In the world of cinema, February finds us climbing excitedly out of the wasteland that is January and into this month’s embrace of new films that are sure to hook audiences. Not to mention, there are plenty of special screenings of Academy Award-nominated films in anticipation of the ceremony this…
The title offers the first clue about what’s off. Calling this movie The Comedian suggests that Robert De Niro will be playing something definitive or archetypal, as if there’s just one kind of standup comic, as if he’s representing a genus rather than embodying someone singular. A glut of other…
James Baldwin passed away in 1987. Well, that’s partially true. He indeed succumbed to stomach cancer at age 63, but most of his life essence remained, via his books and essays deconstructing American culture. Filmmaker Raoul Peck (Lumumba, Sometimes in April) has been a Baldwin devotee since reading The Fire…
Like Ava DuVernay’s 13th, Raoul Peck’s I Am Not Your Negro travels a straight, well-researched path from the darkest tragedies of American history to the ones that plague the country today. Both films filter African-American life through the prism of the societal construct called race, but while DuVernay’s dissertation focuses…
In October of last year, in southwestern Kansas, three members of a militia called “The Crusaders” were arrested and charged with planning to blow up an apartment complex in tiny Garden City housing 120 Somali immigrants. According to Tom Beall, the Acting U.S. State’s Attorney, one defendant had said that…
Cary Elwes, the actor who played Westley in The Princess Bride, is coming to Denver to present the film.
Take it from the network that rebranded as Syfy: The best trick in The Magicians is its phoniness. The actors share a broad house-style stiltedness and uniform, plasticine good looks — even the same haircut. The sets, costumes and special effects, while often inventive (a baddie with a head made…
Mary Tyler Moore, who died Wednesday at 80, was a reluctant feminist. She wouldn’t even call herself one at all. In 1970, when Moore embodied the character of flighty, 30-year-old single TV news producer Mary Richards on The Mary Tyler Moore Show, there was no other such woman portrayed on…
A Dog’s Purpose, based on the novel by W. Bruce Cameron, combines the philosophical belief that living beings are reborn into a different physical body after biological death with the voiceover narrative technique of Look Who’s Talking. The main character, Dog, dies in multiple wrenching scenes and is subsequently reborn;…
Gold’s value lies chiefly in the hearts and minds of those who seek it. The noble metal has driven humans to perpetrate ignoble acts on their quests to unearth it since at least 5000 B.C.E., when slaves divined for golden veins to lavish their Pharaohs with jewelry. The Incas even…
“Art is a lie that tells a truth,” Pablo Picasso once said. The aphorism animates Pablo Larraín’s canny and vigorous Neruda, a sidelong biopic of the preeminent Chilean poet and politician, featuring a brilliant Luis Gnecco in the title role, that’s equal parts fact and fiction. (Conversely, Larraín’s film also…
The maligned Gunnison sage grouse is about to become a star. The bird, which has long been ridiculed for its bizarre appearance and its quirky mating rituals, has also been at the center of a fight between conservationists and oil-and-gas companies over the future of Bureau of Land Management-owned land in western Colorado. While it may be headed toward extinction, the puffy creature is making its debut as the subject of a movie, Last Chance to Dance.
Quick, name an Archie Andrews personality trait. Yes, he’s red-headed and red-blooded, a horndog naïf with hashtag sideburns who is forever battled over by beauties he can’t be bothered to get anywhere with. But beyond that — who is he? Sometimes he’s in a sugar-sweet pop combo. Sometimes he tools…
Say this for Sleepless: It gives Michelle Monaghan more to do than almost anything else you’ve seen her in lately, whether it beTrue Detective or Patriots Day, and confirms once again that she should be in the lead far more often than Hollywood would have you believe. The positives don’t…
Gentle, humane, embracing a full range from slapstick to tragedy, Marcel Pagnol’s trilogy about the people of the Marseille waterfront has bewitched audiences for decades. Multiple remakes, including a Broadway musical, Hollywood condensations by James Whale in 1938 and Joshua Logan in 1961 and a recent “reboot” from French actor…
I’m still trying to decide if Sundance’s decision to kick off its 2017 festival with An Inconvenient Sequel, Al Gore’s follow-up to his influential (and terrifying) climate change documentary An Inconvenient Truth, is an act of political confrontation or a sign of helplessness. (Or both?) What kind of message does…
Last June, after the death of Muhammad Ali, Michael Mann’s Will Smith–starring 2001 film Ali was briefly re-released in theaters. This allowed many of us to see it with fresh eyes. What felt like an ambitious but underwhelming biopic 15 years ago now seems more and more like a masterpiece…
Both a film noir and a candy-colored confection, Pedro Almodóvar’s Julieta is one of the most absorbing films he’s made in years. It’s also, perhaps, one of the saddest: Its bright hues and vivid textures offset a deep, unshakable melancholy. Based on a trio of Alice Munro short stories, Julieta…
One of the quasi-bohemians in Mike Mills’ gauzy 20th Century Women loves to document ephemera, taking photos of everything she owns. A similar instinct — archiving as art — guides Mills’ movie itself, a trip back in time in which era-specific talismans substitute for genuine thought. Though big feels glut…
The Belgian crime drama The Ardennes is predictably tense and violent, but its aesthetic pleasures are also considerable. Director Robin Pront plays a lot of familiar notes, but with just enough verve and variation to keep things interesting. The film opens in the immediate aftermath of a botched robbery, as…
Despite his reputation, M. Night Shyamalan has never lived and died by the twist. His best films, like Unbreakable or even last year’s cheerily nasty wicked-grandparents thriller The Visit, work first as accomplished, emotionally engaging suspense. What’s most memorable about them isn’t the final-act revelations or even the quietly impressive…
Like its subject, the man who took McDonald’s from a single burger shop to a globe-straddling child-fattener, John Lee Hancock’s The Founder can’t stop selling. The first fast-food kitchen, set up in 1953 by the solemn McDonald brothers in San Bernardino, gets celebrated here as rousingly as John Glenn’s first…
