Inside the Lines

Art School Confidential is very much like every movie pilfered from the Saturday Night Live playbook, in which the slight giggles of a four-minute sketch are wrung into two-hour yawns. The work upon which it’s based is a four-page excerpt from a fourteen-year-old comic book called Eightball, written and drawn…

That Stinking Feeling

Our anemic movie industry recycles so relentlessly that even our complaints about such plasticized repackaging comes off as recycled product of its own, offered primarily to draw the line between concerned aging cinephiles and the target consumers who don’t care a whit. Still, we’ve become a culture not merely tantalized…

Abort

Mission: Impossible III finds Tom Cruise downplaying the world’s single greatest piece of action music in deference to an Age of Fear vibe that’s a lot more grueling than rousing. Seems Lalo Schifrin’s adrenaline-pumping “dum-dum-dum-dum-dum-dum-dum-dum” is now as dated as the Cold War from which it sprang; maybe the star-producer…

From Subway With Love

If that plucky seeker of bliss Bridget Jones lived in the Czech Republic, she might be something like Laura (Zuzana Kanoczova), the 23-year-old heroine of Filip Renc’s spirited comedy From Subway With Love. When Laura discovers that the billboards on her commuter train have been replaced by overheated love letters…

Sketches

Apparition. The brand-new Gallery Severn, which is owned by art collector and retired executive Andy Dodd, aims to be what he has called a “launch pad” for emerging artists. This specialty in fresh faces instantly makes the place interesting. Also interesting is Dodd’s decision to feature only one artist at…

Beauty at Buchenwald

Fateless (THINKFilm) I’ve no patience for the Holocaust docudrama — didn’t even see Schindler’s List till years after its 1993 release, to my parents’ everlasting shame. And so it was I avoided Lajos Koltai’s acclaimed adaptation of Imre Kertész’ Nobel Prize-winning autobiographic novel; are we not already gorged on the…

Home Life in Hell

World-weary skeptics might be tempted to pass on Icíar Bollaín’s Take My Eyes the moment they learn its heroine is yet another victim of domestic violence. But that would be a mistake. The brilliant Spanish filmmaker who directed and co-wrote this harrowing look at a sick marriage has no interest…

Troubled Water

If some religious extremists in India had gotten their way, the gorgeous fury of Deepa Mehta’s Water never would have reached the screen. As it is, these self-appointed censors shut down the production for years by staging demonstrations, torching Mehta’s sets and threatening her life. Eventually, the filmmaker moved her…

Technicolor Yuan

Coming closer even than Zhang Yimou’s House of Flying Daggers to resembling the Chinese cover art for an Iron Butterfly album, Chen Kaige’s The Promise is psychedelia extremis. Hardly a minute of it passes without a concentrated dose of digital frou-frou and lavish cartoon-poetic imagery: floating ocean goddesses, flying swordsmen,…

Palfrey Sum

It seldom fails. Every year, just in time for the Oscar deadline, a movie is released that doesn’t necessarily have a remarkable plot or director, but does feature an aging master (or mistress) thespian from the U.K., whom one might assume is an automatic shoo-in for an award nomination, ensuring…

Last Caress

Let’s say you’re a teenage boy dying of cancer. A well-known charity dedicated to helping people like you offers to make your fondest wish come true — as long as it’s something realistic, as opposed to, say, finding a cure for cancer. Would you choose a VIP pass to Disneyland…

Welcome to Hooters

The most important thing to know about the new movie Hoot, adapted from the children’s book by Carl Hiaasen, is that it’s co-produced by Jimmy Buffett, who also appears in a small role and provides new music for the soundtrack. Middle-aged drunks and boat owners might possibly rejoice at the…

White Heat

Among Warners Brothers’ classic gangster movies, the post-war gem White Heat (1949) may outrank even Little Caesar, I Am a Fugitive From a Chain Gang and Scarface, thanks in large part to aging James Cagney’s spectacular performance as a psychopath who has such a thing for his sour, hard-bitten mother…

Sketches

Apparition. The brand-new Gallery Severn, which is owned by art collector and retired executive Andy Dodd, aims to be what he has called a “launch pad” for emerging artists. This specialty in fresh faces instantly makes the place interesting. Also interesting is Dodd’s decision to feature only one artist at…

Embarrassment of Riches

Tennessee Williams Film Collection (Warner Bros.) All that’s missing from this boxed set — six movies, one doc, eight discs — is a jar of sweat; even Williams is here, in a 1973 documentary. Then there’s Brando, Beatty, Newman, Taylor, Burton, Gardner, Leigh, Malden, Huston, Kazan — the last of…

Fear of Flying

United 93 — which uses the hijacking of one plane on September 11, 2001, to tell the story of what happened to all four aircraft seized that morning — may be the most wrenching, profound and perfectly made movie nobody wants to see. There is no reason to think that…

All Gave Some

The impassioned new documentary Sir! No Sir! never mentions the words “Iraq” or “Afghanistan.” It doesn’t have to. Unseen and unremarked-upon, those bloody venues nonetheless inhabit the entire 84 minutes of David Zeiger’s film like some deadly, creeping virus for which there’s no cure. Zeiger’s actual subject, which he says…

Dreams Deferred

The Boys of Baraka, a fine documentary about a group of inner-city, at-risk boys who travel to Kenya to attend a special school, comes very close to greatness. For over an hour, the film is a sharp and blazing account of how boys with multiple challenges and little hope for…

Misery Train

At the opening of Lonesome Jim, a terrific new film directed by Steve Buscemi, a country song plays behind scenes of small-town desolation. “Good times’r comin’,” it promises, in the movie’s first joke. Nothing about these initial scenes — not the stark Midwestern landscape, not the sole figure running with…

Tumble and Flop

Criticizing an action movie for being empty-headed is like calling out Brokeback Mountain for its lack of car chases. Likewise, when a teen gymnastics movie is derided as formulaic and dumb, one might logically ask: compared to what? Very well. Stick It sucks it compared to the modestly charming Kirsten…

Charlie & the Shoe Factory

If you’re a regular movie-goer with a gift for remembering unusual names, chances are you’ve started paying attention to Chiwetel Ejiofor, the black English actor with a chameleon’s talent for disappearing into a role. You may not have caught his breakthrough performance in Stephen Frears’s Dirty Pretty Things, but you…

Thank Hell for Little Girls

The Darwinian theory that shlocksploitation must tighten its twist of the nuts with each new release will be tested strenuously for years — or at least several weeks — by Hard Candy. A pointedly s(l)ick cross between Oleanna and I Spit on Your Grave, thrown like raw meat to Lions…