Christo and Jeanne-Claude. The fall opener at the Center for Visual Art is a conscientious survey of the careers of Christo and Jeanne-Claude as seen through their personal print collection documenting their pioneering conceptual work that began in the 1960s. The exhibit, which includes more than a hundred works of…
Christo and Jeanne-Claude. The fall opener at the Center for Visual Art is a conscientious survey of the careers of Christo and Jeanne-Claude as seen through their personal print collection documenting their pioneering conceptual work that began in the 1960s. The exhibit, which includes more than a hundred works of…
Masters of the carefully crafted cheap shot, Joel and Ethan Coen have built a career on flippancy. Given their refusal to take anything seriously — least of all the enthusiasm of their fans — the brothers surely got a chuckle from an upcoming academic tome, The Philosophy of the Coen…
What do you think this is?” cries a lady who lunches in Diane English’s remake of George Cukor’s The Women. “Some kind of ’30s movie?” Even without the fourteen-year struggle to get the Murphy Brown writer’s pet project past studio doubters, it would be a tall order to remake George…
“So fuckin’ delicate, people…they die so easily,” says a supporting character to the titular Boy A, whose barely audible two-word reply — “She didn’t” — collapses his violent past into his remorseful present with offhand poignancy. Boy A knows that people don’t always die easily, but he’s haunted by firsthand…
We might think that with our modern sensibilities, horror movies and special effects, we’ve seen everything creepy and weird there is to see on the big screen. But we forget that fairy tales aren’t all Disney cartoons and catchy songs: The Little Mermaid experienced stabbing pain every time she took…
About Us… et al. In the West Gallery at the Boulder Museum of Contemporary Art is About Us…, put together by freelance curator Mark Addison, who brought in two dozen works of conceptual realism by a raft of internationally known artists in addition to pieces from his own collection. Addison…
Despite his reputation as that rarest of creatures — a Hollywood intellectual — new evidence suggests that Steve Martin reads…prepare yourself…thrillers and spy novels. Or at least that’s the only conclusion one can draw from the “story by” credit the comedian receives on Traitor, an uneven yet engrossing terrorist thriller…
Until the untimely death of singer/guitarist D. Boon at the end of 1985, the Minutemen were one of the most exciting and creative bands of their era. The documentary We Jam Econo: The Story of the Minutemen — which kicks off a four-part film series called Our Band Could Be…
About Us… et al. In the West Gallery at the Boulder Museum of Contemporary Art is About Us…, put together by freelance curator Mark Addison, who brought in two dozen works of conceptual realism by a raft of internationally known artists in addition to pieces from his own collection. Addison…
The Rocker bears the decidedly unmistakable odor of something made in 1983 and left on the shelf a good 25 years. Which isn’t to suggest that it’s fetid product in need of tossing out: Parts of it are genuinely delightful, and Rainn Wilson doesn’t squander his first feature-film starring role…
When I heard that Quentin Tarantino handed the Grand Jury Prize for best feature to Courtney Hunt’s Frozen River at this year’s Sundance Film Festival, telling the audience that the movie “put my heart in a vise and proceeded to twist that vise until the last frame,” my jaw went…
In its final ten minutes, Hamlet 2 is little more than chaos, noise and nonsense, and those are ten perfectly enjoyable minutes. It’s hard to knock any sequence that climaxes with a musical number titled “Rock Me, Sexy Jesus,” done up nice and Grease-y. Problem is, the eighty or so…
About Us… et al. In the West Gallery at the Boulder Museum of Contemporary Art is About Us…, put together by freelance curator Mark Addison, who brought in two dozen works of conceptual realism by a raft of internationally known artists in addition to pieces from his own collection. Addison…
Perhaps this review should begin with a disclaimer: Vicky Cristina Barcelona, Woody Allen’s 39th film as writer-director, will do little to endear itself to the happily-ever-after crowd or those who consider acts of infidelity punishable by impeachment. Leave it to Allen to make a romantic comedy in which all the…
Bottle Shock, which debuted at the Sundance Film Festival in January, is a great concept populated by great actors that works hard to make its audience feel great! Only, sadly, it’s far, far from a great movie — a little too sweet to the taste, almost sickly so. Indeed, it’s…
About Us… et al. In the West Gallery at the Boulder Museum of Contemporary Art is About Us…, put together by freelance curator Mark Addison, who brought in two dozen works of conceptual realism by a raft of internationally known artists in addition to pieces from his own collection. Addison…
The last time I interviewed Woody Allen, at his editing suite on Manhattan’s Upper East Side, he was preparing the release of Match Point (2005), a dark morality play about an ambitious — and ultimately homicidal — tennis instructor working his way up the rungs of London society’s rigidly defined…
On the surface, Pineapple Express offers precisely what it advertises: a roll-’em-up, smoke-’em-up, blow-’em-up bromantic comedy from the freaks and geeks who have made Judd Apatow’s brand of stunted-man yuks a global franchise. Once more, Seth Rogen’s red-rimmed, half-shut eyes peek out from beneath his tousled Jewfro, which sits atop…
Even as the first girders were laid in the mid-1960s, something about the World Trade Center inspired fantasies of lustful conquest. As James Marsh’s documentary Man on Wire tells it, a mischievous French teenager was sitting in a dentist’s office in 1968 when a magazine image caught his eye. It…
A young female writer of romantic novels decides to turn to the supernatural for her next book. As she struggles with writing, throwing away page after page of work, she begins having a series of strange and unsettling experiences. Before long, she’s drawn into a dark, horrific alternate reality, populated…
About Us… et al. In the West Gallery at the Boulder Museum of Contemporary Art is About Us…, put together by freelance curator Mark Addison, who brought in two dozen works of conceptual realism by a raft of internationally known artists in addition to pieces from his own collection. Addison…
