Radner narrates, in a way, through her own audio diaries, plus some snippets of interviews and judicious excerpts from the audiobook of her perfectly titled — and just-barely posthumous — memoir, It’s Always Something
In a marvelous aesthetic coincidence, Robert Mangold and Elizabeth Yanish Shwayder both have solo shows in town.
The big, big-screen animation festival is back for a third year.
Even the smallest stage doesn’t have to be a haven for men who abuse their power. If handing a mic to someone like T.J. Miller has the potential to hurt even one more person, maybe no one should ever do it again.
Roth’s film is a funhouse throwback, a scare-the-kids goof with a top-shelf cast, an antique shop’s worth of creepy windup dolls and more heart than you might expect — and, like those jack-o’-lanterns, it’s got more teeth, too
John Shors is a Boulder novelist, but he—and his fiction—sure get around.
Despite the killing-spree craziness of its final reels, much of the film is a how-the-kids-live-now potboiler, replete with guileless dirty talk and immense bedroom windows that seem to have been installed with peeping in mind
An all-black cast makes the show fresh.
Beer, startups, history and more!
Denver’s Supernova Digital Animation Festival is an international congress, but Colorado participant Ryan Wurst is one of several artists proving that our region has a growing and inventive experimental multimedia underground.
It’s a big week for the Colorado literary scene, anchored with the ZEE JLF Jaipur Literary Festival in Boulder.
But 11/9 plays not like a much-needed blast of truth but like an all-purpose Michael Moore sequel, a self-congratulatory follow-up to several of his films, with Parkland material in the Bowling for Columbine vein, references to Sicko and even excerpts from 1989’s Roger & Me
There’s a sense that Fogelman … has been inspired in part by the broken narratives of Charlie Kaufman, as the first 10 minutes of this film feature a story-within-a-story meta fake-out with Jackson as himself, narrating the action of a screenplay written by forlorn drunk Will (Isaac)
Beer, music and merriment will be overflowing in Denver this week.
True style starts with being true to yourself.
It is to Hawke’s credit that he has invested what clout he has gathered in his industry into this study of an artist who never gathered much clout at all — and that the resulting film has the warm, weary rhythms of Foley’s own songs
… After a somewhat compelling hour suggesting all the reasons that Borden might be willing to kill, Macneill and screenwriter Bryce Kass tantalize with the possibility of their subject’s innocence
The truth about casino blacklists and mentalist Professor Phelyx.
A poet, critical writer, visual artist, furniture designer and now curator, Joshua Ware fits into a polymath world of interdisciplinary Denver creatives who share ideas without boundaries.
Get busy on the cheap.
Spotlight Theater is shuttering.
Cosmatos delivers (as fans say) on the blood and guts, on cathartic slaughter, on the disreputable pleasure of watching a bereaved hero regard a new weapon and envision nasty uses for it
