As the story goes, Wayne Wang’s Smoke, that fascinating loaf of life set in and around a Brooklyn cigar store, got such a grip on its authors and actors amid last year’s shooting that no one wanted to let go. So they didn’t. With just six more days of filming…
It has been half a century since the star-struck gangster Bugsy Siegel arranged a screen test for himself (alas, his gifts lay elsewhere), and more than two decades since assorted soldiers from the Lucchese and Gambino crime families stood around the Godfather set giving Mafia style tips to Marlon Brando…
The reading public–O, endangered species–grows understandably wary every time screenwriter, director and cast get their collective hooks into a bona fide literary classic. It doesn’t happen every time, but some of the world’s most dreadful movies have dropped stillborn from some of the greatest books. Who can imagine Tolstoy’s reaction…
Gus Van Sant, best known for the junkie street fantasy Drugstore Cowboy and the quasi-poetic road movie My Own Private Idaho, is a hipster first and last–a contemporary Jack Kerouac with a Panaflex pointed at the Nineties. So the swipes Van Sant takes in To Die For at celebrity worship…
The eighteenth Denver International Film Festival gets under way October 11 at the Auditorium Theatre with the local premiere of Woody Allen’s new film, Mighty Aphrodite–in which Allen and Helena Bonham Carter play a married couple with plenty of, well, marital problems. The festival closes nine days later at the…
Cushioned by money and blunted by convention, Dead Presidents lacks the raw thrill that catapulted the Hughes brothers’ first film, Menace II Society, onto critics’ Best Ten lists and into the consciousness of an America obsessed with race and violence. Like many filmmakers on their second outing, Allen and Albert…
Easy Rollins, the smooth private eye at the heart of four Walter Mosley novels, occupies the same city (Los Angeles) and the same period (the fertile 1940s) as his celebrated counterpart in the detective trade, Philip Marlowe. Both of them are stained by the violence of their antagonists and, quite…
The versatile British director Peter Yates once made American tough-guy movies like Bullitt and The Friends of Eddie Coyle, as well as such quirky little comedies as Breaking Away. Now he’s joined the Irish charm cult. The Run of the Country is a coming-of-age story set in an Irish village…
Jerry Garcia had been at the undertaker’s about five minutes when a filmed valentine to his true believers hit the street. Your enthusiasm for Tie-Died: Rock ‘n Roll’s Most Deadicated Fans will likely depend on your tolerance for cult argot in general and Deadhead blather in particular, but make no…
In the cold, gray, unnamed city where David Fincher’s bloody thriller Seven takes place, it’s always raining. There’s a coating of grime on every door lock and lampshade, the coffee cups are all chipped and smudged, and every dark staircase in every tenement is collapsing. So is the tenement. All…
Once your acne starts to clear up, there’s not much reason to see an Allan Moyle movie. Or so it first seems. The Montreal-born director specializes in high-test teenage fantasy, so it’s unlikely that anyone with less than a compelling interest in picking out a prom dress or getting a…
Actress Diane Keaton has declared herself a film director, and she hasn’t taken long to set a style. In Unstrung Heroes, a bittersweet tearjerker combining a twelve-year-old boy, his dying mother, his geeky father and two crackpot uncles, Keaton leans toward solemn silences and worried faces reflected in windowpanes. She…
Earlier this year Andre Techine’s Wild Reeds won four major Cesar Awards–France’s version of the Oscars–and the movie has attracted big audiences in that country. But not all French delicacies travel well. The four interwoven coming-of-age stories at the heart of the film are interesting enough because raging teen hormones…
Spike Lee’s in-your-face moviemaking style–the pounding insistence that we get it–is familiar by now. So there’s little surprise when Clockers, which explores the complex, uneasy relationship between cops and bottom-rung drug dealers around a decaying Brooklyn housing project, opens with a grim montage of bloody police crime-scene photos interspersed with…
Apparently, Mr. Selznick’s search for Scarlett O’Hara had nothing on this affair. Robin Williams, James Spader, Stephen Dorff, John Cusack and Robert Sean Leonard were among the throngs answering the casting call for To Wong Foo, Thanks for Everything! Julie Newmar. But none of them landed a job. None of…
Just when we thought nothing else could go wrong on this beleaguered planet, environmentalists and medical researchers have unearthed something called “multiple chemical sensitivity.” Ten U.S. government agencies currently acknowledge the existence of this politically correct affliction, which is probably nine more than knew about it an hour and a…
British director John Boorman’s fondness for exotic locations and quasi-mystical quests give his best films, like the memorable Southern river trip Deliverance, an air of heightened reality, while his botched forays into Arthurian legend (Excalibur) or Amazonian splendor (The Emerald Forest) reveal the boisterous-tourist side of him, along with a…
A wise man–or was it a wise guy?–once cautioned that there are two things you should never watch being made: sausage and movies. (Consider the ingredients.) Nonetheless, directors have convinced themselves from time to time that the moviemaking process itself is suitable material for a movie. Most notable was the…
The most unnerving–and delectable–skill of film noir masters like Huston, Wilder and Dassin may have been the way they turned all of human relations into a slippery fiction, a pack of lies, an extended alibi. In the dangerous netherworld of these movies, no love was true, no emotion sound, no…
If you work mainly at home, get your mother to do the catering and play one of the lead roles yourself, you might be able to eke out a feature-length movie for $16,000. That’s what 27-year-old Edward Burns did. The surprise is not that Burns got The Brothers McMullen into…
With hearts full of hope, the people at 20th Century Fox are trumpeting A Walk in the Clouds as Keanu Reeves’s debut as a romantic leading man–despite a resume that lists party animal, acrobat cop and ersatz Buddha as his most notable movie accomplishments. Predictably, neither the clatter of press…
Like Keanu and company above, the restless young characters in French-Canadian director Denys Arcand’s Love and Human Remains are also searching for love and family. But most of them are initially so unlikable that we don’t care much if they succeed. Consider the gay actor-turned-waiter David (Thomas Gibson), a hard-shelled…
