Walker Fine Art

Last year, octogenarian Roland Bernier attempted to retire by mounting The Last Picture Show at Walker Fine Art. But it was not to be, as Bernier is still working. Moreover, his pieces are still being shown around town. For this attempt at retiring, though, Bernier created an array of pieces, all of which were covered with facsimiles of his last name. In one series, he covered women's high-heel shoes in paper emblazoned with his name. In a group of wall-hung pieces, "Bernier" was carried out in plastic mirrors laser-cut to form the letters. Bernier's been at it for sixty years, making it high time for him to be given a proper retrospective — before he really does quit for good.

Plus Gallery's Ivar Zeile and digital artist Ryan Pattie brought a different kind of spectacle and a feel for the future to the streets of downtown Denver last summer when, with help from the Denver Theatre District, they presented Denver Digerati, a series of curated motion-based artwork on the DTD's jumbo second-story LED billboard at 14th and Champa streets. The five programs changed focus each month by featuring works, sometimes on a theme, from a local and/or international pool of artists, ending with a presentation of works commissioned from seven artists by the DTD for its permanent collection. A gallery showcase by the artists coincided at Plus, and all seven received stipends, which smoothed the road for their contributions. We're looking forward to seeing what this season brings to Denver Digerati's big screen.

Bar Standard

Denver Disco has gathered the previously disconnected nu-disco scene in Denver at a weekly night featuring some of the genre's best acts. The synths of yesteryear, pumped up with some modern-day bells and whistles, are still getting people out on the dance floor — and then some. Bar Standard, the host venue for Denver Disco's weekly event, creates the perfect party ambience, with a wall-sized mirror, a VIP area behind the stage, and a 360-degree bar for serving drinks all around. Who says disco's dead?

John Moore, the onetime Denver Post theater reviewer who now works at the Denver Center, started the Denver Actors Fund last year to help theater people with medical crises. The goal, he says, is "immediate, situational relief" in cases of "great and sudden medical need." The amounts of money aren't huge, but they're enough to cover wheelchair rental, for instance, or other medical supplies — and anyone who has lived in the area three months or more and worked at a theater in some creative capacity is eligible for help. Moore's idea galvanized the theater community: Several companies have donated a percentage of ticket revenues, other supporters have mounted benefits; and there's an online merchandise store selling posters, puzzles and T-shirts. Moore is now staffing action teams with volunteers who will run errands, plan meals, organize fundraisers and help with needed construction projects, such as ramps and railings.

Professional concert promoters are rarely seen at their own concerts. They're so busy (or jaded) that fans almost never catch them in the crowd or at the bar, let alone swinging windmill fists in the mosh pit. But Zach Smith is not your average concert promoter. He's not even a professional in the strictest sense: At 24 years old, Smith has promoted concerts at "unofficial" venues in New Mexico and Colorado since before he could legally sign a contract. Denver's hardcore scene has benefited to the tune of at least one or two extra ten-dollar shows per week featuring rowdy local bands, touring acts that could not get booked elsewhere, and groups that would rather play a warehouse than a bar. Zach faced adversity in 2013 as property owners forced him from two different locations, but he continued undaunted to Helm's Deep II. It's a venue that touring bands would write home about — if only they could give out the address.

DJ Ktone was once dubbed "The Turf DJ," and even though he rarely uses the moniker these days, he is still Denver's favorite turf DJ. Every year at the beginning of March, the often disparate corners of urban culture join together to celebrate Ktone's birthday, bringing out old favorites and new blossoming stars. This is the sound of Denver music, encompassing West Coast and East Coast, R&B singers and street characters alike. Every year, Ktone gets a break from the tables while fellow DJs take over. Last year's host was Turner Jackson, who caught the crowd off guard with his energy and style. But rapper Foo Man stole the show, performing his song "Me So Horny" in a bathrobe.

Cold Crush

Cold Crush is a little slice of hip-hop heaven, layered with morsels of goodness at every level. You might accidentally catch a legendary DJ there, just doing his or her thing on the wheels. DJ Muggs from Cypress Hill stopped in on June 22, delivering a truly surprising set that went way beyond his more well-known production work. If you're headed to the popular bar/juice bar/venue, arrive early. The place fills up with patrons of all backgrounds, and you never know what big names might walk in.

Cervantes' Other Side

In recent years, Denver's electronic-music scene has gained a reputation as the place for new and rising talent. Success stories like Big Gigantic, Pretty Lights and Paper Diamond have drawn both emerging and established artists to the area. And thanks to the Sub.Mission crew, those newcomers have an outlet. Electronic Tuesdays has thrived where other weekly events have failed, thanks to Sub.Mission's careful curation of fresh faces. "E-Tuesdays" does an exemplary job of showcasing new producers' music to fans whose tastes change as quickly as the bipolar Colorado weather.

The Beauty Queen of Leenane is a high-octane, savagely funny play about desperate, isolated lives. Mother and daughter Mag and Maureen live together in a state of mutual dependency and mutual loathing. Their neighbors are a pair of brothers: sweet-natured Pato, who just might bring a ray of joy into Maureen's bitter life, and insanely irrational Ray. The script is by Martin McDonagh, so you know violence will erupt. Edge Theatre Company's production was one of the most shocking and entertaining shows of the year: Between Michael Stricker's direction and a powerhouse cast willing to go balls-out, the audience was left breathless — though whether from laughter or sheer horror, it was sometimes hard to tell.

There is no one quite like Koffi Toudji. Depending on the day, the drummer, dancer and teacher can be found sharing his fancy footwork and rhythm skills at Cleo Parker Robinson Dance; playing music with the West African Drum and Dance Ensemble or his thirteen-piece Afro-fusion band Koffi Togo Vibe; or organizing family-friendly music and arts events to fund the cultural center he's building in his home country of Togo in West Africa. And here in Denver, Toudji's work with kids and adults alike in the realms of music, dance and cultural education brings nothing but positive vibrations.

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