That Curious George existed at all — much less as a franchise, an icon enduring some 65 years — was a result of “happy circumstance,” wrote Houghton Mifflin publisher Anita Silvey with some understatement in 1991, upon the fiftieth-anniversary publication of The Complete Adventures of Curious George. Silvey and critic…
The tenth Denver Jewish Film Festival gets under way Thursday, February 9, with a 7:30 p.m. showing of Isn¹t This a Time!, a high-spirited concert documentary honoring legendary music promoter and social activist Harold Leventhal. On-screen performers include Pete Seeger and the Weavers, Peter, Paul and Mary, Theodore Bikel and…
Colorado has never been much of a place for sculpture; the three-dimensional medium has always come in a distant second behind painting in the state’s art history. Anyone interested in the art scene could readily reel off a long list of interesting painters — scores of them, in fact –…
The entire set of Upper Galleries at the Arvada Center (6901 Wadsworth Boulevard, 720-898-7200) are given over to Testify, a solo featuring recent pieces by Colorado artist Riva Sweetrocket. Arvada Center curator and director of exhibitions Jerry Gilmore got to know Sweetrocket when the now-defunct Studio Aiello represented both. I…
Building Outside the Box. With the Denver Art Museum’s outlandish Hamilton Building by Daniel Libeskind taking shape at West 13th Avenue and Acoma Plaza, there’s a lot going on outside the place. Inside the gorgeous Gio Ponti tower, it’s a different story. Up until the opening of the Hamilton next…
When critics review the work of August Wilson, the same words tend to recur. Rich. Musical. Textured. Multi-layered. And here are a few phrases that apply both to his entire output and specifically to Gem of the Ocean, now playing at the Denver Center: a titanic work; a grand vision,…
Okay, it’s a world premiere of a play by a local writer, but the question remains: Why is a company like Modern Muse, which in the past has demonstrated a certain level of integrity and artistic ambition, presenting a work as weak as The Raft? There’s one slightly original element:…
Bright Room Called Day. Tony Kushner, author of the brilliant Angels in America, clearly wrote A Bright Room Called Day in a state of agitation. Kushner sensed the blot of fascism spreading across America, and he drew an analogy — by no means original — between 1930s Germany and Reagan’s…
Wallace & Gromit: The Curse of the Were-Rabbit (DreamWorks) Not since Finding Nemo has there been a movie so easy to recommend for all ages and tastes. But despite having crafted a near-perfect film, directors Nick Park and Steve Box second-guess themselves constantly on their audio commentary, as well as…
Maybe it’s because we’re hung up on our past more than ever — riding a wave of giddy, nonstop nostalgia and absorbing anything that will help recapture the bliss of the good ol’ days — but Capcom’s Mega Man X Collection feels more fun than ever. The follow-up to last…
Bambi II (Disney) The Batman: The Complete First Season (Warner Bros.) The Best of the Electric Company (Shout!) The Best of Youth (Miramax) The Cary Grant Box Set (Sony) Cote D’Azur (Strand) Daltry Calhoun (Miramax) Doom: Unrated Extended Edition (Universal) Elizabethtown (Paramount) Eros (Warner Bros.) Grounded for Life: Season 1…
To be fair, some women do get excited about the Super Bowl. They hunker down in front of the flickering television in the dark den with the menfolk, decked out in team colors, uttering guttural threats to referees when necessary and arguing with their spouses over who’s going to get…
The studied British theatricality and sharp wit of Mrs. Henderson Presents are likely to make it a favorite among nostalgiaphiles, theater buffs and the tea-and-crumpets set. Sailing along on the strength of another showy performance by Judi Dench, Stephen Frears’s period frolic is this year’s Being Julia, adorned with the…
Anthony Hopkins lends style points to any movie in which he appears. The thing might be a dog, but the actor who brought the gruesome psychopath Hannibal Lecter to life and got deep inside a repressed English butler always gives us something fascinating to behold. The depth and gravity of…
Tommy Lee Jones’s feature directorial debut is probably much as you’d expect: a blast of nostalgia that nonetheless accepts the realities of modernity, which isn’t surprising coming from an actor who’s getting up there in years but has found more fame as an old man than as a young ‘un…
January has earned its reputation as the month in which studios unload all their cheapie horror flicks, but February is the month when we invariably get yet another middle-of-the-road black-urban-professional romantic comedy. (It’s Black History Month, and Valentine’s Day falls in here, hence the logic.) In that regard, Something New…
Here’s the first thing that’s audacious about What the Bleep!?: Down the Rabbit Hole, the second installment in what has become a franchise of oversimplified science, outlandish speculation and woo-woo spirituality: It’s not a sequel. It’s a revision. Shamelessly, Rabbit Hole uses extensive footage from the first film, including the…
Jessica Sanders’s disturbing documentary After Innocence (Special Jury Prize winner at the 2005 Sundance Film Festival) tackles a hot topic: prison inmates, some of them in jail for more than two decades, who are subsequently found to be wrongly convicted and released back into society with little or no support…
On a snowy morning a couple of weeks ago, the powers-that-be at the Colorado Springs Fine Arts Center announced that Denver’s David Owen Tryba Architects will build an addition on an adjacent spot immediately to the east of the beloved landmark. This will be no mean feat: The elegant modernist…
The Colorado Springs Fine Arts Center recently announced that a new wing by Denver’s David Owen Tryba Architects is to be appended to the magnificent John Gaw Meem building (see story, page 43). That same day, the institution also announced the acquisition of more than fifty pieces by Seattle glass…
Auditioning Gods, et al. Arvada Center curator Jerry Gilmore has organized a quartet of shows devoted to recent work by Colorado artists. In the lower galleries, Bryan Andrews presents Auditioning Gods, which continues the “fetem” sculpture series he’s been pursuing for years. These hand-carved wooden sculptures are an attempt to…
During intermission at Germinal Stage Denver a couple of years ago, Ed Baierlein was keeping watch over the lobby. “Look who’s here,” he said, his voice gentle. I turned and found Al Brooks standing behind me. Al smiled hugely, took my hand in both of his, and said something about…
