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Where to Dine During the Fourth Annual Mile High Asian Food Week

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Film, TV & Streaming

Showing 441 - 462 of 6834
Jodie Foster Rules Over the Talky, Scattered Crime Drama <i>Hotel Artemis</i>

Jodie Foster Rules Over the Talky, Scattered Crime Drama Hotel Artemis

By April WolfeJune 7, 2018

… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel

<i>Boom for Real</i> finds Jean-Michel Basquiat Tagging Himself “It”

Boom for Real finds Jean-Michel Basquiat Tagging Himself “It”

By Craig D. LindseyJune 6, 2018

Boom makes Basquiat out to be an on-the-fringe Zelig-like character, attempting to get his foot into a bustling arts scene where the inner-city people were beginning to mingle with the downtown folk

Seeing the Worst Coming Only Makes <i>Hereditary</i> More Terrifying

Seeing the Worst Coming Only Makes Hereditary More Terrifying

By April WolfeJune 6, 2018

The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse

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André Leon Talley Perseveres as America Lets Him Down in <i>The Gospel According to André</i>

André Leon Talley Perseveres as America Lets Him Down in The Gospel According to André

By April WolfeJune 5, 2018

In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout from on cue

<i>Filmworker</i> Shows What It Was Like to be Kubrick’s Right-Hand Man

Filmworker Shows What It Was Like to be Kubrick’s Right-Hand Man

By Bilge EbiriJune 4, 2018

Filmworker walks a fine line tonally, as it reflects both Vitali’s admiration and awe of Kubrick, while also calling into question the way the director allowed his many projects to devour the lives of those who worked for him as well

In the Infuriating <i>American Animals</i>, Dumb Criminals’ Remorse Is Their Reward

In the Infuriating American Animals, Dumb Criminals’ Remorse Is Their Reward

By Alan ScherstuhlJune 4, 2018

For all its jittery heist drama, American Animals is, above all else, an accidental study in just how much white kids can get away with and still be welcomed back into society

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<i>The Americans</i>,  <i>Barry</i> Take Aim at the Heart of the Romantic Antihero

The Americans, Barry Take Aim at the Heart of the Romantic Antihero

By Lara ZarumJune 1, 2018

Both series unfold from the perspective of the “bad guys,” and both juxtapose a life of crime with the mundane everyday — for Barry, the world of desperately aspiring Los Angeles actors, and for The Americans, the Jennings’ domestic life …

<i>Upgrade</i> Builds a Better Hyper-Violent Retro-Future Thriller

Upgrade Builds a Better Hyper-Violent Retro-Future Thriller

By Alan ScherstuhlMay 31, 2018

Teeming with abandoned buildings full of thugs to be dispatched, ruled over by shadow corporations and wicked artificial intelligence, Whannell’s film plays like the smarter-than-you’d-think 2018 version of some 1988 kill-’em-all VHS cheapie

Bill Gunn’s Revolutionary <i>Ganja & Hess</i> Gets the Restoration It Deserves

Bill Gunn’s Revolutionary Ganja & Hess Gets the Restoration It Deserves

By April WolfeMay 31, 2018

Gunn eschewed exploitation’s tendency toward empty sensation and imbued the film with an undercurrent of realistic misery

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Paul Schrader’s <i>First Reformed</i> Dares to Stare Right Into the Void

Paul Schrader’s First Reformed Dares to Stare Right Into the Void

By Alan ScherstuhlMay 30, 2018

The morality-tale obviousness of First Reformed’s plotting at times proves at odds with its sensitive detailing of its characters’ inner and spiritual lives

The Symphonic Doc <i>Mountain</i> Inspires Nothing Short of Awe

The Symphonic Doc Mountain Inspires Nothing Short of Awe

By Alan ScherstuhlMay 29, 2018

Its heights might on occasion yank your stomach to the theater floor, but much of Mountain is a bit of a bliss-out, a chance to contemplate the planet’s most remote and dangerous places and our relationship to them

An Aggressive, Restless Film Adaptation Can’t Quite Kill Chekhov’s <i>Seagull</i>

An Aggressive, Restless Film Adaptation Can’t Quite Kill Chekhov’s Seagull

By Alan ScherstuhlMay 29, 2018

Michael Mayer’s sunnily bleak all-star film, I fear, squirms through the first acts of Chekhov’s masterpiece the way a cast member’s 8-year-old cousin might in a theater seat

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Jennifer Fox’s <i>The Tale</i> Lays Bare the Truth About Childhood Abuse

Jennifer Fox’s The Tale Lays Bare the Truth About Childhood Abuse

By Lara ZarumMay 25, 2018

In The Tale, both repression and revelation take the form of stories — the stories we tell ourselves and the sometimes irreconcilable stories other people tell about us

Matt Wright Goes Solo in <i> Naked and Afraid XL: All-Stars</i>

Matt Wright Goes Solo in Naked and Afraid XL: All-Stars

By Matthew Van DeventerMay 25, 2018

The survival expert is alone in Africa on Naked and Afraid XL: All-Stars.

These Summer Movies Might Actually Be Good, Or “How to Keep Hope Alive as Everything Blows Up”

These Summer Movies Might Actually Be Good, Or “How to Keep Hope Alive as Everything Blows Up”

By Chris KlimekMay 23, 2018

… Here are our picks for the most promising movies due in the Memorial Day-to-Labor Day frame that was responsible for keeping Hollywood solvent, a long time ago, in a galaxy far, far away

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<i>On Chesil Beach</i> Gets the Emotions of a ’60s Honeymoon Right But Not Quite the Intimacy

On Chesil Beach Gets the Emotions of a ’60s Honeymoon Right But Not Quite the Intimacy

By Bilge EbiriMay 23, 2018

The young newlyweds are violin virtuoso Florence (Saoirse Ronan) and history grad Edward (Billy Howle), each very much in love with but still painfully awkward around the other

Much More Than a GIF, <i>Upgrade</i>’s Betty Gabriel Is Ready to Work

Much More Than a GIF, Upgrade’s Betty Gabriel Is Ready to Work

By April WolfeMay 22, 2018

Because one pivotal Get Out close-up displays Gabriel’s astounding emotional range in just three seconds, the actor’s face has become memorialized in GIF-dom

In Arthouse Horror Film <i>Beast</i>, the Real Monster Is Youthful Misery

In Arthouse Horror Film Beast, the Real Monster Is Youthful Misery

By Alan ScherstuhlMay 21, 2018

This is what it’s like to be 27 and kind of a mess and totally sleepy and kind of miserable and suffering a headache and not sure who you are or who you should trust

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<i>Solo</i> Doesn’t Quite Got It Where It Counts, Kid

Solo Doesn’t Quite Got It Where It Counts, Kid

By Alan ScherstuhlMay 21, 2018

Like Rogue One, the other standalone Disney Star Wars film that suffered a famously troubled production, Solo has a just-finish-the-movie quality to it, an uncertainty about the pacing and seriousness of developments in its own story

The Movies’ Fixation on the End Times Can’t Be Good for Us

The Movies’ Fixation on the End Times Can’t Be Good for Us

By Bilge EbiriMay 18, 2018

Apocalyptic stories (as well as post-apocalyptic ones) have been with us forever; as a species, humans are uniquely fascinated with our own annihilation

<i>Book Club</i>’s Cast Is So Strong It Makes You Forget, at Times, the Premise of <i>Book Club</i>

Book Club’s Cast Is So Strong It Makes You Forget, at Times, the Premise of Book Club

By April WolfeMay 17, 2018

This story revolves around four successful women in a monthly book club who start reading E.L. James’ Fifty Shades of Grey trilogy, which inspires them to rekindle their own love lives

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<i>Deadpool</i> Will Laugh at Anything Except the Sanctity of Superhero Movies

Deadpool Will Laugh at Anything Except the Sanctity of Superhero Movies

By Alan ScherstuhlMay 15, 2018

Here’s what you need to know: This is less Deadpool 2 than Deadpool Squared, a studio and its star (Reynolds is credited as co-writer) committing to hyper-violent self-referential comic-book buffoonery

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