MST3K‘s Return Is Good Enough That You Should Really Just Relax

First things first. The new Mystery Science Theater 3000, that basic-cable and UHF puppet show that was above all else a treatise about what it was like to grow up on basic cable and UHF, is a cheery, companionable continuation, an almost business-as-usual new season Kickstarted and Netflixed that Febreezes…

Nacho Vigalondo on Balancing Human Life and Kaiju Rampages in Colossal

Over four features and countless shorts, Spanish director Nacho Vigalondo has cemented his status as a director who mixes genre elements with surprisingly personal stories and playful narrative trickery. His mind-bending first feature Timecrimes (2007) starts off as a horror movie, then turns into a time-travel tale and finally the…

Colossal Has a Big Idea, but It Quickly Shrinks

Two seemingly incongruous categories — the small-scale romantic doodle and the rampaging-creature feature — are brought together in Nacho Vigalondo’s Colossal, a film that never really fulfills the potential of its adventurous premise. This monster mash-up argues the opposite of what Humphrey Bogart declared in Casablanca: The problems of two…

Half-Assed and by-the-Numbers, Ghost in the Shell Betrays Its Source

Ghost in the Shell looks great, sounds great and has a gaping hole at its center — where its emotional core should be. This big-budget adaptation of the Japanese manga and anime classic (Masamune Shirow’s comic premiered in the late 1980s, Mamoru Oshii’s highly influential first film version in 1995)…

Here’s Your Vanderpump Rules Season Five Scorecard

Catch up on prior seasons of Vanderpump Rules on Hulu. Part one of the season five reunion airs Monday, April 3 on Bravo. Detractors of reality TV pooh-pooh the genre as a vacuous cesspool that celebrates crass idiocy and normalizes bad behavior that leads to societal horrors like our current…

All the Best TV to Watch This Month, Women-Created-Shows Edition

This April, let us celebrate the glory of the flowers blossoming in vaginal fashion by only highlighting shows created by women. The list will be shorter than usual because Hollywood hates women, and we aren’t allowed to create magical stuff, and the world is worse off because of it. Anyways,…

Seriously, The Zookeeper’s Wife Moves Despite its Glossiness

Niki Caro has the rare ability to elevate what could be emotionally manipulative schlock to earnest art. To judge by the trailer, her low-budget breakthrough feature Whale Rider (2003) seemed a straightforward children’s drama about a girl overcoming the odds — tame, commercial Disney fare. But the film itself proved…