As an actor, John C. Reilly is the opposite of Mr. Cellophane. He doesn’t disappear into a role; roles disappear onto him — the unlikely porn sidekick of Boogie Nights, the inadequately adequate family man of The Hours, the cutup cowboy of A Prairie Home Companion, all stamped and imprinted…
Kites fly high over the San Francisco Bay and Kabul (okay, China), but not much else soars in Marc Forster’s flaccid adaptation of Khaled Hosseini’s vivid 2002 novel, which covers three decades of Afghanistan’s misery under serial totalitarian rule. Arriving on the heels of Atonement, The Kite Runner tells a…
Simmering below the squeamish elder-care euphemism “uncharted territory” is a fearful awareness that when it comes to dealing with the growing army of senile parents, we have no idea what the hell we’re doing. Tamara Jenkins plumbs the depths of that terror in her new film, The Savages, and jacks…
Once (Fox)Easily the year’s most perfect pop album — damned good movie too, the finest “musical” of the past 20 years. The disc’s making-of refers to it as a “modern musical,” but Once is as old-fashioned as it gets: Guy (Glen Hansard) meets Girl (Markéta Irglová), they fall in love,…
American Art Invitational. Art, like politics, can be divided into liberal and conservative camps, with contemporary art representing the left and traditional art the right. But unlike politics, where the baton can pass back and forth between the two opposites, the art world has been run decisively by the liberals…
There are two momentous performances in the Darwinian horror fable I Am Legend. One is by the movie’s star, Will Smith — but more about him in a minute. The other is by the movie’s visual effects — not the ones that bring to life a nocturnal army of shrieking,…
Juno marks the second film for director Jason Reitman and the first for screenwriter Diablo Cody, author of the Pussy Ranch blog, which, surprisingly, has very little to do with baby kittens. At first Juno threatens to choke on its own catchphrases — like when The Office’s Rainn Wilson, cameoing…
Punk died, the Silver Jews sang, the first time a kid shouted “Punk’s not dead!” The words are never uttered in Julien Temple’s Joe Strummer: The Future Is Unwritten, and maybe that’s why you come away from this epic doc feeling hopeful about the health of punk’s lingering ideals. Piecing…
In Starting Out in the Evening, a new film by Andrew Wagner, a pneumatic graduate student spreads honey over the face of the elderly New York novelist she’s trying to seduce. Later, the two will lie down on his bed with their hands by their sides, and later still, he…
The Bourne Ultimatum (Universal) The final installment in the Bourne-again trilogy is the one in which the CIA assassin’s true identity is revealed. It’s the origin story in reverse — how brilliant. But solving the mystery (and misery, as Jason Bourne’s among the most tormented action heroes of all time)…
American Art Invitational. Art, like politics, can be divided into liberal and conservative camps, with contemporary art representing the left and traditional art the right. But unlike politics, where the baton can pass back and forth between the two opposites, the art world has been run decisively by the liberals…
Casting Nicole Kidman as The Golden Compass’s glacial, intractably smooth megalomaniac Mrs. Coulter is no less inspired for being obvious. Indeed, she was the first and only choice for director Chris Weitz, who adapted this first installment of Philip Pullman’s “His Dark Materials” trilogy. Despite the book’s description of the…
There are comedies of discomfort, and then there’s Margot at the Wedding, Noah Baumbach’s scalding followup to The Squid and the Whale. An immersion in sibling malice and simmering resentment, with one of the most infuriating characters in recent movies holding us under, Margot tramples the commandment that only the…
Re-reading Ian McEwan’s Atonement last weekend, my first thought was: I hope to God that Joe Wright — whose broadly grinning Pride & Prejudice made a mess of Jane Austen two years ago — doesn’t screw up this wonderful novel about lust, love, loss and what art can do to…
The Girl Next Door (Anchor Bay)If the horror of Saw was a poblano pepper, this here is the habañero. Derived from Jack Ketchum’s infamous novel, sometimes word-for-word, The Girl Next Door — based on a true story — is a sort of Hostel meets Stand By Me: A group of…
American Art Invitational. Art, like politics, can be divided into liberal and conservative camps, with contemporary art representing the left and traditional art the right. But unlike politics, where the baton can pass back and forth between the two opposites, the art world has been run decisively by the liberals…
Acid flashback or déjà vu? Who, having lived through the late ’60s, would have anticipated re-experiencing the spectacle of an arrogantly mendacious U.S. administration bogged down in an ill-conceived, undeclared, bungled, costly and apparently endless counterinsurgency? (Although who familiar with American history could doubt its recurrence?) Iraq isn’t Vietnam. Yet,…
Hot Rod(Paramount)Andy Samberg, best known for stuffing his dick in a box on Saturday Night Live, is Rod Kimble, a wannabe stuntman with very little “man” in him. He lives with his mom (Sissy Spacek, not kidding) and a stepdad (Ian McShane), who needs a new heart at a “conveniently…
I’m Not There is the movie of the year — but to whom does Todd Haynes’s Bob Dylan biopic actually belong, and when was it really made? The great attention-grabber of last month’s New York Film Festival, I’m Not There is as notable for its stunt casting as its elusive…
Artisans & Kings. For its first extravaganza of the season, the Denver Art Museum has unveiled a sprawling blockbuster in the Frederic C. Hamilton Building that focuses on the royal collections from the Louvre. You don’t have to know much about art to have heard of the Louvre, so Artisans…
Something about that movie, though, well I just can’t get it out of my head/But I can’t remember why I was in it or what part I was supposed to play. — Bob Dylan, “Brownsville Girl” Literally speaking, Bob Dylan isn’t “there” in Todd Haynes’s staggering mix-tape biopic I’m Not…
As one of what novelist Stephen King calls his Constant Readers, I was as jazzed as every other monster-lovin’ geek when word came that filmmaker Frank Darabont was making a movie of King’s classic novella The Mist. Adapting King’s The Shawshank Redemption (1994) and The Green Mile (1999) brought the…
