcelain curio, the one that boasts a comfort-food soundtrack of songs you’ve always liked but perhaps haven’t…
He couldn’t have known it at the time, but James Brown’s debut recording and first chart hit — made in 1956 with the Famous Flames — is a question that contains its own answer. The lyrics to “Please, Please, Please” speak, pretty obviously, of sexual desire. But Brown’s voice is…
The business of childhood is the business of waiting: waiting for Christmas, waiting for school to let out, waiting to be old enough to stay up past nine. No other movie I can think of captures the wistfulness of those days full of waiting better than Richard Linklater’s Boyhood, an…
Wish I Was Here, the movie that actor and second-time director Zach Braff partially funded with money raised through Kickstarter, isn’t nearly terrible enough to satisfy all the grumblers who are hoping to see it fail. When Braff couldn’t secure traditional financing for the film, he appealed to the fans…
Who knows why, but the sight of apes sitting tall and proud on horseback is stirring in a primal way. That’s one of the best images in Matt Reeves’s Dawn of the Planet of the Apes, the sequel to the enormously successful 2011 Rise of the Planet of the Apes…
If the clothes of Yves Saint Laurent were groundbreaking, the designer’s mystique was as subtle as the curve of an invisibly molded sleeve. Those who have picked up just a little Saint Laurent lore may know about his beginnings at the House of Dior in the late 1950s, and his…
Let’s get the obvious over with: The early days of the Beatles, as reflected in Richard Lester’s ebullient shout of freedom A Hard Day’s Night, were all about the optimism of the early 1960s, a thrilling and energizing time when young people, and even some older ones, truly believed that…
It’s kind of happy-sad, like watching a kid you knew as a toddler graduate from high school: Chris Evans, seemingly destined to be a boy forever, is now officially a grownup. In Bong Joon-ho’s futuristic snowbummer Snowpiercer, the Korean director’s first English-language film, Evans plays the leader of a group…
A truly punk act, a shout of freedom, frustration, and exaltation, hits about halfway through Lukas Moodysson’s girl-punk reverie We Are the Best! The three thirteen-year-old protagonists, high on the idea of the three-chord band they’ve just started, find some damp garbage bags on the street that, they discover, are…
If you ever have days when you prefer animals to human beings, How to Train Your Dragon 2 is your kind of movie. In some ways the second entry in this animated franchise is inferior to the first, released in 2010: The plot is needlessly busy, and much of the…
One of the biggest selling points of 21 Jump Street, the 2012 TV-remake comedy, turned out to be its seemingly unscripted lunacy, the way it put Channing Tatum and Jonah Hill in police-shorts outfits and let them riff on their characters’ mutual ineptitude. As undercover cops who pose as teenagers…
