The Fault With Our Adapters

Cancer, so costly in real life, can be thrown around pretty cheaply in fiction, which is why most cautious readers and moviegoers are wary of it as a plot element. Call it the Love Story syndrome. But the presence of mortal illness has always been a staple of romantic melodrama,…

Six Movies to Watch for From Cannes

Stephanie Zacharek has been reporting online from the Cannes Film Festival. For much more, including a couple daft cartoons she drew, visit westword.com/movies/. Foxcatcher Even if Steve Carell’s performance in Bennett Miller’s Foxcatcher — a terrific one — ends up being the most lauded in the film, what Channing Tatum…

Cannes Report: Grace of Monaco at Least Has Clothes

Greetings from Cannes! It’s an unwritten rule – maybe it should even be a written one – that no one who is lucky enough to come to Cannes for the film festival, now in its 67th year, should, in any way, shape, or form, complain about being here. But may…

The new Godzilla‘s special effects aren’t too shabby

Godzilla is the movie monster with the mostest. King Kong may be just one gorilla chest hair behind, but not even the greatest of apes can quite match the half-dragon, half-dinosaur who first stomped and chomped his way through Tokyo in Ishiro Honda’s 1954 Toho Co. Ltd. extravaganza. In that…

Transcendence is a tepid sermon on technology’s power over humans

Sometimes it’s helpful to know certain details about how a film has come together. And sometimes it’s just so much information. Transcendence, the directorial debut of Christopher Nolan’s go-to cinematographer, Wally Pfister, was shot on film rather than digitally, as most big Hollywood movies are today. Is that going to…

Under the Skin‘s secrets unspool in beautiful ribbons

The promise of seeing Scarlett Johansson fully nude is probably enough to lure lots of people into Jonathan Glazer’s alien-among-us fantasy Under the Skin, and the vision doesn’t disappoint: Her figure, seen in long shot, is a grand and glowing thing; she has one of those butts shaped, adorably, like…

Bloody Floody: Noah Wants to Be a Mad Epic

To hear Darren Aronofsky tell it, in the interviews he’s given recently to the New York Times Magazine and the New Yorker, there was no way in hell he’d let his special-effects extravaganza Noah, years in the planning, be your run-of-the-mill, candy-ass biblical epic. The ark built by Russell Crowe’s…

The new Muppets movie peaks on the Silliness Scale

If you count forward from Jim Henson’s mid-1960s TV appearances with a fringy pup named Rowlf and the lizard, made from an old winter coat, who would later become Kermit the Frog, the Muppets have outlived most of their early puppet peers by more than two generations. That endurance isn’t…

Veronica Mars is true fans’ fiction

According to lore, Liberace used to greet the tourists who’d come by bus to gawk at his bejeweled home with the line, “I hope you like it. After all, you paid for it!” Not everyone has to like Rob Thomas’s Veronica Mars, the feature-length incarnation of his much-loved television series,…

There’s something for everyone in 300: Rise of an Empire

Man, woman, gay, straight, bi: There’s something for everyone in 300: Rise of an Empire, the XXL sequel to the also-larger-than-life Greeks-in-shinguards extravaganza 300. In that picture, directed by Zack Snyder and based on Frank Miller’s graphic novel about the three-day Battle of Thermopylae in 480 B.C., the Spartans and…

Can Non-Stop just stop, please?

Action heroes with nothing to lose are the best kind, perhaps the only kind worth watching. In the opening seconds of Jaume Collet-Serra’s Non-Stop, Liam Neeson’s federal air marshal, Bill Marks, slumps in his parked vehicle, sloshing a few glugs of whiskey into a paper cup and stirring it up…

Stations of the Cross Leading at the 2014 Berlin Film Festival

Variety and The Hollywood Reporter, both of which publish special daily issues at the major international festivals, may be the most famous movie trade magazines. But every morning at any of these festivals, including Berlin, most critics I know – and probably plenty of industry people, too – turn to…

Wes Anderson’s The Grand Budapest Hotel: A Marzipan Monstrosity

Greetings from the 64th annual Berlin Film Festival, where it’s a surprisingly balmy 10 degrees Celsius (50 degrees Fahrenheit). The weather here may not be business as usual, but the festival looks promising — the competition includes films by Alain Resnais, Lou Ye, Yoji Yamada, and Claudia Llosa (whose odd…