Film, TV & Streaming

It’s a somewhat boisterous adventure, a war movie where you cheer not just for the boys to make it home but for them to complete the mission

Christian Gudegast’s Den of Thieves comes in a cut above the usual trash that Gerard Butler stars in (Law Abiding Citizen, Olympus Has Fallen), which is to say it’s a cut above movies that themselves are already passably diverting …

The first two episodes each build to a set piece in the city’s bowels, one in a factory’s attic and the other in a brothel catering to men who prefer boys dressed as women

Where the movie occasionally locates some surprise and resonance is in the tiny exchanges, when Wolf allows her characters to breathe, free of the demands of a schematic narrative

On January 25, at the Oriental Theater, American Vintage Pictures will premiere its latest release, Hot Lead Hard Fury.

For much of The Final Year, convinced of Hillary Clinton’s victory, the members of Obama’s crew insist that their successes and failures are part of a continuity – that their work will inform the work of the next administration

Versace is a puzzle the viewer puts together as it goes on, and with this approach the story seems to ripen with every episode as we move deeper and more intimately into Cunanan’s past

It’s a sad day when the cinematographer carries the full burden of storytelling, but in this instance it’s also at least a wonderful opportunity to marvel at Laustsen’s work

The film drags when Haneke pulls focus to the other, duller characters, perhaps inevitably, as it seems his intention for those people to lack interiority or thoughtfulness

Like many a Collet-Serra protagonist, Michael endures much punishment throughout The Commuter — some of it, as with one close-quarters battle involving a guitar, presented in spectacular extended-take fashion

The Insult is a little pushy, sometimes even tough to swallow, but no more than actual geopolitics

In Paddington 2, the emigre bear (again voiced by Ben Whishaw) appears to be the glue holding the Browns’ diverse, colorful neighborhood together

The Post tells the story of the late Katherine Graham (Meryl Streep), the longtime publisher of The Washington Post, who took over its operations after her husband committed suicide in the 1970s

Bradlee and Graham learn over the course of The Post to abandon the clubby congeniality that allowed politicians to lie to the press for so long without ever getting called on it

Like Reinhardt playing that party in Thonon-les-Bains, on the border between France and Switzerland, Django director Etienne Comar refuses the limitations imposed on him

Phantom Thread unfolds so quietly that the questions it’s asking about the nature of desire and attraction, and its delicately confrontational back and forth between Alma and Reynolds, may not register immediately

This surge of internal agony seems intended to pulse throughout the movie’s gruesome state-crossing trek, but Bale, in the part, is much less caricature-adjacent in the lighter beats …

Those expecting camp or catfights won’t find them in Gillespie’s movie, which instead offers thoughtful and somewhat objective critiques …

Although it goes beyond a mere stylistic device, the supernatural here often feels like a function of Thelma’s loneliness and inner turmoil

Sure, it felt like 50 centuries, and we all look like Medusa, but we’re still (kinda) standing, so holy hell. I think that calls for some TV!

… The film has three sections, and each part seems to assume a different set of genre conventions, a different set of emotional cues

… Powell and Pressburger are after something richer than the laughs of Here Comes Mr. Jordan and more expansively philosophical than It’s a Wonderful Life