It takes grit to make a movie in Colorado — sometimes True Grit. This state’s film industry has gotten mixed reviews over the years, but there’s no question that producer Hal Wallis created a classic when he made True Grit, based on the book by Charles Portis, in Colorado in…
Code Black — which opens Friday, August 1, at the Sie FilmCenter — reminds viewers of an astonishing reality of the health-care industry: In emergencies, seconds count. The documentary follows Ryan McGarry, a physician who trained in the trauma bay at Los Angeles County Hospital and brought cameras along for…
Too hot to hike? Escaping into a movie theater to glut on popcorn and blockbuster films is one of the tried and true ways to beat the blazing summer sun. Sure, these $200 million Hollywood titans sometimes crash — but even if they let you down, you can bank on…
Boulder County Clerk and Recorder Hillary Hall continues to defy legal threats and issue same-sex marriage licenses — just as Boulder County Clerk and Recorder Clela Rorex did four decades ago. In his documentary Limited Partnership, the closing night film at this year’s Cinema Q film festival, filmmaker Tom Miller…
On this week’s Voice Film Club podcast, Amy Nicholson of the L.A. Weekly and Stephanie Zacharek of The Village Voice interview film critic and author Karina Longworth, who’s just launched a fascinating new podcast on the history of Hollywood called You Must Remember This. [Subscribe to the Voice Film Club…
With the booming Denver housing market and the influx of hipsters struggling to find meaning in a culture built on a bedrock of irony and flippant fashion, visiting Brooklyn — ground zero for vacuous aesthetes — is like looking into a crystal ball and seeing the future Queen City of…
The business of childhood is the business of waiting: waiting for Christmas, waiting for school to let out, waiting to be old enough to stay up past nine. No other movie I can think of captures the wistfulness of those days full of waiting better than Richard Linklater’s Boyhood, an…
Philip Seymour Hoffman is an island of rumpled calm in Anton Corbijn’s urgent A Most Wanted Man, a glum-out-of-principle espionage story based on a John Le Carré novel. The role demands that Hoffman be quiet, steady, occasionally frustrated, and that he hold secrets — often from us, which is a…
Suppose you’re in high school, and your interest in movies has begun to run deeper than multiplex fare. You may find yourself gravitating to a particular kind of intellectual film: the dour, the twisty and the ostentatious must be regarded as the pinnacle of the form, because, you feel, you…
Articulated Perspectives.Summer is group-show time, and Bill Havu and Nick Ryan have put together a great exhibit that looks at artists who combine representational imagery with abstract sensibilities. The exhibit, installed on both the main level and the mezzanine, includes the work of three painters and one sculptor. As you…
Uncomfortable-silence auteur Joe Swanberg has made a career of testing how much falseness you can strip out and still have a movie. What if people on screen talked like people off it, and they spent as much time looking at phones and laptops as you do, and if their moments…
One could be forgiven for being skeptical that a Hercules movie starring Dwayne “The Rock” Johnson and directed by Brett “Rush Hour Trilogy” Ratner might have a brain in its head, but it actually does. We’re not talking Snowpiercer levels of intelligence, but it’s far less aggressively stupid than, say,…
With his stately drawl, Morgan Freeman has narrated nonfiction documentaries about penguins, slavery, the lemurs of Madagascar, ancient Egyptian pharaohs, and the expansion of the universe. His is a voice of authority tempered by warmth and wisdom, capable of evoking felt human experience and the majesty of creation. In writer-director…
Lesbian, gay, bisexual and transgender cinema is becoming the new norm, according to Denver Film Society programmer Matthew Campbell: Festivals such as Sundance now feature films about LGBT characters who are fully fleshed out and whose stories have less to do with their sexual identity, he points out. Marriage and…
With Broadway now the center of the hipster universe, it’s hard to remember that time thirty years ago when Denver’s once gleaming “Miracle Mile” — a stretch of streamlined stores and car dealerships — had devolved into a malevolent mile of boarded-up storefronts, decrepit hotels and vacant lots. The area…
On this week’s Voice Film Club podcast, we hear from L.A. Weekly film critic Amy Nicholson, who’s intrigued by the bizarre universe of Pixar’s Planes movies. We also hear about the film critic’s background and how she became interested in the movies by way of subliminal advertising and photography…
Wish I Was Here, the movie that actor and second-time director Zach Braff partially funded with money raised through Kickstarter, isn’t nearly terrible enough to satisfy all the grumblers who are hoping to see it fail. When Braff couldn’t secure traditional financing for the film, he appealed to the fans…
In contemporary, genre-splashed Indiewood, the task is often simple but bedevilling: You have an HD camera and a modest house in the L.A. hills; now what do you do? Shane Carruth, among others, has proven that you don’t need much more — just add ideas. Call it Home-Based Sci-Fi; from…
Legend has it that after not cutting it as a probation officer, Shep Gordon dropped some acid and stumbled into Hollywood, whereupon Janis Joplin punched him in the face and Jimi Hendrix said to him, “Are you Jewish? You should be a manager,” and then Gordon showed them a drawer…
Chris Richter. Back in March, gallery director Bobbi Walker realized that her planned June slot had come apart and that she needed to come up with somebody fast. At the time, she was checking out the scene in Santa Fe, New Mexico, and came across the work of painter Chris…
It turns out that the cars and planes of Cars and Planes can kiss. Deep into Planes: Fire & Rescue, a time-killing kid-flick whose title is an exact summary of its plot, the filmmakers introduce us to two creaky old Winnebagos, a husband and wife in their sunset years, revisiting…
If the Saw series taught us anything, it’s that every quasi-inventive genre movie is fated to become a yearly franchise with increasingly diminishing returns. The Purge practically cried out for this treatment from its premise alone: James DeMonaco’s film had a big idea — a near-future in which “any and…
