Best Hip-Hop Videographer 2012 | Jeremy "Konsequence" Pape | Best of Denver® | Best Restaurants, Bars, Clubs, Music and Stores in Denver | Westword
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Ask for the "Konsequence special" and you're likely to get a video with the best story line, cinematography and charisma out there. Konsequence has shot videos for rappers all over the scene, employing his personal tricks to bring to life some of hip-hop's greatest joints. Whether capturing a melancholy instrumental video for a beatmaker like Kid Hum, or documenting the roughest, toughest life of a junkie, like FOE's like-named project, Pape is on the case. His demeanor is calm, assertive and flexible, and, quite frankly, he brings out the best in rap's moving pictures.

At Brown Sugar, you're likely to hear anything from deep soul house to Jill Scott, mixed over a hip-hop beat. Party-rocking DJs SD and KDJ Above flex their neo-soul muscles every week for a laid-back crowd while Funky Buddha provides the sexy atmosphere. As the drinks flow and couples huddle together in dark corners, enticed by the sounds, party-goers get down on the dance floor to their favorite soul cuts or live performances. Consistent and diverse, Brown Sugar has become a mid-week destination.

The late Vance Kirkland is unquestionably the most famous abstract painter in the history of Colorado art, making the Kirkland Museum the perfect place to mount a show about abstraction in this state. The four-part show, which is still on view, was conceived by museum director Hugh Grant, using his usual more-is-more style. With this loosely organized exhibit, Grant provides a look at Kirkland's illustrious career, at the work of his contemporaries, at abstract sculpture and at later abstraction — all made here in the Centennial State. Despite the title, much more than abstract expressionism is on display. In fact, there are so many great things included by Kirkland and the likes of Al Wynne, Ken Goehring, Charles Bunnell and Mary Chenoweth, among a host of others, that this show deserves more than just one visit.

For decades during the first half of the twentieth century, Birger Sandzén, a Swedish painter based in Kansas, spent his summers in Colorado recording the celebrity scenery in photos, drawings and, most famously, paintings. His signature style — characterized by wild flourishes of brushwork carried out in cotton-candy shades of thick paint — created a bridge linking post-impressionism to abstract expressionism, and in the process brought that heroic moment in the development of modernism right to our front door. Taking advantage of the fact that the Sandzén Memorial Gallery in Kansas was closed for remodeling, Colorado Springs Fine Arts Center museum director Blake Milteer organized Sandzén in Colorado, using pieces from the Kansas facility, along with loans from important Colorado-based collections, to put together the largest show ever devoted to Sandzén.

This building at 28th and California used to be inhabited by anarchist punks and folkies, some of whom were involved in Food Not Bombs. It was called the Pitchfork House back then, and you would see bands like the Fainting Fansies and others of that ilk playing there. Today the punk spirit remains, and the guys who live here now have, perhaps against their better judgment, thrown shows in their living room. Sometimes that means a completely obscure experimental or pop band from far afield, other times it'll mean a hardcore or metal show or something equally loud and hectic. House shows used to be a bit of an institution in Denver, and Mouth House is keeping that experience alive and well — in a welcoming environment, to boot.

Except for the fact that they are both well-established artists, the two men featured in I Gotcha Covered: Roland Bernier and Bill Vielehr have nothing in common. Roland Bernier's visual language is actually language — in this show, giant letters in alphabetical order — which he uses as found compositions for his conceptual pieces. Bill Vielehr, on the other hand, does welded aluminum in the form of abstract columns. To make them work in the same show at Walker Fine Art, gallery director Bobbi Walker put the Berniers on the walls and the Vielehrs on the floor, creating what could be seen as a solo within a solo, with each artist standing out on his own.

Evan Semón

Originally started a few years back by guitarist Cole Rudy, who was looking to re-create the backyard jams he enjoyed with music-school friends, the weekly Monday jazz jam at the Meadowlark is still the main place in town to catch some of the city's finest young players. While some jams might attract a lot of one particular instrument, here you'll see horn players, bassists, drummers, keyboardists and guitarists cycling through every few songs. Yep, they do standards, but they keep them fresh, fiery and exciting.

Sure, you've got thousands of songs at your fingertips on those Internet jukeboxes, but the old-school CD jukes just feel like they've got soul — or at least character. When you're flipping through the pages of 3 Kings Tavern's Rock-Ola Legend, which seems like it's at least a few decades old, the selection process is much more tangible, whether you're hunting for AC/DC, Crüe, Stones, Skynyrd, Big Black, X's Live at the Whisky a Go-Go, or one of the stellar mix CDs. And since a stream of local acts plays at 3 Kings, it's not surprising that the juke is also stocked with a fair amount of the city's finest punk bands, including King Rat, Frontside Five and such dearly departed icons as Planes Mistaken for Stars.

Readers' Choice: Sancho's Broken Arrow

If you're itching to sound off, the best karaoke nights in town are at a spot hidden away on a Westminster building's backside (thus the moniker, we presume). But with its elevated stage, overhead screen displaying the words from your choice of thousands of songs, and an enthusiastic audience of friendly, easygoing neighborhood regulars, the Rear Inn is way ahead of the rest of the karaoke pack. And since not everybody knows about this every-night-of-the-week karaoke night (yet!), you'll have plenty of opportunity to play the rock star that we know you are.

Readers' Choice: Armida's Restaurant

Before the Fray definitively claimed the title, Five Iron Frenzy was one of Denver's biggest success stories. The homegrown, Christian-centric ska-core band earned its renown the old-fashioned way: by building up a grassroots fan base through constant touring. When the band called it a day in 2003, playing its final show in front of a capacity crowd at the Fillmore Auditorium, its members never imagined that a decade later they would claim the distinction of being one of Kickstarter's biggest success stories. When Five Iron Frenzy decided to regroup to record an album, the band put out a plea to fans to help raise $30K. Astoundingly, the act reached that goal within one hour, and ultimately ended up raising just over a quarter-million dollars.

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