Spouses can develop special bonds, but there may be no couple who took that bond more seriously than performance artists Genesis Breyer P-Orridge and Lady Jaye P-Orridge. The couple underwent surgeries to become mirror images of each other, turning into “the Pandrogyne,” an all-gender-inclusive spiritual entity of their own creation.
The newest Alamo Drafthouse opens on Thursday, May 11, on West Colfax, in Sloan’s Lake neighborhood. It will have all the amenities of the Littleton location…and more.
“I am garbage,” Amy Schumer’s Emily Middleton, on a vacation in Ecuador with her ma, Linda (Goldie Hawn), that’s gone all wrong, chimes in agreement with someone who’s leveled the insult at her — and who’s also holding the two women for ransom — in Snatched. Your enjoyment of this…
Michael Mann’s 1995 masterpiece, Heat, comes out this week in a brand-new, fully loaded and beautiful Blu-ray edition. To explore further what makes this epochal crime drama so special, I recently talked to the director. The story of Heat was based on real-life personalities. There was real thief named Neil…
Master of None streams on Netflix There was never any doubt about the thoughtfulness with which Aziz Ansari, in the first season of his Netflix series, Master of None, addressed the kinds of societal divides — racial, cultural, generational, sexual — that most sitcoms either lack the vision to perceive…
I Love Dick streams on Amazon starting Friday, May 12 I Love Dick, the epistolary novel, is an obsessive confessional story from a woman — a version of the author Chris Kraus — who, in her letters, lusts for an English art critic named Dick. He barely returns the affection…
The true heart of Michael Mann’s Heat is revealed a little more than an hour into the film. No, I’m not talking about the classic coffee conversation between Robert De Niro’s master thief, Neil McCauley, and Al Pacino’s obsessed LAPD cop, Vincent Hanna — that fantastic and immortal face-off comes…
Rebekah Henderson, a librarian at the Ross-Cherry Creek branch of the Denver Public Library, met Trish Tolentino when Tolentino came into the library to film a participant in one of Henderson’s reading programs. Tolentino owns Stories Not Forgotten, through which she makes short documentaries for families, capturing stories and interviews as a video keepsake.
Carrie Fisher’s death makes this a particularly notable May the Fourth Star Wars Day, and around Denver people are hitting the streets to celebrate the Force and the dark side alike.
Serial Mom is available in a new Blu-ray edition from Shout Factory. John Waters’ response to boxes — the kind in which we tend to place others and ourselves — is to vomit on them. And then sell them, his pencil-thin mustache twisting in a good-humored smirk. Throughout his career…
Not long before the surprisingly violent finale of Jonathan Demme’s Something Wild (1986), Melanie Griffith’s wild girl-turned-good-girl-turned-complicated-girl Audrey asks Charlie (Jeff Daniels), a straight-arrow-Wall-Streeter-turned-desperate-romantic-turned-man-of-action, “What are you gonna do now that you know how the other half lives?” “The other half?” he asks, confused. “The other half of you.” The…
Steve Coogan is at a fancy dinner, but he’s not doing any Michael Caine impressions. Instead, he’s brooding with resentment of his workaholic congressman brother, Stan (Richard Gere), and grappling with the realization that his son might be a psychopath. It’s all supposed to be harrowing, and the British comedian…
It’s May, and we’re all still standing! Thank you, television! I was gonna add that May is looking up, but then I noticed there’s a three-hour long Carpool Karaoke special, so instead I’ll just say that May has some growing up to do, and leave it at that. Let us…
Ever wonder how New York City was able to escape L.A.’s expressway-choked fate? Thank Jane Jacobs, the journalist, author and community activist who continually predicted — and fought to stave off — the public-planning policies that would kill the American city. In Citizen Jane: Battle for the City, documentarian Matt…
In the world of cinema, May brings us the official slide-into-summer movie season where the big ticket blockbusters come rolling in to share screen space with little art-house flicks and classic greats to keep every theater, whether it be a multiplex or a twin cinematheque, poppin’ like the corn at the concession stand.
After The Fate of the Furious premiered, talk of that franchise’s ever slicker, more over-the-top future turned to the promise (and hope) of F&F jumping the shark right into space. But what if … it was already there? And it was named, instead, Guardians of the Galaxy Vol. 2? In…
It’s easy to giggle at The Circle, the movie, just as it’s easy giggle sometimes at Dave Eggers, whose novel is the film’s source. James Ponsoldt’s adaptation (co-written with Eggers) is, like Eggers’ books, nakedly earnest, engaged with nothing less but The State of Things Now, more smart than its…
Dear White People streams on Netflix For the past half-century, college campuses have served as a primary theater of the culture wars. So it’s fitting that one of the year’s most provocative, timely, searching, intellectually prickly, and ultimately satisfying series takes place at a university. Netflix’s Dear White People, which…
Mira Nair’s Queen of Katwe is a true-life tale transformed into an inspirational fable. That’s not novel for the movies, but in this director’s hands, the results are mostly enchanting. The film follows Phiona Mutesi (Madina Nalwanga), an impoverished Ugandan girl who became a chess champion at the age of…
The Leftovers airs Sundays on HBO If you don’t have religion, you should at least have The Leftovers. HBO’s rapturous drama hasn’t found much of an audience during its brief time on Earth, but those who listen to its sermon long enough tend to convert — nothing else on television…
Twice I’ve described Kitty Green’s curious, alienating docu-whatzit Casting JonBenet to friends, and twice I’ve been asked, with surprising heat, “Why?” and “What’s the point?” So, this time, before we get into the specifics of what this documentary actually documents, let’s take a moment to consider what the film isn’t…
“These are the images that have marked me and leave me wondering still.” That’s how Kirsten Johnson prefaces Cameraperson, made up of footage she has collected over 25 years of working as a camera operator, cinematographer and director on dozens of different documentaries — films like Laura Poitras’ The Oath…
