Horror films from A to Z: part five

At The ABCs of Death, in its final night at the Sie FilmCenter, you’re going to get the equivalent of horror tapas — one short, punchy tale for each letter of the alphabet, each delivered by a current or rising star in the genre. It’s a tasty appetizer that can…

Now Showing

Art of the State. This juried effort at the Arvada Center has been attracting crowds, to say the least. The two-person jury comprised Collin Parson, Arvada’s exhibition manager and curator, and Dean Sobel, who, as director of the Clyfford Still Museum, is an art-world celebrity. Because of the curators’ stature,…

In Upside Down, Kirsten Dunst is no average dream girl

It doesn’t matter how many droopy sweaters you put Kirsten Dunst in — and in Upside Down, she wears quite a few — she always looks luminous, as if she’s just slid down to Earth on a sunbeam. Actually, that’s an image writer-director Juan Solanas could have run with in…

The Incredible Burt Wonderstone has charm but no comedy magic

Steve Carell’s gift is for men who might drown in their own obliviousness. Like his Daily Show reporter, or The Office’s Michael Scott, his forty-year-old virgin lived in terror that someone might catch on to the fact that he knows nothing about subjects he purports to have mastered. When his…

Stoker‘s cracked love triangle soaks in sin and sadism

Puberty is sex and sex is murder in Stoker, a Hitchcockian stew of hothouse familial jealousy, sadism and psychosis all tied together by one teenage girl’s homicidal coming of age. Psychosexual imagery permeates every inch of renowned South Korean filmmaker Park Chan-wook’s stateside debut. A blood-tipped pencil or water dripping…

In Top of the Lake, Peggy Olson goes to hell

Elisabeth Moss’s face is far from the only reason to savor Top of the Lake, Jane Campion’s smart, bracing, hugely enjoyable mystery rural noir Top of the Lake, which premieres on the Sundance Channel on Monday, March 18. But that pale-to-radiant instrument of hers — a mouth that suggests her…

A bizarre episode of father-son bonding in the 21st century

Unlike many fledgling web series that use broad comedic strokes to up the laughs per second, faux-vlogging gem My Bastard Son combines the naturalistic acting of shows like The Office with absurd circumstances and very specific characters. The grainy, five-minute video shows James Urbaniak (American Splendor) trying to connect with…

Horror films from A to Z: part four

At The ABCs of Death, showing now at the Sie FilmCenter, you’re going to get the equivalent of horror tapas — one short, punchy tale for each letter of the alphabet, each delivered by a current or rising star in the genre. It’s a tasty appetizer that can serve as…

Horror films from A to Z: part three

At The ABCs of Death, showing now at the Sie FilmCenter, you’re going to get the equivalent of horror tapas — one short, punchy tale for each letter of the alphabet, each delivered by a current or rising star in the genre. It’s a tasty appetizer that can serve as…

Horror films from A to Z: part two

When you to to The ABCs of Death, showing now at the Sie FilmCenter, you’re going to get the equivalent of horror tapas — one short, punchy tale for each letter of the alphabet, each delivered by a current or rising star in the genre. It’s a tasty appetizer that…

Horror films from A to Z: part one

At The ABCs of Death, opening today at the Sie FilmCenter, you’re going to get the equivalent of horror tapas — one short, punchy tale for each letter of the alphabet, each delivered by a current or rising star in the genre. It’s a tasty appetizer that can serve as…

Now Showing

Art of the State. This juried effort at the Arvada Center has been attracting crowds, to say the least. The two-person jury comprised Collin Parson, Arvada’s exhibition manager and curator, and Dean Sobel, who, as director of the Clyfford Still Museum, is an art-world celebrity. Because of the curators’ stature,…

Cate Shortland’s Lore resembles a dark children’s fable

Nine years on from her intoxicating road-movie debut, Somersault, Australian director Cate Shortland has fashioned a different kind of journey — this one set amid the winding trails of the Bavarian woods, circa 1945. There the five children of a captured Nazi officer flee toward what they hope is safety…

Oz the Great and Powerful tilts toward the mawkish

It’s a bad omen when, early on in Oz the Great and Powerful, we learn that the full given name of its wizard is Oscar — also the name of the ceremony that star James Franco once presided over as calamitously as he does this sagging Disney tent pole, a…

The existence of The Gatekeepers is its own chief statement

It’s a cliché of the voting world that even the staunchest liberals — especially of the privileged, male variety — tend to drift rightward through middle age and beyond. Yesterday’s protesters develop the libertarian malaise; its progressives seek to fence in their fiefdoms and tax-proof their stock portfolios. Not so…

Other Ozzes great and (mostly) terrible

Twenty minutes into the first full-length movie based on L. Frank Baum’s most beloved novel, a duck pukes into the face of Larry Semon, the star and director. Semon’s 1925 flop, titled The Wizard of Oz, opens and closes with a Geppetto-esque toymaker reading to his granddaughter from a well-loved…