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Film, TV & Streaming

Showing 309 - 330 of 6842
Denver Film Festival 2018 Weekend One Review: Flat Earth Mayhem!

Denver Film Festival 2018 Weekend One Review: Flat Earth Mayhem!

By Michael RobertsNovember 5, 2018

The Denver Film Festival’s first weekend was filled with movies that ranged from failed to fascinating.

<i>Boy Erased</i> Exposes the Cruel Stupidity of “Gay Conversion Therapy”

Boy Erased Exposes the Cruel Stupidity of “Gay Conversion Therapy”

By Alan ScherstuhlNovember 5, 2018

It documents with an incisive drabness the group sessions, garbled sermons and general shoddiness of Love in Action, the program that 19-year-old Jared (Lucas Hedges) gets enrolled in by his parents, played by Nicole Kidman and Russell Crowe

Denver Film Festival Must-See Pick for November 5: <i>The World Before Your Feet</i>

Denver Film Festival Must-See Pick for November 5: The World Before Your Feet

By Michael RobertsNovember 5, 2018

Denver Film Festival artistic director Brit Withey highlights The World Before Your Feet, a documentary about a man who spends years walking every block of New York City, as his must-see pick for November 5, 2018.

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Denver Film Festival Must-See Picks for November 2 to 4: <i>Pity</i> and More

Denver Film Festival Must-See Picks for November 2 to 4: Pity and More

By Michael RobertsNovember 2, 2018

Denver Film Festival artistic director Brit Withey names his must-see picks for films screening at the event November 2 to 4, including Pity, Behind the Curve and Cold War.

Denver Film Festival’s Halloween Debut (and <i>The Favourite</i>) a Treat, Not a Trick

Denver Film Festival’s Halloween Debut (and The Favourite) a Treat, Not a Trick

By Michael RobertsNovember 1, 2018

The Denver Film Festival’s decision to launch its 41st edition on Halloween avoided disaster thanks in part to its opening night film, The Favourite.

Denver Film Festival Must-See Pick for November 1: <i>The Wolf House</i>

Denver Film Festival Must-See Pick for November 1: The Wolf House

By Michael RobertsNovember 1, 2018

Denver Film Festival artistic director Brit Withey touts The Wolf House, an animated film from Chile, as the must-see pick for November 1, 2018.

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Previewing Denver Film Festival 2018 and Opening Night’s <i>The Favourite</i>

Previewing Denver Film Festival 2018 and Opening Night’s The Favourite

By Michael RobertsOctober 31, 2018

Denver Film Festival artistic director Brit Withey previews the 41st edition of the Mile High City staple as well as the opening night selection, The Favourite.

Orson Welles’s Lost <i>The Other Side of the Wind</i> Has Genius — and Bloat He’d Have Trimmed

Orson Welles’s Lost The Other Side of the Wind Has Genius — and Bloat He’d Have Trimmed

By Odie HendersonOctober 31, 2018

Despite being built based on Welles’s notes and the input of people who were in front of and behind the camera on set, this The Other Side of the Wind has a haphazard “well, he shot it, so we better include it” vibe

The Corny Wiki-Like Biopic <i>Bohemian Rhapsody</i> Can’t Dim Freddie Mercury’s Star

The Corny Wiki-Like Biopic Bohemian Rhapsody Can’t Dim Freddie Mercury’s Star

By Alan ScherstuhlOctober 30, 2018

It’s one of those biopics where everything significant that happened to a famous person happens all at once, in the couple of seconds of any given year that we see dramatized

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The Flashy <i>Studio 54</i> Keeps Too Much That Matters Behind the Velvet Rope

The Flashy Studio 54 Keeps Too Much That Matters Behind the Velvet Rope

By Alan ScherstuhlOctober 30, 2018

Footage of Studio life — the lavish lights, the Broadway-style props and performance numbers, the heaving mass of beautiful people — plays here mostly in chaotic montage, with few shots related to the one coming next

Melissa McCarthy’s <i>Can You Ever Forgive Me?</i> Lets Fascinating Forger Off the Hook

Melissa McCarthy’s Can You Ever Forgive Me? Lets Fascinating Forger Off the Hook

By Serena DonadoniOctober 29, 2018

The more prickly and belligerent Israel becomes — and McCarthy never burdens her with likability — the more Holofcener and Whitty soften her choices with extenuating circumstances, imbuing their subject with a zeal for artistic purity at odds with her actions

A Bold New <i>Suspiria</i> Stands Alongside the Original — but Next Time Let a Woman Direct

A Bold New Suspiria Stands Alongside the Original — but Next Time Let a Woman Direct

By April WolfeOctober 29, 2018

There are some evergreen horror concepts, where the bare bones of the story are strong enough that they can be adapted and made over in multiple generations to express whatever fears and frustrations of the times in which they’re made

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Denver Punk Reunion for Wax Trax Doc: Jello Biafra, Al Jourgensen, Groovie Mann

Denver Punk Reunion for Wax Trax Doc: Jello Biafra, Al Jourgensen, Groovie Mann

By Michael RobertsOctober 24, 2018

A Denver screening of a movie about the Wax Trax stores and record label will include appearances by outsider-music icons Jello Biafra, Al Jourgensen and Groovie Mann.

By This Point, <i>Johnny English</i> Movies Pretty Much Are Bond Films

By This Point, Johnny English Movies Pretty Much Are Bond Films

By Serena DonadoniOctober 24, 2018

Called back into active duty after a cyberattack reveals the identities of all current MI7 agents, the decidedly out-of-date English uses his old-school knowledge to track down Volta and unplug him from the world’s power grid

The Teen Witch Meets Satan in Netflix’s Bloody Good <i>Chilling Adventures of Sabrina</i>

The Teen Witch Meets Satan in Netflix’s Bloody Good Chilling Adventures of Sabrina

By Alan ScherstuhlOctober 23, 2018

… This new Sabrina dives headlong into the dark, weird truths that smart kids — and alarmed evangelicals — always assumed ruled the life of America’s favorite teenage witch, her sorcerous aunts and her black-cat familiar

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Chalamet, Carell Face Cycles of Addiction in Tender <i>Beautiful Boy</i>

Chalamet, Carell Face Cycles of Addiction in Tender Beautiful Boy

By Chuck WilsonOctober 22, 2018

For Nic and his family, rehab becomes sobriety becomes relapse, a pitiless cycle of hope and disappointment too many of us will experience at one time or another, either as addict or loved one

Jamie Lee Curtis Rules, but the New <i>Halloween</i> Works Against Her

Jamie Lee Curtis Rules, but the New Halloween Works Against Her

By April WolfeOctober 17, 2018

We meet Laurie in her super-sealed woodsy compound, almost 40 years to the day after the murders that took place in 1978 — this film negates all the previous Halloween sequels

HBO’s <i>Camping</i> Makes Time With Jennifer Garner a Total Chore

HBO’s Camping Makes Time With Jennifer Garner a Total Chore

By Lara ZarumOctober 17, 2018

Adapted from a British series of the same name by Girls dream team Lena Dunham and Jenni Konner, Camping seems destined to spark yet another debate about patently “unlikable” female protagonists

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Netflix’s <i>The Dragon Prince</i> Is a Fantasy Knockout, but Its <i>Disenchantment</i> Is a Slog

Netflix’s The Dragon Prince Is a Fantasy Knockout, but Its Disenchantment Is a Slog

By Alan ScherstuhlOctober 16, 2018

Netflix has recently offered two modest stabs at this stabbing-est of genres, a pair of animated series, one of which bristles with promise

Jonah Hill’s <i>Mid90s</i> Takes an Honest Plunge Into the Millennial Past

Jonah Hill’s Mid90s Takes an Honest Plunge Into the Millennial Past

By Kristen Yoonsoo KimOctober 16, 2018

The depictions of drug and alcohol use, sex (Stevie getting it on with an older girl) and violence (both self-inflicted and by others) are difficult to watch, as Hill brings a fly-on-the-wall candor to his depiction of youth and the film’s era

Thanksgiving-Ruining Comedy <i>The Oath</i> Makes America Funny Again

Thanksgiving-Ruining Comedy The Oath Makes America Funny Again

By Alan ScherstuhlOctober 15, 2018

That impulse — to continually stoke our fury with Twitter takes, cable news shouters and breaking news updates — gets lanced throughout The Oath, which writer-director-star Barinholtz has set in a now just as fevered as ours

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Danish Thriller <i>The Guilty</i> Dazzles Without Ever Leaving a Call Center

Danish Thriller The Guilty Dazzles Without Ever Leaving a Call Center

By Bilge EbiriOctober 15, 2018

Pretty much the whole film consists of phone exchanges between Asger Holm (Jakob Cedergren), a police officer who has been temporarily demoted to working the phones, and others out in the field as he struggles to save a woman who is being abducted by her ex-husband

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